MORNING SERIAL: PRAIRIE’S END, MANITOBA 5 ~ Conclusion

Episode 5 – Our Finale – Showdown at the ¿Por qué? Corral

DANIELLE OARLESS peeked at her face in the compact mirror, snapped the clam-lid shut and placed it back in her crocodile embossed Downtown Baby Cabas bag. She moved towards her prey now with reptilian confidence, gliding silently over the cheap tiled floor as if it were ermine and she the pampered palm of a princess.

Entering the interrogation room, her shadow crossed Wade’s downcast view. He immediately looked up and demanded, “When do we get outta here?” his face a mask of annoyance.

“Soon, I promise,” the sultry Lieutenant replied, wetting her lips and sending a fast wink at the impatient man. She surveyed the room, pausing to nod at Kowalski, addressing him informally. “Alright, Shep, time to make an arrest. You may close the door if you don’t mind.”

As Kowalski stepped by her to secure the door, Oarless moved in behind Old Man Reimer and, placing her Saint Laurent on the table, set her feet like a lead-off hitter digging into the fresh sand of the batter’s box. Once she was comfortable, she raised both hands quickly, and, nuzzling the stubbly hog jowls on either side of Reimer’s neck with her large hands—she clenched handfuls of skin and PULLED!

Double-barrelled snot flew out of Reimer’s nostrils as he reacted with understandable shock, his eyes bulging like a hooked fish.

“Time to take off this mask, time to introduce the real smuggler… DIKJ WULF!” Danielle shouted, her neck corded and shoulders heaving as she strained to remove the mask. No headway, though…

Sputtering, cursing, his buttocks now several inches above the curved plywood of his chair bottom, Reimer seemed about to faint, to be decapitated, or to simply expire from the force of Oarless’s brawny exertions. Before any of these dire outcomes could take place, Kowalski’s voice cut through the din—

“Excuse me, Lieutenant, I believe it’s me you seek.” Kowalski stood behind her, a rubber mask with only black holes for eyes dangled from his hand.

Little Ben Reimer looked on from the other room, in utter dismay. The speaker crackled with the audio and he could see the action unfold as though he was watching an NFL game on a big screen TV.

“I’d never have guessed, in a thousand years,” he said to an equally-astonished Roget, “a Wulf in Shep’s clothing!”

* * *

“So, explain this again,” said Roget, “I’ll have an exposition chaser with this hoppy IPA,” he then reiterated.

“Sure,” Oarless said, draining her beer and jiggling the empty glass at the barman, Corny Süppsach, owner of the Shrieking Rooster Taproom, a former watering-hole for Danielle and her loqui abundantem partner.

“I knew all of the apparent ‘clues’ were nothing more than red herrings scattered about by the perp, or possibly Wade, who was trying to negotiate a buy-out of Old Man Reimer, or maybe even false evidence laid by Little Ben, who wanted to squeeze out his old man.”

Roget nodded, and in the quiet of Oarless’s pause, hummed with the tonal quality of a synthesizer, like the sound of a Dutch Oven lid slamming shut:

“DOON, DOON!”

“Ha, very clever, you repetitious recapitulator, you!” Oarless said, smiling her approval. “Yes, Dikj Wulf, creator of  ‘Slaw and Flounder’, CBC’s longest running cooking show. How did I know, you ask?”

“The sting from that show haunts my dreams, like the howls of the dogs of hell!” Roget admitted, somewhat off-topic.

“Anyway, I could not see any motive for our suspects to smuggle in these industrial-sized quantities of Mexican vanilla, so I had to look elsewhere.”

Roget made snaky-eyes at Danielle, pretending to understand. She continued:

“I pulled his LUDs and did some digging. After a night of drinking coffee from those awful little blue take-out cups…”

cup nyc doon doon prairie's end.png

“Oh you mean the cups with the kinda, faux Greek aesthetic—the meander graphic on the top and the picture of the amphora vase…”

“Roll up the rim, you win,” she confirmed. “Anyway, it was the cups that gave me the clues…”

“Wait! How did you get iconic New York City takeout coffee cups in Prairie’s End?” Corny Süppsach interrupted. The balding redhead had wandered over, his BiC poised over a small spiral notebook. “And what does an American TV prop have to do with a cooking show on the CBC?”

“Never mind that, how can you expect there to be no plot holes in a yarn as convoluted as this?”

“Trü,” Roget said in a dietsch accent, with a “when-yer-right-yer-right” look.

Corny just shrugged. “Yoma leid ecksai.”

“So, to continue,” she glowered at the barkeep, who hitched at his pants, Humphrey Bogart style. “I had to find the one person in Prairie’s End with a vested interest in massive quantities of vanilla. I looked at Old Man Reimer’s telephone bill and there it was!”

“1-800-PORN-R-US?” Corny offered.

“GO AWAY! Who invited you here, anyway, dü oult, roothoahrijch Tjreihohn?” Danielle yelled, now enraged at the bearded, freckled interloper.

“This expositional conclusion would go a lot smoother if the author had not inserted himself so rudely into the proceedings,” Roget said confidentially, looking directly at the reader and cracking the divide between the fictive and the fictee.

“Last chance!” Danielle said, making a threatening fist and regaining the floor. “I assumed it was Old Man Reimer, trying to make a few bucks off the books before flipping the Reimer Reindeer company to his ne’er do well stepson Ben, or to Wade,  but…” she paused, glaring at Corny Süppsach, who retreated, showing surprisingly good footwork for an old, red-haired, loudmouth rooster.

“But,” she continued, “Dikj Wulf had even thought of that and he had snuck into Reimer’s trailer and made all of the calls back to CBC Toronto, Mexico, and the Montreal Vanilla District from there. That’s why I figgered it was Old Man Reimer,” she concluded, raising her glass in a self-toast.

* * *

Unseen, in a black Cadillac parked across from the Shrieking Rooster, Juanita sat with her inscrutable leader, Randy the schinda Accounts Receivable clerk. The car idled quietly, sending a thin ribbon of white exhaust up towards the winter stars of the Northern Hemisphere. Dark tinted glass gleamed the starlight back at the sky.

