The Sacrifice Fly

If you play enough baseball, you get to a point where you can produce certain outcomes with regularity. This is most true in fielding where extraordinary plays become almost routine. Predictable outcomes are less common in pitching and batting.

At the plate, it’s often the role of the batter to hit a flyball far enough into the outfield to score the runner from third base. The pitcher knows it and throws high riseballs and drops to keep the hitter on the ground or pop her up. But a decent player can often deliver that lazy SAC fly.

I think this is true across a broad spectrum. An average sales professional can renew a long-time account… a basketball player can hit the open J… a practiced politician can deflect uncomfortable questions and provide a safe non-answer without mussing her hair.

However, artists who reach the safety zone are drawn to go beyond. Dylan went electric… Vincent rendered his 200th (500th?) sunflower and looked to the heavens for a new challenge… “Finnegan’s Wake” came out and slapped a lot of people in the face. Art, to reach its potential, needs—at some point—to venture out into uncharted territory and put the artist at risk. “To boldly go where no one has gone before,” as a small Canadian actor with good hair, dimples and a cute little paunch used to say in the opening voice-over, weekdays at 5:00 p.m. in our house on Sunrise Bay.

One of my artistic heroes, Winslow Homer, wrote that one must “experiment boldly.” I agree and even though I still need to hone basic skills (a lot) I feel it’s also time for me to leave my own friendly confines and be bold.

Trouble is, unlike the master, I am not endowed with a limitless amount of talent and a universally loved body of work. But no matter, the feeling of being alone, friendless and at risk is, like landing head-oeuvre-heels in the deep-end… “good for ya!”

Lately, I’ve been on this bold mission. I’ve let myself be led by my Writing Circle and by the greats who went before. Becky Hagenston, Flannery O’Connor, and even Jean Luc Picard—my doppelganger with a Shakespearean accent. (My accent is more East Reserve, with a side order of Simon Biester coarse Mennonite brogue.)

Image result for brogue shoe

Over the last few days, I’ve gone down swinging a few times as I sought the fences. Reviewers and critiquers have sent me packing, without so much as a foul tip. They did give me tips, though—“Bet heavy—sleep on the streets” or messages of that ilk.

Yesterday, a small breakthrough. An acceptance for one of my Nina, Pinta, and hail Santa Marias. From a wonderful band of editors who know the stench of a book bonfire and are not afraid to toss ugly trash into it, but also take a dim view of too easily barbequing writers whose work takes the path less travelled. (They’re not wild about the above confusing potpourri of images, but, hey—this is just a blog, so edges may be rough.)

Speaking of rough edges, “I am a series of small victories,” comes to mind. This quote from Charles Bukowski, an experimenter if ever one there was. NO, I don’t defend his misogyny or off-handed violence, alcoholism, or other missteps and ignoble romps. I like a lot of what he wrote and respect his boundary-crossing as a part of his artistic journey.

Writers must stray. We must, “dance with the Devil in the pale moonlight,” from time to time. Must we not? Not to become a part of that world, but to know how to avoid falling into it.

Anyway, I’m excited to be doing what I’m doing and hope I can come out on the other side, better for the whippings I will take along the way.

allfornow,
Mitch

News on this story in May, when it is due to hit the internet.

Mak’n Sparks

Janice and I spent a month over Christmas and New Year visiting family and dog-sitting in BC. The majority of the time had us in Victoria. While we were there I contacted the Victoria Writers’ Society to see if they had any events or functions taking place during our stay.

They did: the Society’s Annual General Meeting was on the slate and the Secretary, Ms. Sheila Martindale, invited me to sign-up for their Open Mic, which, she assured me was the main activity of the evening.

So I did: reading a sightly abridged version of “Sweet Caporal at Dawn”. It was fun and Jan & I really enjoyed the various readings. Lots of grab-ya-by-the-throat poetry and some fine essay and memoir pieces.

A reading I found particularly entertaining—and relatable—was Ron Stefik’s bright, funny ramble, “Mak’n Sparks”. I’ve received Ron’s permission to share it here.

