Do They Remember?

Does the gravel road remember

the border of pastel yarrow, my footprints and the hollows made by my knees and the heels of my hands, me concentrating on staying awake while ravens oversee, soaring, violet mystique wings outstretched

Does the sky remember

glaring down on the old drunk, in his yellowed Stanfields, lying in a soaking puddle in the backyard morning, sprinkler ran all night and he drowned but didn’t know it

Does the backstop remember

me up on the mound, black socked Juan Marichal leg kick, wild as an air hose when the nozzle breaks off, baseball’s the next perfect thing after the last one blew apart

Does the kitchen floor remember

her pinwheeled on the cornflower tiles, alone and snoring, pajama top only, mustard on her pointed chin, the yellow badge of surrender, but what would I know of it?

Do the unknowing remember

all the things they can’t know when they say “Good for you…” but judge with unwrinkled eyes and tiny fists shooting venom, like Marvel halftone beams white hot with denial

Does the delivery room remember

my red moustache in an eighties flow, holding those babies so precious, waited through all the bad befores and here they are, perfect and undefinable, all worth it

Does the shy boy remember

how it felt to build the rink, leaves falling amber, nailing the boards, dragging the curved corners flat, dreaming of me yet to come, faceless, so I took his with its smiling eyes

Does the upstairs bedroom remember

her reading from Grimm’s, cover corners worn like the tongue of a boot, eyes the sagging hue of fall light but still life giving and aglow, “Who’s that walking across my bridge?” and the silver fillings glitter in the laughter of it

And All I Got was this Lousy Poem

That’s right, I had a surprise heart attack, suddenly lying out on the wet gravel of a deserted road and all I got out of it (besides a couple of stents) was…

Well, we’ll see about that. Here’s the poem:

Woman with the Dog’s Eyes

By Mitchell Toews

Uppermost boughs sough with impatience as I stare
Grey fingers stretch up to the arc, branches of a birch gone bare
And these I frame in the quiet now, the tide wheel all but silent
Apocryphal offspring close by me, how? And dear, so dear
Brushwork details unfinished yet, I fear, I fear
Eyes wide I rise with canvas ready, my pigment not yet spent

 

allfornow friends,
Mitch
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