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A Collection of Short Stories

Here it is… the announcement I’ve been waiting to make public since my story in grade four at Southwood School in Steinbach made it onto the classroom bulletin board.

Bigger me, bigger bulletin board.

Cheers, respectively, to teacher Miss Hildebrand and publisher Matt Joudrey.

“Pinching Zwieback” is a themed fictional account of the lives and characters in a place on the Canadian prairies called Hartplatz. It features the Zehen family and many others whose comings and goings represent events both real and imagined under the Prussian blue sky. Among them: Hart & Justy, Schmietum Jake, Pete Vogel, and Matt Zehen, whose journey is observed from childhood to later in life. Characters that really schmack!

More info as we get closer to the spring 2023 launch. Watch this space and my Facebook and Twitter pages. (LinkedIn too.)

Our German Relative

Our German Relative

By Mitchell Toews

Whenever our family got together, it was inevitable that we would sit and tell stories. We would gather in my grandparents’ adjoining kitchen and living room, tjinja on the floor to make room on the couches and chairs for our elders. Here at the heart of their warm and crowded house, no one would be out of earshot. Yarns were unravelled and our feelings rose and fell. It was as if we were on a ship and the prairie around us was a rolling ocean – in all that sprawling snowy sea, my grandparents’ house was the safest harbour. And yet the stories often reminded us of the many dangers that exist in what seemed such a placid and familiar world.

At Christmas, Grandma always told the final story. That was our tradition. It was about my great-aunt Rosa when she was a child in Russia.

Enunciating with care in her precise English, Grandma Zehen told the story. Her narration was theatrical and thrilling, but still heartfelt and purely told. She would fill in detail and sentiment, adding dialogue to suit. But most engaging of all, she always told the story as if it was ours. This may not have been strictly so; it may have been cultural lore as much as family history. I never felt that it mattered – I just remember waiting for the story every Christmastime.

Lights were dimmed, candles lit. Out came the platters of Christmas cookies from the warmth of Grandma’s oven. Baked fresh this evening, we had been smelling them since the stories began, all of us waiting for them to arrive. I will never forget the candy taste of the pink icing, the buttery aroma with just a hint of vanilla. I can still see the warm glint of the crystal sugar in the candlelight. Best of all, dee tjinja got first pick from the overflowing trays!

Grandma began her special story once everyone had their cookies and we chewed as quietly as we could to listen.

#

Not too far from Odessa, on the shores of the Black Sea, there was once a place called Molotschna Colony – ‘Milk River’, you know, as Englanders say it. My mother’s sister, my Taunte Rosa, attended grade school in one of the villages there. By Soviet dictate, the lessons were taught in Russian. The teacher, however, was brought in from Germany for the school year. Naturally, she was fluent in Hoch Deutsch – the language the Molotschna Mennonites spoke in church. She spoke Russian too, but best of all, thisLehrerin was also able to get by in her Mennonite students’ native PlautdietschObah, for the tjinja, of course, Plautdietsch was like the difference between day-old rye bread and fresh raisin toast with butter!

After Russia’s Godless Revolution, another state dictate forbade all religions. It was illegal to come together in any kind of gathering, especially for groups with obvious proclivities towards worship. Why even our little get-together today would have been banned under these new laws! Ambitious and diligent, the government officials were particularly strict in overseeing the local Mennonites in everything they did: at work, at home, and in Taunte Rosa’s school.

But there were still some aspects of Christendom that refused to fade in Russia. In a practical sense, this referred to the calendar and the arrangement of holidays, most of which were based on old religious traditions too deeply ingrained in society to go away overnight. Christmas ceased to exist, but a single day of rest near the end of December was permitted in Taunte’s village. Despite this, officially, even the simplest Yuletide symbols were banned.

Can you imagine? We have not experienced oppression like this in Canada, but let me tell you, it was a profound stimulant to Christmas joy back then! There is a kind of enthusiasm for celebrations that only forbidding them can produce. Ha! Bibles came out of secret hiding places. Clandestine late-night services were held in barns and haylofts and carols were sung in whispered voices. Even the auf’jefollna cast aside their backsliding ways and rediscovered their fervour!

Now, kids, I’m sorry for all the big words and grown-up talk! What Grandma is saying to you is that Christmas was taken away. And not just Christmas, but Easter too and even going to Sunday School. It was a mixed-up time, joh? But you little ones shouldn’t worry – the next part of the story is really for you, most of all!

So, now…little Rosa was very excited and too young then to grasp the full extent of the ban. She felt that taking away Christmas was like a game the adults played – the government on one side, trying to catch you; the parents and kids on the other side, trying to be clever and feeling the dangerous exhilaration of outsmarting the apparatchiks and their stuffy No-Christmas rules.

Christmas baking was one of many pieces in this complex game. Most Mennonite families still made Christmas cookies and other festive treats, but these traditions were known to the officials and were part of the ban. Christmas cookies were kept secret and were hidden.