Like Conrad led us upriver into a world of winding darkness and deception, so—conversely—Ron takes us downstream, away from lives filled with confusion and dilemma.

We are brought into the quiet of the workshop: the place of washer-filled Cheeze-Whiz jars suspended by their lids from the underside of a shelf… the land of pegboard and felt pen outlines on the wall… the sanctuary of our favourite tools—their double-insulated smells, their familiarity, their loyalty, their simple ways.

But also the power tool’s growling capacity for raw, emergency room-feeding might!

“I don’t like work—no man does—but I like what is in the work—the chance to find yourself.”—Heart of Darkness, Joseph Conrad

 

Mak’n Sparks

by Ron Stefik

I enthusiastically read the latest Canadian Tire advertising flyer that had arrived in the mail.  These are basically glossy hardware porn. The centrefold display caught my attention, the item between the stepladder with open legs and the set of socket wrenches. Angle grinders were on sale.

I have always felt a desire to own a portable angle grinder. Not an actual need, but a desire. When I had worked in the design office at Strathcona Steel in Edmonton, I would occasionally have reason to go down to the cavernous shop floor; to get a measurement, to get a progress update, or to get yelled at for not wearing safety boots. Metal shaping and welding stations were busy all around as I navigated across the factory, but those using angle grinders seemed to have the most satisfying tasks. Like Prometheus delivering fire, labourers cast long showers of fiery sparks to the howling accompaniment of their empowering device. Here be men!

Ownership of such a tool might lead to identification of a previously unrecognized daily need for such a thing, and would likely inspire a worthy addition to my story series, “The Joy of…”.  The Joy of Radial Arm Saws, The Joy of Hedge Trimmers…..The Joy of Angle Grinders…..intriguing titles like that.

Scanning the store shelves in my quest for self-worth, I suppressed a rising panic this item would be sold-out and unavailable to the remaining local angle grinding citizenry. Such disappointing ventures are reminiscent of potential dates that never show, an unfulfilled promise of a happily ever after future. Discovering my equivalent of the Golden Fleece craftily located on a lower shelf, with fevered anticipation and sweaty hands I made my selection from the inventory. I had briefly considered using some of my hoard of 5 and 10 cent Canadian Tire coupons to finance the investment, but wisely decided to maintain this bankroll for a future spending spree, such as the purchase of an electric lighting fixture to donate to an Amish charity. However, I did also acquire a 10-pack of grinding wheels. I was sure to identify many things around the house that could benefit from a good grinding. I could hardly wait to get home and start annoying the neighbours.

Alone in the privacy of my workshop, I savoured the moment of unveiling. The box included an instruction book sealed in a plastic bag. This would preserve it in pristine unopened condition for the benefit of future generations. It was tough plastic, and curiosity getting the better of me, I used the grinder to get it open. A thick booklet, it was printed in a multitude of languages, for the convenience of angle grinding Swahili bushmen and Bedouin travellers with long extension cords. Of the 32-page English section, the first thirty-one and a half pages were dedicated to safety advisories of the “never do this” variety. Such as using this power tool to open a plastic bag.

As it would happen, I had recently brought home from a neighbourhood free-pile a damaged air compressor. I did not see any need to compress air but had a vague idea of using the attached small pressure tank for a future inventive project. It was welded on. My first grinding task! Safety glasses and ear covers on, I attacked the task with suitable angle grinding élan and vigour. Electric motor whining at a satisfyingly high pitch, sparks flew as I spread destruction, Jedi warrior descendant upon a metallic foe. Within minutes I transformed a once useful piece of equipment into bits of scrap. This was progress!

Having satisfied my initial primal urge to cut through metal, I await the next necessity that will present itself to use this latest weapon in my home-improvement arsenal. That jam jar that has been getting a bit tough to open? Perhaps a bit of grinding to remove the lid is in order. Or perhaps a passerby on an electric shopping scooter will overturn in front of my home and require my rescue with a portable angle grinder to cut them free from the wreckage. One can only hope.

Place and Time

foc flannery place and time quote only

Ah, eternity.

My stories—and everyone else’s—spring from life. Life lived, life observed, life imagined. Life reconstructed.