“Shep Kowalski—AKA Dikj Wulf—is in for five-to-ten, Little Ben and Wade have agreed to our terms in exchange for ownership of Reimer Reindeers, and our friends at the vainilla cartel are most pleased with the way we’ve cornered the market in Canada. That just about does it, Oomtje Randy. Anything else you’d like done before Oarless and that half-wit return to the NorthWest Angle?”

Randy sat unmoving in the back seat. His neatly trimmed white hair contrasted with his dark tailored suit, and the perfect Winsor knot in his cashmere Paolo Albizzati.  After flicking a bored glance at Juanita, he inhaled with languid slowness, filling his chest with  Caddy interior air. Without moving his lips, Randy replied in perfect synthesizer pitch:

“DOON, DOON!”

 

The End… For now.

Fade to black, roll credits, playback theme music

Addendum, 11.19.18: Here’s a few lines of lyric for the theme music, somewhat reminiscent of “The Sopranos” maybe, or “Fresh Off the Boat”, wiv jus a sprinkle aw Mike Skinner innit too, oiy?

♫ All rise for Menno rap…
Praise God from whom
Yo, we’re singing the dox,
harmonizin’ the dox
All creatures here be–yooooo
Yo, we sinje the dox!
Yo, we sinje the dox!
Got my oab boots on
Where’s my MAGA hat, Don?
Gonna drain that pond
from da lowlands yon
Gonna eat my schnectje–get yer own, my maun!
Ain’t no buttons!
Ain’t no buttons!
Ain’t no buttons!
HEAR THE HOOK!:
Yo, we’re singing the dox,
harmonizin’ the dox
All creatures here be–yooooo
Yo, we sinje the dox!
Yo, we sinje the dox!
And soowaut…

 

Advertisements

MORNING SERIAL: PRAIRIE’S END, MANITOBA 4

Episode Four: Johnny Cash Lyrics or True Confessions? or Quintana Roo’s on First?

Lieutenant Danielle Oarless looked at Juanita and inhaled deeply. She ‘inspired’, as Roget might suggest, both literally and figuratively. Rising up to her full six feet four inches, in heels, she said this:

“Ms. Juanita, I applaud you. I send kudos and sunshine your way, madam, for all that you do. I give respect for the way you ROCK that red paisley neck scarf over top of the pale silkiness of that Winners champagne blouse. I extoll your virtues to Gaia for the all-in way you have come here to stand up for your son, Wade…”

“Two thumbs up!” Roget added, gesturing appropriately with digits heavenly opposed.

“But,” Oarless broke off the accolades, slamming Wade’s briefcase down on the table with the loud slap of worn cowhide. “I’m afraid your ruse has been unsuccessful!”

Roget quickly retracted his thumbs.

“While your breath carries the distinctive scent of vanilla extract, and your slightly dilated pupils indicate you did actually imbibe, I am able to see past this. It is a rather well-conceived but nonetheless false furnishing. The true architecture of your story is revealed as follows,” Oarless prowled the floor like Hasterer, German fiction’s most formidable Prosecuting Attorney.

“ONE!” she said in a forceful voice, at which time Roget needed no further prompt and immediately raised an index finger, in digital support of her pending argument. “The presence of vanilla is simply a prop, I submit, and it profits not the bank account of your credulity.” At this point, Oarless undid a bobby pin and her hair cascaded luxuriantly about her linebacker shoulders.

“In the same way, you have brought along vanilla ice cream to support the idea that you are a ‘bean-head’—a vanilla addict—and that this condition is your MOTIVE for smuggling vanilla into Canada. Correct?”

Without removing her baleful stare from Oarless, Juanita reached into her handbag and withdrew a large slice of angel food cake. She took a cheek-bulging bite and chewed steadily, nodding once in agreement.

“Fine,” Oarless continued, pivoting on a stiletto heel to more squarely face her adversary. “Tell us, Juanita, what flavouring agent is used in French Vanilla ice cream?”

“Pure vanilla bean,” Juanita screamed for ice cream without hesitation.

“WRONG!” Lieutenant Oarless screamed back into the reverberating confines of the observation room. “As any true bean-head would tell you, French Vanilla is a faint replica, made using egg custard. Only a trace amount of vanilla is present!” With that conclusive pronouncement, Oarless whirled, winked twice at Roget and pointed two hooked horns with bedazzled nails at Juanita. “Two!” she hissed.

Her engine revving, Danielle Oarless spoke with her back to Juanita. “Tell us, Juanita, where do the beans orig—in—nate? Madagascar, perhaps?”

Juanita stuck out her cake-coated tongue at Oarless, squinted her eyes and said, “Mex—ee—co!”

“Easy one. But, Juanita, which province in Mexico?” Oarless replied, whirling around, eyes aglitter.

While Juanita squirmed in her chair, Oarless slid her fierce scrutiny over to Little Ben. He too seemed to be sitting on a bed of hot coals and fidgeted in his seat.

“Anything wrong, Senor Ben?” she asked, smirking. “Any idea which ‘province’ is home to the contraband in question, the van-eee-yah? Eh, Little Ben?”

mexico-map

“Stop it! STOP IT, IN THE NAME OF VERACRUZ STATE, the home of Vanilla planifolia!” after which dramatic correction, Ben proceeded to confess his seemingly inculpatory knowledge of vainilla and gave support to the Lieutenant’s theory that Juanita was more likely covering for someone else, rather than offering a true confession.

“But, I was not part of the conspiracy, I just love vanilla, that’s all!” Ben pled. “I’m no more guilty of el trafico del sabor than you, or Kowalski, or Wade Oswald!”

Juanita, meanwhile, had grown bored and was cleaning her purse out. Fresh angel food crumbs covered the floor and spilled out in fragrant abundance into the hallway.

Standing back against the wall where she could observe the prisoners through the glass, Oarless toggled the intercom switch and spoke: “Kowalski, open the door for a minute, would ya, please?”

Kowalski, giving her a perplexed pout through the one-way mirror, stood and swung the door open. Oarless watched the reactions of the three as she flipped the intercom back to the “Record Audio” setting.

In a minute, she could see a clear difference in the men. Wade and Old Man Reimer sat unaffected by the vanilla-scented air while Kowalski was clearly agitated and behaved like a dog that just caught a whiff of barbequed steak. She watched the unmistakable response as he sniffed repeatedly, nostrils flaring on the intake and his eyeballs swimming in near-swoon.