A few days before Christmas Day one year, Rosa joined the game. That day, her mother had baked a batch of these secret Christmas cookies, and young Rosa couldn’t stop herself. She took one of the best, one with pink icing and red and green sugar crystals on top – and snuck away. She wrapped it in oiled paper, then in a folded piece of cardboard and secured it snugly with a thin ribbon she had saved from her birthday. Her coat had an inside pocket and she placed it there, near her heart. This was her Christmas gift for her teacher, Fraulein Rosenfeld. Rosa was so fond of her pretty teacher, you see, and was always broken-hearted in the springtime when Fraulein packed her trunk and left on the train.

Imagine the winter sky, children, as big there and just as blue as it is here. Think of Taunte Rosa as she hummed ‘Stille Nacht’ ever so softly while she walked to the schoolhouse, her boots squeaking in rhythm on the hard-packed snow path. Rosa, you see, felt guilty for not telling her mother about the gift. But, you know just how she felt, joh? She wanted to give this gift so badly and feared if she had asked, the answer would be no.

After lunch at school that day, while the other children dressed to go out and play, Rosa walked shyly to Fraulein’s desk and placed the ribboned gift in front of her. Fraulein tilted her head, not used to gifts from children in her class. Desperately saving for passage to strange, distant destinations like Canada, America, and Mexico, the families of Molotschna had little left over. And, of course, no one in any of the Russian Mennonite Colonies gave gifts for Christmas.

“What’s this?” the teacher asked.

Rosa stood at the edge of the desk, her heavy parka over her arm. At first, she was terrified, sensing that her teacher was angry and that she had done something wrong. “A present, Lehrerin,” was her meek answer.

Fraulein answered with a hum and a slight frown. She was a prim woman, thin and neat and somewhat severe. Her eyebrows raised and her eyes flicked up to see if anyone else was in the room. It was empty; all the children were already on the playground. She picked up the light bundle and unwrapped it with long piano fingers, laying the shiny ribbon on the varnished desktop. She undid the folded oil-paper and looked down at the small Christmas cookie.

“Well, well,” she said, before taking a deep breath and sitting upright in her chair. “How nice, Rosa. But, tell me please: did your mother give you this, for me?” She left her steady gaze on the child but took care not to stare too hard.

Rosa looked down, her cheeks flushing. “Nay, Lehrerin. It was me,” she confessed.

Nicht Mutti?” replied the teacher in more formal High German; her tone firmer, a hint of accusation lingering.

Nein, Fraulein. Mother doesn’t know.”

Fraulein Rosenfeld nodded curtly. She rose and walked swiftly to the doorway, her heels like hammer blows on the oiled wood floor. Looking down the hall and then closing the door, she paused there, her hands clenching as she gathered her thoughts. Rosa waited, feeling ever smaller next to the tall desk. The door locked with a sharp snap.

Nah joh,” Fraulein Rosenfeld began. When she turned back to Rosa she was smiling. “This is so nice.”

Rosa squirmed, basking in the moment.

“It’s just so nice!” Fraulein repeated. “Can we have it now, Rosa?”

The little girl studied her teacher’s face. Then, eyes shining, she said, “Joh!

Fraulein Rosenfeld looked through the window to the playground. Then she returned to the desk and broke the cookie into smaller bits. She ate some of it, passing a small piece to Rosa.

They ate together, chewing busily like church mice, with the teacher standing between little Rosa and the door. Fraulein fretted from door to window and to the large white-faced clock on the wall behind her, above the lined blackboard, keeping watch all the while.

Soon the cookie was gone. The teacher took the wrapper and folded it over and over until it was a small square. She pushed it deep into her pocket, together with the curly ribbon. She moistened her fingertip and dabbed at the few remaining crumbs. Holding one finger upright in front of her pursed lips, she took Rosa’s little hands and squeezed them gently, leaning over to kiss her on the forehead in the silent classroom.

“Our secret, joh?” Fraulein said in a whisper.

Rosa nodded, elated to have a secret with Fraulein – an honour she did not fully grasp. But perhaps it was just what the Fraulein had been lacking in cold and distant Molotschna.

 

molotschna sm
Page 232, “Building on the Past”, Raduga Publications, Rudy P. Friesen

 

You see, Fraulein Rosenfeld was much revered by the officials who ran the school. They saw her presence as a special concession to the Mennonites. On the other hand, the local teachers felt it was a slight to them and they treated her with cool disdain. For Fraulein, from a remote dairy farm in southern Germany, this teaching position was Godsent. It combined her gift for language and her love of children. To her, some minor social distance was a small price to pay. But ask any oma or opa whose children have since begun their own lives and families, and they will tell you, it’s easier to feel lonely at Christmas than at any other time of the year.

Fraulein gazed with fondness at the tiny girl, she saw the brightness in her eyes and touched her braided blonde hair.

Just then, the first of Rosa’s red-cheeked classmates huffed into the cloakroom stomping snow off their boots and unwinding scarfs, their yarn-strung mittens wet and dangling. They looked at the two at the front of the classroom. Rosa’s friend Tina called out that they missed her for the game of fox and geese they had played, running in the fresh snow. Before Rosa could reply, the bell rang and the children returned to their seats.