A vital part of each story—and each life—is place and time. Truths from one era or one location or one moment in a given journey alter and define the future.

Driven by my own curiosity, here is a roll-call of Place, Time, and basic protagonist context from my stories:

i — “Encountered on the Shore” A university student makes an unsettling discovery in downtown Winnipeg, in the fall of 1973.

ii — “A Vile Insinuation” During the summer following, the main character from “Encountered on the Shore” considers fate and blessings at a baseball tournament in Vita, Manitoba, near the US border.

iii — “Without Reason” Now retired, the MC from “Encountered” and “Vile”, is diagnosed with cancer and he considers his plight and that of others like him. Set in his small Mennonite prairie hometown, current day.

i — “Zero to Sixty” A retired man is attacked, near Christmas in Chilliwack, BC, current day.

ii — “The Margin of the River” and the audio except, “Wide Winter River” The MC from “Zero to Sixty” considers what happened the day before and sees first hand the inequity and sorrow that is built into life. All life.

“The Rothmans Job” An odd couple set out on a dubious nighttime caper during a fierce winter blizzard in Winnipeg, during the 1970s.

“South of Oromocto Depths” A teenage boy gets into a foolish skirmish with his father on the Victoria Day long weekend in 1971 New Brunswick.

 “Nothing to Lose” A former hockey player looks back on his life and his regrets in rural Manitoba during the dusty heat of summer, in the Sixties.

“Heavy Artillery” A young baseball fan in 1962 becomes embroiled in adult suspicion and prejudice in a small prairie town — predominantly Mennonite. (The imaginary, recurrent town of “Hartplatz, Manitoba”.)

“A Fisherman’s Story” In 1970, on the Mexican Pacific coast, an elderly woman and her young daughter are dealt an unfair hand. (P.S. — the prequel and the sequel to this story appear in the trilogy “The Bottom of the Sky”. See link below.)

“Winter Eve in Walker Creek Park” A trio of females on a wintery night in St. Catherines, Ontario, near Christmastime, current day.

“Breezy and the Six-Pack Sneaker” A rainy, beery night in Hartplatz in the Sixties is the scene for a tangled yarn of deception.

“The Fifty Dollar Sewing Machine” A straight-laced Mennonite husband and wife take on danger in a dark Winnipeg alley in 1934. (Rerun on Literally Stories, Feb 17.)

“Frozen Tag” A man encounters a strange reprise from his past (at the Minneapolis Athletic Club in 1980) in the Chilliwack Leisure Centre, current day.

“The Business of Saving Souls”  A youth pastor in the fictitious city of Tribune, in the northern US Midwest meets challenges in the sanctuary of a gleaming megachurch, current day.

“The Preacher and His Wife” Palace intrigue, Harplatz style, throws a family into an untoward uproar in the 1960s.

“I am Otter” A shunned congregant discusses culture, power, and enfranchisement with a stranger near a lake in Manitoba, current day.

“The Beefeater and the Donnybrook”  A mild-mannered Halifax, NS tourist is mistaken and mistook in drizzly London, current day.

“The Log Boom” Poignant points of view — a father, son, and grandfather in the Lower Mainland of BC, current day.

“The Peacemongers” War, bullies and knuckle justice from the perspective of a boy in Hartplatz, circa 1965.

“Fairchild, McGowan and the Detective” Recalling employment, both the good and the bad in Hartplatz and Winnipeg, 1970-80.

“Graperoo” A piece of Graperoo bubblegum experiences the four seasons in rural Manitoba in the Sixties.

“So Are They All” It’s September 1961 and a young boy receives an education in loyalty and courage in his grandmother’s country raspberry patch.

“The Seven Songs” A middle-aged Canadian man meets a local contemporary at a resort in Mexico, current day.

“Fall From Grace” A boy gets stuck in a fraught adventure and learns about his father through it in the heat of a prairie summer in Hartplatz, 1963.

“Away Game” A 50-something man meets with an older family member at the side of a dreamy, summery lake in Manitoba’s boreal forest, current day.