“I think we have our bandido de vainilla!” she said, tenting her fingers and resting a satisfied gaze on the guilty party.

Next: Showdown at the ¿Por qué? Corral

Interview with a Mennonite Imposter

http://bit.ly/MennoTOEWSba

Writer interviews can be kinda boring. This is a little more in the Mennonite wiseguy range of the register, but still—you know—predictably boring. And great fun to do, especially with such an engaging set of questions! My thanks to Editor Erin Unger.

 

MORNING SERIAL: PRAIRIE’S END, MANITOBA 3

Overshare: I wake up most mornings with a half a dozen characters, a plotline or two, and a bunch of run-on sentences doing the polka in my head with their work boots on. After the requisite morning constitutions are ratified, and the area is cordoned off with police tape, I oftentimes just let these night-grown inspirations fade away.

Well, no more! I am resolved to give my readers something to read! How about a good old-fashioned serial? Compelling, bent-widget characters with a rollicking plot fraught with lotsa knots, cliff-hangers and roundabouts that meet in the middle.

Roll, Reimer Reindeers, roll…

Episode Three: Everything must come to an end. Except for farmer sausage, that has two ends. (869 words, about an eight-minute read)

“Let’s put them in the penalty box,” Deputy-Inspector, Detective Lex Roget, Oarless’ partner said to the desk officer at the Prairie’s End Police Station.

“Ahh, gonna interrogate them, eh, Inspector?” the officer said, winking. He punched his palm with a clenched fist.

“It’s not what you think,” barked Roget, a cigar stub jammed into the corner of his expressive lips, “and by the way, Kowalski, it’s Detective Roget! Got it?”

“Yes, SIR! Detective Roget, sir. I’ve got it.”

“That’s good. In fact, it’s of benefit. Meritorious, even,” Roget said.

Old Man Reimer and Wade Oswald were cuffed, their hands behind their backs. Kowalski steered them and Randy the Accounts Receivable clerk ahead of him towards the Interrogation Room. They followed Danielle down the hallway. She carried Wade’s briefcase and commented to no one in particular, “Things ain’t changed a bit around here.”

Kowalski smiled at Roget and clucked his tongue. “Same old Danielle!”

“Same old, same old, or equally antiquated, you could also say,” Roget replied.

Little Ben sat in the observation room, one knee jackrabbiting spasmodically. He tapped fingertips on the tabletop in nervous counter-rhythm, waiting to see his father and Randy Randall, the despicable Accounts Receivable clerk, appear through the one-way glass.

* * *

“Thank you for your information, Mr. Reimer,” Lieutenant Danielle Oarless had said to him when he appeared in the Pembina, ND field office a few days earlier. The younger Reimer swore a deposition and provided powerful evidence to Oarless and Roget.

“Illegal transport of baking supplies is a scourge. It depletes U.S. stocks of vainilla negra extract, plus the VAT and income taxes that Canada loses to this flavour trafficking is significant too. Our agency normally puts more emphasis on illegal drugs, but the vainilla cartels are a growing problem. She pronounced it, “van-eee-yah,” enunciating with great care. Reimer took no notice, knowing this was, in fact, approximately the correct pronounciation, en español.

20181112_215326 vainilla vanilla

“Van-eee-yah? What is van-eee-yah? We’re talkin’ about the same stuff, eh? Vanilla extract, right? The brown stuff you put in whipped cream?” Roget asked, vexed. Oarless nodded, passing an odd, angry look at Roget as she did so.

It made no difference to Little Ben Reimer. Drugs, vanilla, or vainilla—his end game was purely to see his father go to jail. The fact that it was for the illegal importation of flavouring agents, el tráfico saborwas fine with him: crime is crime, was the way he looked at it. If he could get his old man out of the way, the path was clear for him to take over the company and show everyone what he could do.

“It’s always gonna be, Mr. Reimer, no more ‘Little Ben’!” he said under his breath as the two Border Patrol agents argued about something in hushed tones.

“I felt it was my duty to reveal the scheme,” Reimer said, adding a thick coat of verbal varnish.

“The trucks have false fenders,” he continued. “Bottles of extract, mostly vanilla—vainilla—but also some Almond and the occasional Mint from Quintana Roo and Guanajuato are hidden in bladders inside the wheel well,” he explained, speaking clearly into the recorder microphone. “The contraband is shipped into our Toronto terminal for Canadian distribution.”

“Ingenious,” Oarless muttered.

“Shrewd!” Roget said.

“And tattooed!” said the mildly hard-of-hearing Lieutenant.

* * *

And now the dominoes had begun to fall. Little Ben watched with predatory intensity as his father, Randy, and Wade Oswald sat in the sparsely furnished room, guarded by Kowalski. Oarless and Roget joined Little Ben in the observation chamber.

“What’s he doing here?” Little Ben demanded.

“Who?” Roget asked.

“Oswald! He’s the company accountant and it’s supposed to be his day off,” Little Ben said, then quickly added, “at least, I think so, anyway—not sure…”

Oarless and Roget exchanged a look.

“Like you say, he’s the accountant. You’d think he’d have to know about the smuggling, right? Anyway, we’ll find out soon enough if he’s dirty or not,” Danielle said, eyes narrowing below her unibrow.

“Good cop or bad cop?” she continued, looking down at Roget.

Bad, nefarious, irremediable,” Roget replied.

“Okay, Lex, old buddy,” Danielle said, “You’re up, as we used to say in Angle Inlet. Get in there and make them sweat!”

“Well, people say that just about everywhere. I mean, onomatologically, ‘You’re up’—that’s pretty common, it’s not geographically specific—” Roget stammered, but was interrupted (thank God!) when Juanita burst into the room, her mascara running in Tammy-like streaks down her cheeks. She posed dramatically, arms raised, and shouted,

“Stop! Hold yer damn horses!”