Now tjinja, you might ask, how dangerous was that one innocent küak? Surely no great peril could come from something so small? But all it would have taken was for the wrong official to find out about the cookie – why what would have happened to them then? Those Russians, obliged by strict orders to find them, might have detained Rosa’s family. Maybe they would have been sent to a distant work camp or suffered some secret cruelty in Moscow, too horrible to name. Who knows?

And all because of a Christmas cookie.

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Grandma folded her hands in her lap. The house fell still and silent until Grandpa prayed, his voice solemn and thick with emotion. When he finished, after, “Amen,” we sang, giving thanks for our deliverance, rattling the windows, billowing our hearts; “Praise God from whom all blessings flow…”

At last, late on Tjrist’owend, I would lie in my bed and retell myself Great-Aunt Rosa’s story. Fraulein Rosenfeld was like a relative we saw just once a year – a loyal and trusted member of our family there in the tiny house behind the bakery on Barkman Avenue. With this visitor, never distant though she came from far away and long ago, our Christmas was complete.

 

Reprints and re-blogs are welcome. A version of this fiction appeared on Red Fez Christmas, 2016.

The Business of Saving Souls on SickLit

Update: My prickly story about the conflation of business, big church and politics appears on SickLit Magazine today, May 15.

This is a reprint of the story which first appeared on another of my favourite literary journals, Literally Stories.

This is what SickLit Senior Editor Nicole Ford Thomas had to say about it:

“I really like “The Business of Saving Souls,” as it seems at first like a warm and fuzzy church parable about doing good, but down deep, it’s a lesson about standing up to corruption–all corruption–and fighting to take care of each other.”

SickLit recently ran a reprint of another of my stories, “The Rothmans Job”, which first appeared on the vibrant Canadian literature site, CommuterLit. I have a total of seven stories on CommuterLit and another five on Literally Stories. Thanks to the editors of all of these exceptional online literary journals!

I hope you enjoy the pieces and welcome your comments.

Special thanks to the editors at SickLit. They are awesome sauce. (Or, “hosanna!” as they’d read responsively at the NTCCF.)

Allfornow – Mitch

The Beefeater and the Donnybrook

 

Update: 4.11.17 – Hi, from a sunny day in April, beside the lake,

Janice and I have been travelling and have both been down with a cold lately. My blog activity has been limited, though I have been able to keep up with daily writing. Today I heard from editor and literary paragon, Charlie Fish, that another of my stories has been accepted for his award-winning site, Fiction on the Web.

Feedspot has named FotW a TOP 20 short story site on the internet!

Short-story_20_transparent_216pxHere’s what Charlie says about FICTION on the WEB: “It is a labour of love. Every single story on here is hand-picked and carefully edited by me. I don’t have a staff, and I don’t make any money. I do this because I want to give authors a chance to get their work out there, and I love sharing great stories with the world.

FICTION on the WEB has been online since 1996, which makes it the oldest short stories website on the Internet.”

Here are a few snippets from my latest story:

The Beefeater and the Donnybrook

By Mitchell Toews

Copyright Mitchell Toews ©2017

MICAH JAMES WAS shorter than average and had an interesting kind of face. His eyes were recessed and penetrating and his complexion had the weathered texture and ruddy colour of a mountain climber or a big game hunter. He was neither. Micah James was a quiet, middle-aged family man – an engineer working for the City of Halifax in Canada.

The Jameses were leaving together soon on a long-awaited trip to London. His wife, Marion, had planned the trip from the packing process through tipping and all conceivable forms of disaster planning.

[SNIP]

“Ok, I’m on it! Walk will do me good.” Micah said, giving Marion an assuring glance and summoning up some energy for the trip. It was fine – the kind of little blip he had been secretly hoping for.

[SNIP]

Twisting in his crouch, Micah was eyeball to kneecap with a pair of creased black pants, gold piping on the sides. His eyes followed the stripes up to a white satin tunic and topping that, a dapper red fez. Then the voice again, but softer, “Are you alright, mate?”

[SNIP]

He waited in line at the reception desk, listening to an instrumental version of a Bob Dylan song. It was piping out of a speaker in the tile ceiling above him and he laid his head back to peer at it. Thinking of his own rapid descent into hell, he picked detritus from his oily beard; bits of styrofoam and other rancid urban spod. His thinning hair hung in limp disarray and the belt of the raincoat had come loose and was dragging on the ground behind him like an obedient, filthy snake.

[SNIP]

See it on FotW on May 19: an ever-worsening yarn that plays out on the streets of central London. 

Other stories that have appeared on Fiction on the Web:

Nothing to Lose

July 8, 2016. A baker and former hockey player reminisces on his colourful history as he delivers buns in the dusty Manitoba sun.

Heavy Artillery

Oct. 30, 2016. The story of young Matty and his characterful neighbour encountering a travelling salesman in the sleepy Manitoba town of Hartplatz.

The Preacher and His Wife

 Jan. 23, 2017. In Hartplatz, rural Canada, a neighbourhood scandal brews when young Sarah reports that her grandmother’s engagement ring has gone missing.