“In the Dim Light Beyond the Fence” The reader travels back into Canadian small-town hardball with the MC, reliving a fateful doubleheader from the Fifties.

“City Lights” A small-town “up-and-comer” gets in over his head in Toronto, current day.

“Groota Pieter” Spring softball in small-town Mennonite Manitoba is described, from the Sixties to current day.

“Sweet Caporal at Dawn” On a moody Manitoba morning near a spring lake, a youngster and an older confederate fish for pickerel during the mid-Seventies.

“The Bottom of the Sky” A trilogy that follows a “pinche” cabin-boy and the ship’s captain on a fishing charter boat from 1955 Acapulco to the future in a fishing village in the Seventies. (P.S. – If you’re inclined, give this story a read and tell me if you think it could be adapted into a screenplay. I see it in flickering snatches of film in my head and just wonder if that occurs to anyone else. If you’re a screenwriter or in film, I’d love an opinion — tough love included. —mjt)

“Shade Tree Haven” An adult remembers more than he cares to as he thinks back to summers at a favourite swimming pool in the early 1960s.

“The Narrowing” A sensitive boy and his straight-ahead grandfather go through a harrowing experience in the Manitoba wilds, current day. An important secondary character in Abbotsford, BC is part of the story.

“The Phage Match” In a surreal radio broadcast from somewhere in Canada, current day, the evils of drug addiction are the backdrop for some strange characters.

“Died Rich” A high school freshman in a frigid southern Manitoba winter in 1961 struggles to endure.

“Concealment” A fledgling Manitoba business traveller gets more than he expects on a springtime trip to the Atlanta Zoo in the 1980s.

“Mulholland & Hardbar” (Novel WIP) A troubled youth experiences the four seasons in the Canadian Shield: love, friendship, deceit, and violence. 1972.

Drama: From the Greek, “to do” or “to act”

Interview with a Mennonite Imposter

http://bit.ly/MennoTOEWSba

Writer interviews can be kinda boring. This is a little more in the Mennonite wiseguy range of the register, but still—you know—predictably boring. And great fun to do, especially with such an engaging set of questions! My thanks to Editor Erin Unger.

 

The Rothmans Job

Dec 30, 2017 – It’s 30 below zero (Celcius) and our sewer line is frozen. Here’s a story to suit. This story appeared on CommuterLit January 30, 2017 and was reprinted on SickLit March 30, 2017.

The Rothmans Job
By Mitchell Toews

A STORM LIKE THIS was rare. Snowflakes blocked out sky and sun and moon and stars. The flakes – as big as baby fists – had been falling for three days. Light and dry, they flew, then settled, then flew again – whipped by a dodgy north wind. At night, the tops of buildings disappeared except for the occasional glimpse of a red tower beacon or a snapping row of flags, like those atop The Bay.

And the people, knowing about these storms, stayed home. In the downtown core, only buses, snow ploughs and police cruisers were out. These motorized vehicles, accustomed to roaring at will, crept along the blanketed streets in peevish silence, their motors and tires muted by the all-enveloping snow.

No humans, no dogs, no birds. It was up to the storefront mannequins – who must have longed to sit – to maintain a watch over the streets. Vigilant, they gazed unblinking through the plastered glass at the frozen lunar streetscape.

Through this otherworld trudged Waxman and Thunderella. The diminutive Waxman led. He wore two snowmobile suits and his knees could not bend more than a few degrees. A bearded Weeble, he waded roly-poly through the drifts ahead of his towering accomplice, Ellen Thundermaker; aka “Thunderella”.

Thunderella towed in her powdery wake a red and yellow child’s sled. It was a Union Flyer and a likeness of flighted Pegasus was screened in reflective paint on both side rails.

Waxman, Thunderella and Pegasus pressed on like arctic explorers. Their goal was the unlocked side door of the Rothmans Cigarette warehouse on Harbour. Waxman had promised fifty bucks to Abie Wiebe – the inside man.

“Hey, Waxman,” Thunderella called from the rear. The wind had died and her voice only had to overcome the snow that coated every surface and baffled the air itself. This snowfall was ultra-absorptive like paper towel brands promised to be.