She paused with dramatic effect, her breath coming in heaving sobs as she looked lovingly through the glass at her cherished boy, Wade. Her teeth gritted, and the two trained law enforcement agents immediately noticed the brownish tinge on the enamel. In her hands she held a pint container of Blue Boy French Vanilla ice cream and a gleaming tablespoon, sparkling as only a recently licked spoon can…

“I did it,” she said in a wavering soprano. “I smuggled in the FREAKING VANILLA! It was me!” She threw the spoon down with a jangling clamour. “Plus, I shot a man down in Juarez, just to see— him— die!”

Next: Johnny Cash Lyrics or True Confessions?

or

Quintana Roo’s on First?

Please stand by: Episode Four will DROP on Friday @ 5:55 a.m. and Danielle is in NO MOOD to be messed with.

 

 

 

 

 

 

 

 

MORNING SERIAL: PRAIRIE’S END, MANITOBA 2

Overture: I wake up most mornings with a half a dozen characters, a plotline or two, and a bunch of run-on sentences doing the polka in my head with their work boots on. After the requisite morning constitutions are ratified, I oftentimes just let these night-grown inspirations fade away.

Well, no more! I am resolved to give my readers something to read! How about a good old-fashioned serial? Compelling, bent-widget characters with a rollicking plot fraught with lotsa knots, cliff-hangers and roundabouts that meet in the middle.

In the spirit of NaNoWriMo, it will be voluminous, spontaneous, and free-flowing. You don’t know where the story and the characters are going, so why should I? I won’t promise 50,000 words, but you never know what my morning coffee will deliver!

We continue…

Episode Two: The Stampede is Ont (1,100 words, about a nine-minute read)

The trucking company was called, “Reimer Reindeers” and the company logo had been created by the owner’s diffident step-son, Benjamin, or “Little Ben” as he was known in Prairie’s End.

The garish logo showed a herd of galloping reindeer, antler-to-antler in a frenzied dash across the map from Eastern Manitoba to Toronto. Spinning, smoking wheels replaced legs and hooves. A bold, swooping font declared,

“THE STAMPEDE IS ONT!”

It had started out in Ben’s mind as, “The Reimer Stampede is on!” This was just at the time when the federal government decreed that all provinces would go from three or four-letter acronyms to computer-friendly, consistent two-letter identifiers. Thus, Manitoba went from Man. to MB, Alberta from Alta. to AB and so on.

Little Ben thought that since the Reimer company only trucked between its terminals in Kenora and Toronto, all within the province of Ontario, or ON, that a clever, meaningful slogan could be made. “The Reimer Stampedis ON!” set on a map graphic would tell people that Reimer was an Ontario carrier. Besides, he liked the herd of charging reindeer. “Tres Canadien,” he thought.

Unfortunately, Big Ben, or Old Man Reimer as he was known in Prairie’s End, thought that the two-letter names were a temporary inconvenience. “That will never LAST!” Based on this viewpoint, and in the dubious interests of saving decal material, he ordered the graphics company to create a shorter, less clever slogan, “The Stampede is ONT!”

* * *

Wade walked up to the three-step wooden porch hung on the side of the construction trailer. REIMER REINDEERS – OPERATIONS was stencilled onto the corrugated sidewall and a busy cluster of alien-looking antennae poked up into the pale blue Manitoba sky from the flat roof. A radio tower was bolted to the end of the trailer and it stood erect, a lone 40-foot weed in a field of alfalfa.

That’s quite an impressive erection, he thought.

Checking his briefcase just before he entered, Wade ensured that he had all of his paperwork, the contract documents, the bank draft and the Non-disclosure agreement. He paused on the porch, striking an improbable Superman pose before he entered, to steel his nerve.

Inside, as always, sat Mr. Reimer at a desk made from sawhorses and a sheet of cabinet plywood. A (crude) oil rendering of a stampeding herd of reindeer was screwed to the buckled panelling behind his desk. CB radios sat in a clustered congregation behind him, little green bands pulsing brightly, indicating that the drivers were accessible, should he need to speak to them. A tangle of microphone cords spilled onto the ground – a brimming cornucopia of coils.

“Nice of you to drop in on us this afternoon, Wade,” Reimer said without looking up.

The clock read 7:53. “Yes, sir. My pleasure.”

Reimer looked up quickly, his normally stern, heavy-jowled countenance now made even grimmer by a pouting grimace. “Eh?” he grunted, glancing sideways at a young man a few feet away at a small wooden desk. “Accounts Receivable” was written in felt pen on a scrap of two-by-four standing edgewise on the desktop.

The fellow seated there—he was maybe twenty or so—glanced up at Wade, then over at Reimer. The boy shrugged, tossed the blonde hair out of his eyes and tapped his watch. “Tap-tap-tap,” said the Timex.

Schinda, Wade thought to himself, taking care to register no emotion or concern.

“It’s my day off, sir. Remember? Besides, I start at eight, so…” Wade replied.

“So, why are you here den?”

“Well, Mr. Reimer, there’s something I’d like to discuss with you,” Wade said, peering down and fishing around in the briefcase. He pulled up a clutch of papers like he was retrieving a stringer of perch.

“You’re gonna hafta wait a minute. Wade a minute, eh?” He grinned a wide, toothy smile towards the skinny boy behind the Accounts Receivable two-by-four. The boy smiled back and then spat a full mouthful of sunflower seeds into a white foam cup on his desk. He transferred the contents from the cup to a round, grey metal wastepaper container at his feet. The metal pail was half full of wet, spent seeds.

No wonder his hair’s so yellow, Wade thought to himself. He’s turning into a sunflower.

“Is it possible we could have a private conversation, sir?” Wade asked. He shuffled sideways, scraping his feet to indicate that the ribbon-headed AR clerk could sidle by him and out the door of the crowded trailer. Reimer’s wooden chair creaked.

“About what?” Reimer said, leaning back. The schinda clerk did not move. He watched Reimer like a cat staring through window glass at a bird feeder. If he had a tail, it would have twitched.

“A business matter, ” Wade said, then cleared his voice and restated his case, “a very important business matter. Urgent, as a matter of fact.”

“It can’t Wade?” the sunflower/cat/boy said, one clinging black seed giving him a Jack-O-lantern grin. Bobby Clarke, 1969.

Reimer snorted out a guffaw, and then said, almost in one word, “Randy, get outta here for a while.”

Randy shut his ledger, grabbed a handful of seeds from a near-full dish and went out a door behind him, grabbing his jacket as he left.