The Rothmans Job

February 19, 2017 UPDATE

SickLitMagazine has advised that they will be publishing a reprint of “The Rothmans Job” which first appeared (see below) on CommuterLit.com.

The story will run in late March or early April.

sicklit

allfornow – Mitch

January 30, 2017 UPDATE

TODAY, this twisted Canadian yarn, born in absurd truth and transported on the wings of a fictional 1991 prairie storm, is published by CommuterLit – a Toronto based online purveyor of morning short stories, lox and bagels. (And they are all out of lox and bagels.) 

http://commuterlit.com/

If a Neo-Noir Xmas Tragicomedy sub-genre exists, then this story belongs there. If not, then maybe this story inspires it?

A snowy night. An unlocked warehouse. A characterful materfamilias.

The Rothmans Job – EXCERPTS
By Mitchell Toews
.
A STORM LIKE THIS was rare. Snowflakes blocked out sky and sun and moon and stars. The flakes – as big as baby fists – had been falling for three days. Light and dry, they flew, then settled, then flew again – whipped by a dodgy north wind. At night, the tops of buildings disappeared except for the occasional glimpse of a red tower beacon or a snapping row of flags, like those atop The Bay.
.
Through this otherworld trudged Waxman and Thunderella. Waxman led. He wore two snowmobile suits and his knees could not bend more than a few degrees. Lumbering and stiff, he plowed through drifts for his female accomplice, Ellen Thundermaker.
.
[snip]
.
“No way, Waxy. It’s gonna be all imported cheese and fancy wine. Crab meat. Vienna sausages…” she said, stopping to let him join in.
.
“Ha-ha. Yeah – uhh, Heineken beer, Dijon ketchup, Swiss chocolate – or, you know, one of those giant bars, ahh,”
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“TOBLERONE, TOBLERONE!” she shouted out, filling in the missing name.
.
“AS if,” she added, suddenly serious…
.
[snip]
.
(about 2,400 words)   Copyright Mitchell Toews ©2017.

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Waxman, Thunderella, Pegasus, Otto the inventor, the police, Pozzo, Roland, and (in absentia) Poland, all look forward to making your acquaintance.

allfornow – Mitch

We’re All Just “temporarily embarrassed millionaires…”

Originally posted on a friend’s Facebook page. The italic comments are my subsequent additions. (Cooler heads prevailing? Maybe…)

Who looks out for low-income Canadians? The lawmakers? Okay, but aren’t they mostly wealthy individuals, some for many generations?

If not most, then many. After all, their salary, benefits, celebrity, and pension are enough to be financially attractive to most Canadians.

Aren’t many others “first-generation wealthy” who might see their elected membership in Parliament (and other institutions) as a handy, effective means of wealth generation and preservation? A few might be from lower income cohorts but far more (a statistical majority, in fact) are likely to be extremely rich; elites who may take the attitude that, “if the poor don’t like it, they should have made more money!”

“Extremely rich” is hyperbolic, but compared to those of average income and debt loads (who lack the opportunity to earn income after their public political life), many elected officials are financially well-off.

All those elected officials who complain that government pharmaceutical programs would be “socialist” activities are likely wealthy (and so do not fully appreciate the burden of pharmaceutical costs), likely don’t see “the poor” as a significant voting block, and are probably recipients of MP (or other gov’t position) pharma, dental, travel, etc. care plans.

The “Falk in our stars” are those who, as members of Parliament or Provincial Legislatures have a Pharma plan as part of their government pay package. If it disgusts him to the point of public displays of angry bluster, (and if I could) I would gladly take over TF’s coverage. I won’t vote for him as a result (that transaction would be illegal), but I will feel better about his election rhetoric and he will be able to point to his noble intent and superior moral character.

A better remedy than my angry rant might be to go back and read “The Grapes of Wrath” again.

Festival Abstract

My attendance at literary meetings is rewarding (and nerve-wracking). From a coffee shop tête-à-tête, a living room get-together, a workshop, or a formal literary festival, I advocate these gatherings despite their introvert-daunting nature. 🙂 The blend of writers, published authors, publishers, readers, editors, librarians, booksellers, critics, literary academics, and educators can take many forms, all invigorating,

Here is a summary of my experiences based on my professional journey and what I can offer as a literary speaker, panelist, or workshop presenter for literary events.

(March 30, 2024) Parable Addendum: “An enterprising individual is on a Trans-Atlantic ocean crossing, heading for Halifax. The ship strikes an iceberg and sinks. The entrepreneur survives by floating atop a wooden grand piano lid and immediately upon being rescued and reaching Canada, opens a grand piano lid floatation device manufacturing company. . . “

What I’m saying is that my experiences are just that: my experiences. I am—like raccoons, cockroaches, and many entrepreneurs—a born survivor. Survival instincts ain’t always pretty and depend on circumstances: what you encounter and the resources you can use to overcome your challenges. As in the story of the piano lid, I’m not advocating you follow my specific path. I’m only saying that I did what I felt was best at the time and in my circumstances. I sought as much, and the best professional assistance I could get. Craft is not everything but it is a huge component. The way I approached my literary career as a writer was—and is—constrained by, among many things, talent, location, my age, time, and financial resources.