“WAXY!” she repeated, straining to be heard above the zizza-zazza of his nylon pant legs. He was a heavy man with thick thighs.

“What?” he shouted straight ahead, unable to twist around because of his insulated entombment. He halted, breathing hard, his moustache and scarfed chin hoary with frost. Thunderella bumped into him as she slogged along, head down.

The collision, one of many rear-enders on that street that winter, was enough to push Waxman off-balance. He fell, landing in a puff of white. Cursing and then laughing, he walrused his weight over so that he lay on his rounded backside. He picked a package of Rothmans out of the top pocket of his quilted inner overalls.

“We gonna make it?” she asked, reaching for a smoke.

“No problemo, ‘Rella,” he replied, shooing her hand away. “Two blocks, then through the side door by Perkins Cleaners; then open up the cage. That’s where the expensive stuff is. Abie says that cage lock has been busted for a year.”

#

Roland Barislowski bent forward, touching the freezing cold steering wheel with the absolute least amount of finger skin required to maintain vehicular control.

He peeked through the tiny fan-shaped portal of clear windshield.

“Need a periscope, like Lindbergh,” Roland said aloud. His voice sounded muffled in the anechoic enclosure; six inches of stubborn snow capping the rooftop.

The call had come around two A.M. He had just fallen asleep after pounding Old Viennas with Art, his brother-in-law from Virden. Art was stranded in the city because the highway was shut-down.

“Warehouse alarm went off. Cops’re there,” said his boss, Pozzo.

“Where’re you?” Roland said into the phone, his voice phlegmy.

“Regina airport,” Pozzo said, placing an unenthusiastic Rollie in charge.

Roland’s bottom was warm on the quilt he had tossed into the front seat but the small of his back felt like it was packed in ice. He lit a cigarette and blew smoke rings at the windshield. The rings – twirling in languid slow motion – disintegrated when the blast from the defrost fan hit them.

His brother’s name was Paulos. Everyone called him Poland — Roland and Poland. Very funny, Roland thought. They weren’t even Polish. But nicknames were nothing new in the North End – everybody had one.

Just like Paulos, Roland worked at Rothmans. It was Paulos’ job to take calls like this – the wonky alarm was set off by rats every two weeks or so. But Paulos was out-of-town and so Rollie had been given the key on this cryogenic night.

“Man, there is no one out here!” he said in the coffin quiet of the car interior.

He drove west until he hit a major street that had been cleared. Heading north he came up on the warehouse. An empty police cruiser sat idling at the curb. The trunk was open a crack and a bungee cord, hooked to the underside of the bumper held it shut. He parked beside the police car and went in through the side door of the warehouse, which stood wide open.

“You Poland?” said the cop. There were two of them. This one and a little guy down near the cigar cage. Mutt and Jeff thought Rollie – what his dad, Otto, always said when there was a big guy with a little guy.

“No, I’m his brother, Rollie. I work here too. Paulos is outta town.”

“Eh? Who’s this Paulos guy?” the big cop said, bleary-eyed.

“Paulos is ‘Poland’,” Rollie said, employing the ever-useful air quotes. “His real name is Paulos and he’s my brother. He’s away and I work here too and I got the job of coming out on this mother of a night.”

“Who’s a  mother?” said the little cop. He had walked over from the cage and was holding a few crushed packages of cigars and cigarettes. He saw Rollie studying the packages and said, “Gotta take these. Evidence.”

‘Yeah, fine,” said Rollie. “So, I guess you want me to do an inventory – see what’s been taken?”

“Good idea, Poland,” said the big cop, yawning. He yanked his police hat down low over his face, closed his eyes and leaned back against the forklift. “You guys sure you wanna report this?” he said without opening his eyes. “Seems like a lot of bother, this close to Christmas, for a lousy coupla-hun worth of smokes.”

“We’ll see,” Rollie said, grabbing the clipboard from its spot on the cage door. He used the pencil that was attached by a string to check off the missing items.

“Hey, Officer! Flip the cage light on please – the switch is right behind you,” he yelled. “Close that side door too.”