“Welllll,” Reimer said, dragging a chair to the side of his desk for Wade to sit. “When yer accountant says he has urgent business, then I guess you gotta take a minute and listen.” He reached to the other side of the desk and plugged in a kettle. A jar of instant coffee sat open on his desk. “Prips?” he asked, motioning at the coffee.

“No, thanks,” Wade said. He sorted the papers in his hands like he was alphabetizing them, stalling for time. Sitting upright on the hard plastic seat, his chair was almost tipping forward. Is the offer enough? It’s three times the value of the rolling stock, parts, and the buildings. His receivables run at only 50K, so that’s easily covered. What if he counters? Of course, he’s gonna counter, Brainiac—just go already. It’s a shitload of money and he’s gotta retire soon! He can pay off his house, get that big fishing boat he always talks about.

“Mr. Reimer, I’ve come here this morning to make what I consider to be a very…”

Before he could finish, there was a crash and a tall, muscular body filled the open doorway. Square shoulders blocked the sun – an impenetrable silhouette, an amorphous Rockem-Sockem black shape.

And there too, hopping and bobbing from behind the imposing hulk, trying to see inside, Wade spotted Little Ben’s balding, cue-ball-white head.

In a twinkling of bedazzled-nails, the shadowy figure held up a gold badge and in a dark brown voice, she said, “DANIELLE OARLESS! U.S. BORDER PATROL. YOU’RE UNDER ARREST!”

Next: “Everything must come to an end. Except for farmer sausage, that has two ends.” (Airs Nov 13, 5:55 am)

 

 

 

The Rothmans Job

Dec 30, 2017 – It’s 30 below zero (Celcius) and our sewer line is frozen. Here’s a story to suit. This story appeared on CommuterLit January 30, 2017 and was reprinted on SickLit March 30, 2017.

The Rothmans Job
By Mitchell Toews

A STORM LIKE THIS was rare. Snowflakes blocked out sky and sun and moon and stars. The flakes – as big as baby fists – had been falling for three days. Light and dry, they flew, then settled, then flew again – whipped by a dodgy north wind. At night, the tops of buildings disappeared except for the occasional glimpse of a red tower beacon or a snapping row of flags, like those atop The Bay.

And the people, knowing about these storms, stayed home. In the downtown core, only buses, snow ploughs and police cruisers were out. These motorized vehicles, accustomed to roaring at will, crept along the blanketed streets in peevish silence, their motors and tires muted by the all-enveloping snow.

No humans, no dogs, no birds. It was up to the storefront mannequins – who must have longed to sit – to maintain a watch over the streets. Vigilant, they gazed unblinking through the plastered glass at the frozen lunar streetscape.

Through this otherworld trudged Waxman and Thunderella. The diminutive Waxman led. He wore two snowmobile suits and his knees could not bend more than a few degrees. A bearded Weeble, he waded roly-poly through the drifts ahead of his towering accomplice, Ellen Thundermaker; aka “Thunderella”.

Thunderella towed in her powdery wake a red and yellow child’s sled. It was a Union Flyer and a likeness of flighted Pegasus was screened in reflective paint on both side rails.

Waxman, Thunderella and Pegasus pressed on like arctic explorers. Their goal was the unlocked side door of the Rothmans Cigarette warehouse on Harbour. Waxman had promised fifty bucks to Abie Wiebe – the inside man.

“Hey, Waxman,” Thunderella called from the rear. The wind had died and her voice only had to overcome the snow that coated every surface and baffled the air itself. This snowfall was ultra-absorptive like paper towel brands promised to be.

“WAXY!” she repeated, straining to be heard above the zizza-zazza of his nylon pant legs. He was a heavy man with thick thighs.

“What?” he shouted straight ahead, unable to twist around because of his insulated entombment. He halted, breathing hard, his moustache and scarfed chin hoary with frost. Thunderella bumped into him as she slogged along, head down.

The collision, one of many rear-enders on that street that winter, was enough to push Waxman off-balance. He fell, landing in a puff of white. Cursing and then laughing, he walrused his weight over so that he lay on his rounded backside. He picked a package of Rothmans out of the top pocket of his quilted inner overalls.

“We gonna make it?” she asked, reaching for a smoke.

“No problemo, ‘Rella,” he replied, shooing her hand away. “Two blocks, then through the side door by Perkins Cleaners; then open up the cage. That’s where the expensive stuff is. Abie says that cage lock has been busted for a year.”

#

Roland Barislowski bent forward, touching the freezing cold steering wheel with the absolute least amount of finger skin required to maintain vehicular control.

He peeked through the tiny fan-shaped portal of clear windshield.

“Need a periscope, like Lindbergh,” Roland said aloud. His voice sounded muffled in the anechoic enclosure; six inches of stubborn snow capping the rooftop.

The call had come around two A.M. He had just fallen asleep after pounding Old Viennas with Art, his brother-in-law from Virden. Art was stranded in the city because the highway was shut-down.

“Warehouse alarm went off. Cops’re there,” said his boss, Pozzo.

“Where’re you?” Roland said into the phone, his voice phlegmy.

“Regina airport,” Pozzo said, placing an unenthusiastic Rollie in charge.

Roland’s bottom was warm on the quilt he had tossed into the front seat but the small of his back felt like it was packed in ice. He lit a cigarette and blew smoke rings at the windshield. The rings – twirling in languid slow motion – disintegrated when the blast from the defrost fan hit them.

His brother’s name was Paulos. Everyone called him Poland — Roland and Poland. Very funny, Roland thought. They weren’t even Polish. But nicknames were nothing new in the North End – everybody had one.

Just like Paulos, Roland worked at Rothmans. It was Paulos’ job to take calls like this – the wonky alarm was set off by rats every two weeks or so. But Paulos was out-of-town and so Rollie had been given the key on this cryogenic night.

“Man, there is no one out here!” he said in the coffin quiet of the car interior.

He drove west until he hit a major street that had been cleared. Heading north he came up on the warehouse. An empty police cruiser sat idling at the curb. The trunk was open a crack and a bungee cord, hooked to the underside of the bumper held it shut. He parked beside the police car and went in through the side door of the warehouse, which stood wide open.