(Thanks to writer-friend Doug Hawley for his note reminding me to explain the underlying truths of my “curriculum.”)

Mitchell Toews: A Grass Roots POV

  • Background in advertising and corporate communications. Persuasion, copywriting, ad copy, marcom: a perspective on the differences and the similarities vis à vis creative writing and fiction.
  • Writing practice grounded in Canada, small towns, the prairies, the boreal, and the Canadian Mennonite community.
  • Bootstrap artistic journey: shifting from corporate and marketing communications to creative writing—keeping the good, identifying the irrelevant (and the problematic).
  • Returning to early ambitions to write professionally and facing the difficulties of an “Act II” existence.
  • Overcoming ageism and the bias against older emerging writers in CanLit: staying positive and stoic in a challenging environment and resisting the slide into victimhood.
  • Journeyman’s approach: over 800 submissions to the “slush piles” of literary periodicals, contests, and anthologies. (With over 120 resultant publications.)
  • Self-promotion within the context of the small press and independent (non-agented) landscape within Canadian literature.
  • The importance of independent bookstores, libraries, and museums.
  • The Open Mic for writers: more than just a chance to hang out with musicians.
  • Book launches, readings, panel discussions, and book club author nights.
  • Workshops and critique groups.
  • Working with freelance editors (*see Sidebar), press editors, publishers, and publicists.
  • Working with Writers in Residence.
  • Social Media vs. “Shut up and write.”
  • Acquiring blurbs and reviews.
  • Literary and Arts organizations: Guilds, Unions, Councils.
  • Grant writing. Keep it short.
  • Professional development for the rural writer.
  • Creating a personalized workshop topic: seeing your strength. (Mine is “Writing your Culture.”)
  • Paying it forward: building your allyhood, being an artistic comrade.
  • AI: the dog that bites its owner.
  • Wealth: the unspoken truth.
  • Thoughts on “tarnishment” and the personal authorial voice.

*Sidebar. Early on, I was introduced to a young, male author from England with an impressive resume. We struck a deal and he instructed, mentored, and edited me for two years. I invested over $2000 in our online interactions (about 900 emails!!) and this was a transformational step for me—both the commitment and the results.

The right person and work arrangement are critical; James Mcknight was the appropriate choice for me. After our engagement ended, I extended my reach to study with other instructors and mentors, but James was a true lifesaver in my case.

Mitchell Toews: Proud member of The Writers’ Union of Canada

Anthologies

When I began submitting stories to lit mags in 2016, I noticed a few calls for submissions to anthologies. Some contests published print anthologies of the longlisted stories. Other anthologies were not open to submissions. Instead, they contained stories the editors had hand-picked for their collection.

I wondered if my work would ever be good enough to submit to an anthology, never mind have a story invited for inclusion.

As these things go, there are varying levels of anthologies. My hardcover Norton Anthology text in 1974 at the University of Victoria would be one level. I did not aim quite that high, but I did offer my work to a few and over time, others asked to include stories I had written.

My stories (18 in total) have been in 16 anthologies. I am not as active in pursuing them as I was, but I still greatly respect the form and enjoy being included in an eclectic and far-flung grouping of authors.

Here’s my printed anthology publication list, to date:

Best of Fiction on the Web: 1976-2017, 2017, U.K.
The Machinery: Fauna, 2017, India
Just Words Vol. 2, 2018, Canada
The Immigrants, 2018, U.S.
We Refugees, 2019, U.S.
The Best Short Stories from the MOON, 2019, U.S.
A Fork in the Road, 2020, U.S.
Just Voices, 2020, Canada
Anthology of Short Stories Summer 2021, 2021, U.K.
This Will Only Take a Minute, 2022, Canada
Small Shifts: Short Stories of Fantastical Transformation, 2022, Canada
Framework of the Human Body, 2022, Canada
I Used to be an Animal Lover, 2023, Australia
Hardboiled and Loaded with Sin, 2023, U.S.
Prine Primed, 2024, U.S.
Nona Heaslip (Exile) Best Canadian Short Stories, 2024 (forthcoming), Canada


I hope to continue to contribute to excellent collections like these. Every time I work with an editor, I find I improve as a writer and my work benefits with some lustre or refinement that it might have otherwise missed.

I have been nominated four times for the renowned Pushcart Prize Best of the Small Presses Anthology but so far, no room under that prestigious umbrella for me—so there’s still a lot to aspire to.

In Praise of Contradictory Characters

Humans evolved as viable beings in part through our ability to maximize our senses as a whole. This is unlike many other creatures with specialized areas of excellence: a hummingbird’s flight or an eagle’s vision, for example. We homo sapiens have not been able to supercharge any single sense but have created a life-giving skill of summarization. We’ve been able to condense all of our senses to create almost instantaneous and frequently accurate compound impressions that let us make fast decisions.