The little cop stopped stuffing the cigar boxes into his overcoat and did what Rollie asked.

#

Rollie sat in his car, which was now uncomfortably warm. The plastic frost-guards on the windows were broken and while the rest of the window was clear, the section in middle was fogged. He keyed letters into his pager, holding his breath as he concentrated on tapping the tiny buttons. He entered Pozzo’s number and typed the message:

Many CASES RothM King missiong. Cops took stuff but don’t think they were in on it. Call me!! – R

It’s gonna be an insurance jackpot, Rollie thought. His boss was crafty. He’d shut up about the stuff that Officers Mutt and Jeff had swiped – including the loot crammed into the cruiser trunk – in exchange for their listing an inflated tally on the police report. Pozzo would use their complicity as “wiggle room” to alter the report as required. Pozzo would make money on the deal; his Caddy stuffed with pricey goods that were easy to sell to bar owners and smoke shops.

Rollie and Paulos would get a C-note or so to play along.

“Nice work if you can get it,” Roland said to himself. That nugget courtesy of his late father, Otto. Otto Barislowski had run a ramshackle sash and door shop – BARIS GLASS – for thirty years. Honest guy. Never made much but his family was fed and clothed. “You get a roof over your head and there’s coal in the chute,” the old man would say to Rollie and Paulos.

Rollie pointed the old Ford east and took side streets home. He coasted through the stop signs at each intersection, as stealthy as Santa’s sleigh. After a few blocks, he killed the lights and prowled along at idle speed from streetlight to streetlight. Cranking down the window, he could hear the snow compressing under the tires. The air smelled clean like the laundry he would bring in from the winter clothesline for his mother – his t-shirts like stiff slabs of flake cod.

“Otto-Matic Windows,” Rollie announced to the empty park that abutted the road. He wound his window up a few turns and thought of his father’s invention – a house window that cranked open and closed like a car window. A year after Barislowski’s gadget came out, a big window brand from Minnesota launched a similar version – but more refined – and that was that. Otto Barislowski always believed the US outfit had stolen the idea from him. Disillusioned, Otto sold the company a few years later.

#

“Jesus H. Christ!” said Waxman. He panted as he lay on his back in a snowdrift, the heavy case of Rothmans Kings beside him. “It is frickin’ hard work being a criminal mastermind!”

Thunderella watched him. The Pegasus sled rested behind her loaded with its own case of cigarettes and also a 24-pack of Super-Fluft Toilet Paper Rolls. Three-ply.

“What the hell are you doing with that?” Waxman had growled at her when they were in the warehouse.

“They were in the bathroom! We are almost out at home – so, I figured, ‘Why not?’” she had explained, in reply.

“I guess we can get $3, maybe $4 per carton for the smokes,” Waxman said from the snow bank, bringing her back into the now. He held a mittened hand up so the big flakes would not land in his face. “So, we got 96 cartons – that’s three hundred bucks! Kids are gonna get some great presents this year.”

“No way, Waxy. It’s gonna be all imported cheese and fancy wine for you and me. Crab meat. Vienna sausages…” she said, stopping to let him join in.

“Ha-ha. Yeah – uhh, Heineken beer, Dijon ketchup, Swiss chocolate – or, you know, one of those giant bars, ahh,”

“TOBLERONE, TOBLERONE!” she shouted out.

“As if,” Thunderella added, suddenly serious. She pointed a gauntlet at the elfin figure below her, “you know the only two reasons I’m in on this stupid caper, right Einstein?”

“Yeah, and they’re both home sleeping, Ellen,” Waxman said, holding a hand up to her.

“It’s a bent-ass world,” she replied. It was her stock comment to the many philosophers who populated the dingy Nox Beverage Room where she worked slinging draught beer. It seemed to fit the moment.

Thunderella helped Waxman up. “Ready to go?” she asked.

#

Rollie saw them about the same time they saw him.

“No sense in running, ‘Rella,” Waxman said without breaking stride.

“It ain’t a cop anyway,” his wife replied. “Maybe we can get a ride? I’m pooped.”