“You Poland?” said the cop. There were two of them. This one and a little guy down near the cigar cage. Mutt and Jeff thought Rollie – what his dad, Otto, always said when there was a big guy with a little guy.

“No, I’m his brother, Rollie. I work here too. Paulos is outta town.”

“Eh? Who’s this Paulos guy?” the big cop said, bleary-eyed.

“Paulos is ‘Poland’,” Rollie said, employing the ever-useful air quotes. “His real name is Paulos and he’s my brother. He’s away and I work here too and I got the job of coming out on this mother of a night.”

“Who’s a  mother?” said the little cop. He had walked over from the cage and was holding a few crushed packages of cigars and cigarettes. He saw Rollie studying the packages and said, “Gotta take these. Evidence.”

‘Yeah, fine,” said Rollie. “So, I guess you want me to do an inventory – see what’s been taken?”

“Good idea, Poland,” said the big cop, yawning. He yanked his police hat down low over his face, closed his eyes and leaned back against the forklift. “You guys sure you wanna report this?” he said without opening his eyes. “Seems like a lot of bother, this close to Christmas, for a lousy coupla-hun worth of smokes.”

“We’ll see,” Rollie said, grabbing the clipboard from its spot on the cage door. He used the pencil that was attached by a string to check off the missing items.

“Hey, Officer! Flip the cage light on please – the switch is right behind you,” he yelled. “Close that side door too.”

The little cop stopped stuffing the cigar boxes into his overcoat and did what Rollie asked.

#

Rollie sat in his car, which was now uncomfortably warm. The plastic frost-guards on the windows were broken and while the rest of the window was clear, the section in middle was fogged. He keyed letters into his pager, holding his breath as he concentrated on tapping the tiny buttons. He entered Pozzo’s number and typed the message:

Many CASES RothM King missiong. Cops took stuff but don’t think they were in on it. Call me!! – R

It’s gonna be an insurance jackpot, Rollie thought. His boss was crafty. He’d shut up about the stuff that Officers Mutt and Jeff had swiped – including the loot crammed into the cruiser trunk – in exchange for their listing an inflated tally on the police report. Pozzo would use their complicity as “wiggle room” to alter the report as required. Pozzo would make money on the deal; his Caddy stuffed with pricey goods that were easy to sell to bar owners and smoke shops.

Rollie and Paulos would get a C-note or so to play along.

“Nice work if you can get it,” Roland said to himself. That nugget courtesy of his late father, Otto. Otto Barislowski had run a ramshackle sash and door shop – BARIS GLASS – for thirty years. Honest guy. Never made much but his family was fed and clothed. “You get a roof over your head and there’s coal in the chute,” the old man would say to Rollie and Paulos.

Rollie pointed the old Ford east and took side streets home. He coasted through the stop signs at each intersection, as stealthy as Santa’s sleigh. After a few blocks, he killed the lights and prowled along at idle speed from streetlight to streetlight. Cranking down the window, he could hear the snow compressing under the tires. The air smelled clean like the laundry he would bring in from the winter clothesline for his mother – his t-shirts like stiff slabs of flake cod.

“Otto-Matic Windows,” Rollie announced to the empty park that abutted the road. He wound his window up a few turns and thought of his father’s invention – a house window that cranked open and closed like a car window. A year after Barislowski’s gadget came out, a big window brand from Minnesota launched a similar version – but more refined – and that was that. Otto Barislowski always believed the US outfit had stolen the idea from him. Disillusioned, Otto sold the company a few years later.

#

“Jesus H. Christ!” said Waxman. He panted as he lay on his back in a snowdrift, the heavy case of Rothmans Kings beside him. “It is frickin’ hard work being a criminal mastermind!”

Thunderella watched him. The Pegasus sled rested behind her loaded with its own case of cigarettes and also a 24-pack of Super-Fluft Toilet Paper Rolls. Three-ply.

“What the hell are you doing with that?” Waxman had growled at her when they were in the warehouse.

“They were in the bathroom! We are almost out at home – so, I figured, ‘Why not?’” she had explained, in reply.

“I guess we can get $3, maybe $4 per carton for the smokes,” Waxman said from the snow bank, bringing her back into the now. He held a mittened hand up so the big flakes would not land in his face. “So, we got 96 cartons – that’s three hundred bucks! Kids are gonna get some great presents this year.”

“No way, Waxy. It’s gonna be all imported cheese and fancy wine for you and me. Crab meat. Vienna sausages…” she said, stopping to let him join in.

“Ha-ha. Yeah – uhh, Heineken beer, Dijon ketchup, Swiss chocolate – or, you know, one of those giant bars, ahh,”

“TOBLERONE, TOBLERONE!” she shouted out.

“As if,” Thunderella added, suddenly serious. She pointed a gauntlet at the elfin figure below her, “you know the only two reasons I’m in on this stupid caper, right Einstein?”

“Yeah, and they’re both home sleeping, Ellen,” Waxman said, holding a hand up to her.

“It’s a bent-ass world,” she replied. It was her stock comment to the many philosophers who populated the dingy Nox Beverage Room where she worked slinging draught beer. It seemed to fit the moment.

Thunderella helped Waxman up. “Ready to go?” she asked.

#

Rollie saw them about the same time they saw him.

“No sense in running, ‘Rella,” Waxman said without breaking stride.

“It ain’t a cop anyway,” his wife replied. “Maybe we can get a ride? I’m pooped.”

Waxman stopped. He dropped the case of cigarettes down off his shoulder and held it against his belly, arching his back. “Hell, yeah. My back is killin’ me, eh.”

“Fuckin’ A,” she said, tugging at the sled. “Let me go first.”

“Yeah, show a little cleavage,” he said.

Thunderella stuck her tongue out at him and strode; pushing through the fallen snow with purpose towards the approaching car.

“Jesus H. Christ,” Rollie said to himself. He rolled the window all the way down. It’s them! He recognized the “Rothmans” name and logo on the side of the boxes. He calculated: one case on the sled, one case being carried. “That makes two plus one that the cops had and the two in my trunk,” he said out loud. “Five cases of RM Kings altogether.” This was perfect, seeing as he had told the cops to mark down ten cases as stolen.