When walking in the woods, the leaf-muffled sound of something above makes us instinctively glance in that direction, lower our centre of gravity, and rely on our unconsciously gathered, short-term knowledge of our immediate surroundings to guide us and avoid a falling branch.

These intuitive, “always on” survival instincts are given to us before we are born; these powers are in our genes and the DNA that plots our growth.

We combine all available data to create almost prescient responses to situations and we do it thousands of times each day, even while we sleep. Each second, we are automatically collecting, sorting, saving, discarding and responding—or preparing a response—to the myriad sources of input we insatiably seek to acquire.

Relentless and ruthless, we categorize and make assumptions as a necessary by-product of our rapid-fire process of collect-examine-act. It works! 750-pound sabre tooth felines are extinct but 122-pound soccer moms wearing spandex leggings and hot pink tank tops jog with their stroller-strapped infants through modern society’s statistical valley of death: roadside urban environments.

We depend on our ability to rapidly rate & discern danger or safe haven. This savant-like skill has made our population grow to the point where we have become our own worst enemies.

This island of genius, summarization, extends to our art as well. In fiction, we create characters whose true selves are, to the observant reader, readily visible. Seemingly stereotypical. However, our “bad guys” may at first appear as great dads, loving boyfriends, fearless advocates of the downtrodden, or otherwise trustworthy sorts. And so they may be, until they, like the tree branch, suddenly SNAP!

Like we somehow knew they would.

Bait and switch. Hidden foreshadowing. On Star Trek, the never-seen-before crew member who is featured in the opening segment of the show as a loyal but inconsequential player sets off alarms in our sensory array. We KNOW this character is shown for a reason. This herring with a sunburn is going to: a.) die horribly, b.) be transformed into some unstoppable alien predator, or c.) shapeshift into a lookalike for Kirk, Spock, Bones, or Scotty. The music, dialogue, the point in the story arc, and a dozen other micro telltales (a signature Nimoy eyebrow lift perhaps) give us a sense of certainty that all that remains to discover is the skill with which this yarn is unravelled. We grab a bowl of sugary cereal at the scene break and hurry back when the familiar “back-from-commercial” music entreats us to return and see if maybe there could be some knot in the plot we did not foresee.

Generally, the only way to fool us and our all-seeing assessment tools is to introduce some hitherto unknown, unknowable factor: a force field, a distant planet’s illogical cultural more, or a character flaw for which NO CLUES were ever offered. Shame, screenwriter, for giving us insufficient data. How un-Hitchcock of you! How Bradburyless!

But wait! Is there shame in this lack of situational prep work by the author? Must all characters wear either the white stetson or the black? Is it binary? God and the Devil? Must we be drawn always into our heroic and melodramatic roots over and over again? Can’t there be confusion? Contradiction?

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In my “reads like a novel” collection of short stories, “Pinching Zwieback” (At Bay Press, 2023) there is one recurrent character who is, one could say, clearly contradictory. In her first appearance, “Justy” is a stoic, “old-soul” kind of young mom, whose love and earnest devotion for her family is both beautiful and beguiling. When I read this story to audiences, I can feel her charm and purity making them love her and want her to succeed. So do I.

In the next installment, about mid-way through the collection, we meet her again but this time Justy is the world-worn mother of teenagers in a fish-bowl small town where every means of escape has proven futile. This older Justy smokes cigarettes, drinks liquor, and otherwise spits on male Mennonite overreach into her life. The Grittiness of Mango Chiffon showcases her willingness to confront her male antagonist with laser beam accuracy and we find in her a beacon of hope for the lowly. (A group in which she finds herself, despite her powerful character.) Echoing a figurative page from another story in the book (Breezy) she reminds us of the message found in one of my favourite short stories: “Forgive the weak for they are always fighting.” —Layne Coleman wrote in “Tony Nappo Ruined My Life” (Exile V45.2, in which this story was named the $15K winner of the “Best Canadian Short Fiction.”)

Justy’s final appearance shows us the caustic effect of sorrow, self-pity, and surrender. Human frailty is the currency and Justy is no more the bright, heroic young mother willing to take on any burden and defy all odds against her. Nor is she still the cynical but bold and unyielding knight Perceval; older but still focused on her Holy Grail, though we might see in her some flickering signs of weariness and a quiet desire to set herself apart from the constant meanness.

At the end of Grittiness, we are left imagining her in growing despair, abiding a life among the paltry and the unbecoming. She remains unseen until at last, in Rommdriewe, she reappears finally and is forever seen as broken. The defilement of her earlier selves is complete.

The message in Rommdriewe is, as my writer friend Brian Hughes of Winnipeg said during a critique session of this story, “to not hate the poisoned victim—rather, hate the poison.” Justy is cruelly denied this kindness. In Rommdriewe, her son (now a man) and his aging father come to terms with their fractious relationship. Justy is left outside of this treaty, with only the smallest of hopes left for her to save herself and become the pure girl-woman-truth seeker she once was.