“Hi, honey!” Thunderella said to him as she neared the car. He shifted into park. She was a tall woman. It looked like she was about six-months pregnant, but it was hard for Rollie to tell because of the puffy parka she wore.

“Mother of a night, or what?” said the man behind her. Roland was surprised by Waxman’s appearance – short and almost round. He walked like a wind-up toy.

“Listen,” Thunderella said, fanning her face with a mitten. “We live maybe ten blocks that way, at Schultz Street,” she said, pointing east. “Any chance a girl could get a lift?”

“What’s that?” Roland said, feigning ignorance and pointing his chin at the cigarette cases.

“Well,” Waxman said, leaning sideways to speak around Thunderella. “We was shoppin; and then this buddy of mine, he got a deal on smokes. So we went down to his place and scored these smokes and then we had a few pops – well I did, anyway, she’s up-the-stump, eh.” Waxman spat the story out and while he did, Thunderella swivelled around so Rollie couldn’t see her face and gave her husband a cross-eyed look.

“Got a helluva deal on the ass-wipe – I mean toilet tissue,” Waxman said – a bit distracted – in conclusion.

“Yeah, I’ll bet,” Rollie said.

Rollie rubbed a glove against the inside of his foggy windshield, thinking about what to do. The cops had left the warehouse by now. These two lived right on his way home. He peered ahead in the headlights – there were no signs of movement in any direction. Not a creature was stirring. He considered himself, Paulos, Pozzo and also Mutt and Jeff. He considered the little beaver of a man and the beautiful, imposing pregnant woman standing beside the road in the frigid, forsaken night with stolen cigarettes and toilet paper.

A minute later the old Ford crept down Flora Avenue, the snow-crusted roof bearing three cardboard boxes and a flying horse. The red taillights vanished in a flurry of blowing snow.

#

Pozzo walked into his office, tucking in his shirt and adjusting his tie. He sat down at his desk and then dialed the phone, pushing the little buttons with extra vigour. He was in a fuming swivet about something.

“Poland!” he said in a loud voice. “What the hell is wrong with that shit-for-brains brother of yours?” Pozzo listened intently to Paulos’ reply.

“What do mean, ‘What do you mean?’” he said in a sing-song voice. “First I get stranded in the bloody Regina airport then I find out we got ripped off. And then,” he re-gripped the phone and moved it close to his mouth. “And then I go to the can just now for my morning constitutional and guess what?”

“No frickin’ TOILET PAPER, that’s what!”

Ink and Virtual Ink

I write every day. It’s a reliable and productive way to do the job and besides, I am an obsessive sort, given to 15-year spurts of sometimes/usually idiotic fervour.

Entering now my second full year of devotion to fiction only somewhat interrupted by the needs of my splintered 67-year-old cottage, I now appreciate that “writing every day” has strata and graduations.

Yesterday, for example, I did a lot of “real writing”; top strata stuff. I wrote about half a story — a tale of logging in the temperate rainforest in British Columbia. Next, I refined and polished an existing 2300-worder that is quite new and in which I have a lot invested. It has been shit-canned (declined) a few times but I think it’s getting close. I redid the ending and the opening sentence – hard stuff, there. Neat. No rocks or mix. After polishing, I submitted it to a site that I am excited about and hope to get my second base hit in as many at-bats with them.

That almost covers the pale; writing, re-writing & editing, polishing, blogging, tweeting.

The first four are production. The last two are sales and marketing. Those two major divisions–production | marketing–are similar to the disciplines in which I spent, respectively, much of my work career. The first sixteen years making things out of wood; the next 21 making things out of thin air. Well, words and pictures, anyway.

Like everyone else, when I made the jump to hyperspace and gave myself freely to the gods of fiction, it was with the belief that I would be writing. That’s it. I’d write stories. People would read them. Various levels of mutual satisfaction and progress would ensue.

I had no notion that there would be various levels or that I’d be like every cop character on every crime drama on TV, ever — I would love the real police work (ie. writing) and detest the ignoble job of “paperwork” (ie. promotion). Ironic, since I spent the last two decades trying to persuade people to buy stuff. I was a brass-knuckled, bull moose promoter.

So, to recap: the item you are reading right now is blogging. This level of writing is without doubt, not pure art. Nor is it pure fluff. It’s somewhere in between and would take a far stouter mind than mine to reckon where on the entertainment vs enlightenment scale it falls.

A few days back I had TWO short stories launching on one day. Two distinct stories on two distinct sites. A good day. (June 5 – buy a lottery ticket next year. Trust me.) So that day was spent in the throes of persuasion and proclamation. I had written two stories, sweated the shit out of them and put my bloody, beating heart into them. Risked ridicule. Banished doubt – if only long enough to press SEND. I had been rewarded by two smart, discerning, educated and deadly serious editors with two separate acceptances. (Take THAT, Duotrope statistics!) So, you have to agree, having put all that soul into the scribblings, I owed it to myself to see to it that a few readers learned of these acceptances – these hallowed, hard-won publications. 

Can I get an AMEN?

But. Yeah, “but.” The fly in the proverbial colloidal gel is that all that time I spent being glib and puntastic on twitter and Niume and FlipBoard and whatever-the-hell-other intercapped literary promo web sites you got… was time spent–all together now–NOT WRITING.

Yes, instead of writing the first half of that lumberjack story or finishing one of the other dangling dirty realities I have on my artiste’s workbench, I twiddled and twaddled and twittered. I blithered and I blogged and the fork ran away with the spoon.

So, in the final analysis, promo is just part of the job. The writer’s job. There’s no doubt. Pipsqueak writers like me, afloat in the immense literary ocean, splash and wave and try to flash a mirror in the eye of the hoards of readers and literati who sail by. Big shot authors have their people* do all the promo stuff, BUT they have to make the rounds. They have to dress well, be literate beyond the “How about those Canucks?” level and speak intelligently and with the appeal of the celebrity class about their writing; other writing; all writing; art; and LIFE.

Life, Goddamnit, life.

So, I had better get used to it. (Again.) Back to the promotional coal mines. Back down–like Vincent Van Gogh and the children of Borinage–into the pitch black of the coal mine of sales, marketing, advertising. Back to the banalities of brand, the anal obsession with attributes, and the diatribe of differentiation.