Justy is the undisputed hero of the book and yet she is denied heroic status. She becomes the sin-eater for the others, sacrificing herself to show them how honour and defiance (Trotz) and courage can be used to survive. Even as she slips over the icy edge with little Matt at the end of Fast and Steep, we know we’ll not see her again except as the defamed sin-eater who subtly and without troubling us, gives her soul in exchange for others.

In the end, maybe Justy is the opposite of a contradictory character. Perhaps, somehow, she becomes the hero made perfect, without seeking perfection. Justy is no faux male Jesus vainly declaring anguish while knowing his everlasting fate is secure. No, Justy’s stoicism is as pure and giving as her motherly love and her endlessly heroic trotzijch mettle in the face of all adversity against her loved ones.

In this river of love flowing uphill, Justy remains true to her innermost self and is in this way the ultimate contradictory character.

Advice from an Emerging Artist

On Thursday, February 29 poet and essayist Ariel Gordon of Winnipeg and I motored to Brandon, Manitoba to present workshops and readings at the Western Manitoba Regional Library downtown branch. We represented our mutual publisher, At Bay Press.

It was an outstanding event, well-attended by an enthusiastic group. Both Ariel and I have posted about it on Facebook, Instagram (prosebytoews), X, and elsewhere. Ariel did a poetry workshop on urban ecosystems and I introduced my break-out session on “Writing Your Culture.” Both of these programs had full classrooms and the reading was also—collectively speaking—pleasingly plump.

We had a Q & A at the “end of regulation time.” (In my imagination, Brian Propp scored the winner, assisted by Ralph Krentz. . . For all you Wheat Kings hockey fans out there.) I really enjoyed the conversation.

One of the questions was concerning “advice for young writers.” Ariel made some valuable suggestions in response. When it was my turn, I held back on expressing my immediate reaction to the embedded inference that all emerging writers are “young.” Of course, many are, but just as we no longer use ONLY male pronouns when discussing a group. . . “If a writer wants to succeed, he must blah-blah-blah,” I find it inappropriate and incorrect to add the fuzzy modifier, “young.” Presumptive gender-fixing (he-him-his) now sounds foreign and antiquated to our ears, and I long for the time when “young” and “emerging” are not used as synonyms for early career artists.

Hot air rises. Heat travels in any direction. When we say “heat rises” in an assured, generalizing, scientific-sounding manner, we become General Wrong of the Wrongsville Army.

Okay, mini-rant over.

I gave several points of advice and I was pleased with the repartee, as John Prine might sing. This morning, over a cup of familiar, at-home coffee, I thought of another way to answer, and it goes a little sumpin’ like this <guitar lead-in>:

“On a business trip to the Green Building Conference in Chicago about 15 Marches ago, my colleague and I stopped in at a pizza restaurant. The place was packed and full of loud hubbub and stratified layers of cigar smoke. We opted for outdoor seating, under the radiant red glare of heaters.

As we waited, we watched a local resident at work. A fat, filthy Norway Rat was trying to free a pizza carton that was wedged beneath a car tire. Grunting, sniffing, scurrying, its pink tail waved and curled and flexed with intense determination.

Pausing for breath, it sat on thick hanches and pondered. Whiskers twitched in a nature-copies-Pixar way. Abruptly, it went to the loose end of the box and, clamping down with white canines, tugged repeatedly like a tow truck trying to jerk a car out of the ditch. Snarling with effort, the noisy activity attracted one of its swarmmates to the scene of the pie.

Without hesitation, Rat Due, as we named the newcomer, immediately joined Rat Uno and in seconds they were pulling in perfect unison, a rodent duet. Outmatched at last, the box lid gave way in ripping surrender. Rats Uno and Due plundered the contents and made good their tail-waving getaway.

My advice to emerging artists: Sometimes you are Rat Uno, and sometimes you are Rat Due, but don’t just sit in the comfort of the mischief and watch.

CHEERS to playwright and English & Creative Writing Asst. Prof. Dale Lakevold. He brought along a swarm of talented students from Brandon University, and like the Marino’s Pizza he supplied before the event, his contribution made our day. Thanks too to WMRL Mgr. of Programming & Community Svcs., Alex Rogowsky who prepped and managed our twinkly evening.

The Hamilton Review of Books’ Independently Published Bestsellers List: January 2024 — Hamilton Review of Books

Spreading across Canada from author Mitchell Toews boreal home, north of 50° on Jessica Lake near the historic Tie Creek Basin, comes Bestseller #6 in Fiction, “Pinching Zwieback.” Toews’ debut collection of short stories from At Bay Press (Wpg, 2023) is scoring points with readers, booksellers, critics, and reviewers in the “Mennosphere” and far beyond…

Source: The Hamilton Review of Books’ Independently Published Bestsellers List: January 2024 — Hamilton Review of Books

Three Reviews—Confluence; Trifurcation; Sangam

“Pinching Zwieback: Made-up Stories from the Darp” Mitchell Toews (At Bay Press, 2023)

Here is a triumvirate of REVIEWS for my debut collection of short stories: Tim Huber, Associate Editor of Anabaptist WorldPatricia Dawn Robertson, a familiar Canadian reviewer, critic, and writer with a review from the Winnipeg Free PressRobert Boucheron, writer and editor/publisher of the Rivanna Review of Charlottesville, Virginia and his review as it appears in Ottawa’s Literary Heist.

And, here’s where to buy your copy, and where to send your friends to get theirs: https://mitchellaneous.com/2023/12/17/where-can-i-buy-pinching-zwieback/

Libraries & BiblioCommons

Want to borrow PINCHING ZWIEBACK from your local library? NO PROBLEM!

Services like BiblioCommons are linked to At Bay Press and a copy can go to your local library in Canada, the US, the UK, or Australia. ALMOST ANYWHERE. Just request Pinching Zwieback by Mitchell Toews (At Bay Press, 2023) and you can get it. . . In Burlington, Springfield (all of them), Come by Chance, WaWa, Walla Walla, and Wallaby Junction.

Okay, I made the last one up. But seriously, it’s AVAILABLE!

(Or BUY it here: https://bit.ly/BUYpinchingzwieback)

The Shuffling of Souls

Image: *Preservings* Issue Number 47, FALL 2023: “Marriage of Russlaender Maria Pauls and Old Colony Cornelius Driedger, March 1927. JAKE BUHLER PRIVATE COLLECTION

Here are some thoughts about class and gender conflict with quotes from a variety of observers.

“The indelicate clacking of the men’s heels and the shuffling of their soles reminded him that their grade of culture differed from his. He would only make himself ridiculous by quoting poetry to them which they could not understand. They would think that he was airing his superior education.”—MC Gabriel’s thoughts in “The Dead” from James Joyce in Dubliners (Public Domain).

Is Joyce’s judgemental Irishman not interchangeable with a haughty Russlaender attending some inelegant, rustic affair in a prairie podunk like Gruenfeld or Neubergthal? Could this class-conscious thinking—reductive and dismissive—just as well be aimed at some random Kanadiers; a huddling of farmers in hand-me-down Sunday suits? Are Mennonites not just as guilty as any ethnic or religious group in their tireless search for an unloved “they” to diminish?

“That in the beginning when the world was young there were a great many thoughts but no such thing as a truth. Men made the truth and each truth was a composite of a great many vague thoughts… There was the truth of virginity and the truth of passion, the truth of wealth and of poverty, of thrift and of profligacy, of carelessness and abandon.” —Author Sherwood Anderson from the prologue of Winesburg Ohio (Public Domain).

The distant cannon fire of class and gender warfare, this time from the rolling hills of Middle America, where sinners and their sins are pilloried by the colour of their licence plates.

“I had heard about Mennonites all my life, about the brawls, the fist-fights at socials and hockey games. The hypocrisy as they kept liquor out of their town, but then drove to La Broquerie or Ste, Anne for booze. How they’d look down their noses at us for doing in the open what they did in the dark,” —MC Richard’s acute observations from Matthew Tétreault‘s Hold Your Tongue (NeWest Press, 2023) summarizes the abrasive relationship common between Francophone/Métis Ste. Anne, Manitoba and its nearby, predominantly Mennonite neighbour, Steinbach.

“I hear them (the ‘wealthy church ladies’) get up from the living room and walk past the kitchen. They’re coming down the stairs now, all talking at once. Like cedar waxwings, in a flock, turning in the sky, then landing as one. Beautiful in a way, but still capable of turning on you. Hurting you to make things better for themselves.”—MC Justy Zehen’s thoughts in “Willa Hund” from Pinching Zwieback (At Bay Press, 2023).

“This book is a double bun, doughy anecdotes from a spirited childhood coupled with the realisation that manhood is a more complex goal than just being strong, especially when strength translates into bullying, especially of women, the archetypal bakers of the author’s imagination.” —Linda Rogers van Krugel in her REVIEW of Pinching Zwieback (At Bay Press, 2023).

The quiet shuffling of souls—betraying different classes, genders, racial origins, and beliefs both phobic and apologist together with their ironfast allegiances—appear to be present in all groups, denominations, and Gemeinde: from those who jumped the turnstiles on the Ha’Penny Bridge to those living in the dusty towns of Southern Manitoba to the Buckeyes of Ohio and beyond.

As an author with a momentary, leaky thimble full of influence, I have made an effort to recognize and embed some questions about this “prost” (ignoble) trait that I see in myself and in Mennonites and their selfish schisms. The unfettered compulsion to divide and re-divide until the original differences are impossible to discern. This flaw is present without relief in my life experience outside of Mennonite familiars too. It’s in all the places I have been and in all the people I have learned to know. I’ve seen more marketing and public relations and gossipy slander in these social groups than in all the thousand vulgar ad campaigns I created, put together.

Are we all Baudelaire’s “Les Fleurs du mal?” Or is there is hope? My conclusions in “Pinching Zwieback” are doggedly optimistic, but then, I set out to put hope into every circumstance, even the most vile. I did so despite the constant human wickedness and the despair it has caused. In the end, I suppose I’m like the character Justy Zehen, “I don’t want to be a little Russian boy hiding in the rhubarb.”