Toews short stories: “Great Taste!” “Less Filling!”

“One third fewer adverbs per page!”

“Read, WOMEN WITHOUT BONNETS for raw, unbridled Mennonite dance party descriptions, ripped from the lives of ditt sied!”

I think I will just let my inner smart-ass take over the marketing department and, you know, let the F-bombs, the arcane references, and the obscure puns fall where they may. Who knows? That may be the best marketing plan of all.

allfornow – Mitch

(*They have people, don’t they? I want them to have people.)

 

 

 

First Birthday

It will soon be a year, June 21, 2016, since my first short story was accepted and published by a literary journal. That story was Encountered on the Shore, on CommuterLit.

Since that time I have added 24 acceptances to my credit roll. By now, I am pretty sure I am committed to, “this fiction thing,” as those near me tend to describe it.

It has been hard work. “Ha!” you say, and the old-school, Menno scoffer in me tends to agree, but it’s true. I have submitted 112 times and have 21 submissions currently outstanding. My written word count is somewhere in the 125,000-word range. My acceptance rate on Duotrope is .342 for fiction. That’s the same as Babe Ruth’s lifetime batting average. (The Bambino, as you prolly know, was a helluva wordsmith…)

So far, it’s been fun. Rewarding; a satisfying ego boost when you see your name in print. There is collateral damage though. I am boring and tedious at parties, of which — no surprise — I attend few. Golf buddies roll their eyes and their putts. My wife is an excellent changer-of-topics.

It is also dismaying — seeing all the strained passages and obvious typos that everyone (mostly me) missed.

But, I am now entering the second ring. My stories are a little harder to write because I am choosing more controversial topics. I am beginning to piss people off. (Something I’ve always found easy to accomplish.) My kids don’t always want to read my stuff and I am pretty sure my son-in-laws have used the, “must be some other Toews guy,” excuse, at least once.

I am not sure what the outcome will be, but like old Ad Francis in “The Battler”, it feels good to hit and it feels good to be able to take a hit. (I have been scolded by more than one editor.) Here below is the current list of publications and a more detailed accounting (with links, log lines, and excerpts) may be found here: https://mitchellaneous.com/write-clicks/

 

Kits mitch zoom
Me, striking a prose…

 

CommuterLit
Rhubarb Magazine
Voices Journal
Fiction on the Web
Literally Stories
Red Fez
Broken Pencil
The Machinery
SickLit
Storgy
The MOON magazine
Alsina Publishing

#

Social media touchpoints: Facebook, twitter, Niume, LinkedIN, Flipboard, Stumbleupon, Tumblr, Google+, Gravatar, and Instagram. Also, as you well know, comments, liking, following, sharing and favouriting are things that help an emerging* writer in the hunt for readers.

Tweets: @mitchell_toews #mitchelltoews #amwriting #shortstories #canlit #mennonite #fiction

allfornow – mitch

*At my age, maybe more like submerging? A distinction that writer, translator and friend Hege Anita Jakobsen-Lepri pointed out. https://www.linkedin.com/in/hege-anita-jakobsen-lepri-8231856/

 

The Log Boom

Every story I write is an amalgam of experiences and imaginings; a hybrid mixture that flows with the emotion and intention that are in me in at that moment. The experiences of others, particularly in difficult circumstances that amplify the things about them that I value, are often a profound source of inspiration.

The catch is that these stories are sometimes hard to relate. Here is one from that slippery category, on storgy.com

UPDATE: 6.10.17

“The Log Boom” is my most re-tweeted story, so far. Of the 25 or so stories that I have had published to literary sites in the past year, this is also one of the most-liked and most-viewed.  I realize that these are not big numbers but for an unknown guppy alone in the vast ocean of fiction, I am happy for the attention.

Glub. Glub.

(Thanks again to Storgy.)

Log Boom Twitter stats 6.10.17

I hope you enjoy it and if you care to, please feel free to comment – your feedback is welcome. https://storgy.com/2017/05/19/fiction-the-log-boom-by-mitchell-toews/

The two stood in a hard-packed dirt barnyard, facing the end wall of an old dairy barn. The smell of cows still permeated the air. It was sweet, fetid and oddly appealing – the kind of smell that was at first unpleasant but that, over time, one grew accustomed to. After a while, it was as if your nose craved it. Marty had always found that strange but undeniable. He craved it now.

The younger one of the two – a tall boy – sniffed and peaked his eyebrows.

“Same smell,” he said.

“Yeah, there hasn’t been a cow here for six years, but…” Marty’s words trailed off as he tilted his head up to find the familiar scent.

[snip]

Images: Storgy.com

storgy logo

STORGY was founded in 2013 by Tomek Dzido and Anthony Self as a means by which to explore the short story form and engage with readers and artists alike. An online literary short story magazine consisting of a core group of dedicated writers, STORGY aims to inspire artistic collaboration and provide opportunities for creative minds to meet. 

allfornow – Mitch

Winter Eve at Walker Creek Park

A NEW SHORT STORY appears today (Feb 17) on CommuterLit. “Winter Eve at Walker Creek Park” will be my 20th overall to be published online and in print, and the seventh to be accepted by Toronto’s CommuterLit e-zine. It is “Friday’s Flash Fiction” and is indeed a flash fiction; about three sips of coffee long.

The story is set in St. Catharines where loved ones, dearly missed, reside.

See CommuterLit for LINKS to my other tales:  In June 2016 editor Nancy Kay Clark chose “The Red River Valley Trilogy“: “Encountered on the Shore”, “A Vile Insinuation”, and “Without Reason”. The linked stories concern, respectively: the aftermath of a violent encounter on a city street; a young American leaving the ball fields of North Dakota for the killing fields of Vietnam; and a devout Mennonite man grappling with cancer and faith.

“Gather By the River” ran the week of Dec 5. It appeared in two parts on consecutive days. “Zero to Sixty”, the lead segment, introduces the chief character and his circumstances; sparking some poignant memories of Hartplatz, his childhood home. In the second piece, “The Margin of the River”, the protagonist returns to the scene of the previous day’s incident with troubling results.

On January 30, 2017 “The Rothmans Job” a wintery, noir-comedy-caper story set in downtown Winnipeg ran on CommuterLit.com.