Waxman stopped. He dropped the case of cigarettes down off his shoulder and held it against his belly, arching his back. “Hell, yeah. My back is killin’ me, eh.”

“Fuckin’ A,” she said, tugging at the sled. “Let me go first.”

“Yeah, show a little cleavage,” he said.

Thunderella stuck her tongue out at him and strode; pushing through the fallen snow with purpose towards the approaching car.

“Jesus H. Christ,” Rollie said to himself. He rolled the window all the way down. It’s them! He recognized the “Rothmans” name and logo on the side of the boxes. He calculated: one case on the sled, one case being carried. “That makes two plus one that the cops had and the two in my trunk,” he said out loud. “Five cases of RM Kings altogether.” This was perfect, seeing as he had told the cops to mark down ten cases as stolen.

“Hi, honey!” Thunderella said to him as she neared the car. He shifted into park. She was a tall woman. It looked like she was about six-months pregnant, but it was hard for Rollie to tell because of the puffy parka she wore.

“Mother of a night, or what?” said the man behind her. Roland was surprised by Waxman’s appearance – short and almost round. He walked like a wind-up toy.

“Listen,” Thunderella said, fanning her face with a mitten. “We live maybe ten blocks that way, at Schultz Street,” she said, pointing east. “Any chance a girl could get a lift?”

“What’s that?” Roland said, feigning ignorance and pointing his chin at the cigarette cases.

“Well,” Waxman said, leaning sideways to speak around Thunderella. “We was shoppin; and then this buddy of mine, he got a deal on smokes. So we went down to his place and scored these smokes and then we had a few pops – well I did, anyway, she’s up-the-stump, eh.” Waxman spat the story out and while he did, Thunderella swivelled around so Rollie couldn’t see her face and gave her husband a cross-eyed look.

“Got a helluva deal on the ass-wipe – I mean toilet tissue,” Waxman said – a bit distracted – in conclusion.

“Yeah, I’ll bet,” Rollie said.

Rollie rubbed a glove against the inside of his foggy windshield, thinking about what to do. The cops had left the warehouse by now. These two lived right on his way home. He peered ahead in the headlights – there were no signs of movement in any direction. Not a creature was stirring. He considered himself, Paulos, Pozzo and also Mutt and Jeff. He considered the little beaver of a man and the beautiful, imposing pregnant woman standing beside the road in the frigid, forsaken night with stolen cigarettes and toilet paper.

A minute later the old Ford crept down Flora Avenue, the snow-crusted roof bearing three cardboard boxes and a flying horse. The red taillights vanished in a flurry of blowing snow.

#

Pozzo walked into his office, tucking in his shirt and adjusting his tie. He sat down at his desk and then dialed the phone, pushing the little buttons with extra vigour. He was in a fuming swivet about something.

“Poland!” he said in a loud voice. “What the hell is wrong with that shit-for-brains brother of yours?” Pozzo listened intently to Paulos’ reply.

“What do mean, ‘What do you mean?’” he said in a sing-song voice. “First I get stranded in the bloody Regina airport then I find out we got ripped off. And then,” he re-gripped the phone and moved it close to his mouth. “And then I go to the can just now for my morning constitutional and guess what?”

“No frickin’ TOILET PAPER, that’s what!”

Ink and Virtual Ink

I write every day. It’s a reliable and productive way to do the job and besides, I am an obsessive sort, given to 15-year spurts of sometimes/usually idiotic fervour.

Entering now my second full year of devotion to fiction only somewhat interrupted by the needs of my splintered 67-year-old cottage, I now appreciate that “writing every day” has strata and graduations.

Yesterday, for example, I did a lot of “real writing”; top strata stuff. I wrote about half a story — a tale of logging in the temperate rainforest in British Columbia. Next, I refined and polished an existing 2300-worder that is quite new and in which I have a lot invested. It has been shit-canned (declined) a few times but I think it’s getting close. I redid the ending and the opening sentence – hard stuff, there. Neat. No rocks or mix. After polishing, I submitted it to a site that I am excited about and hope to get my second base hit in as many at-bats with them.

That almost covers the pale; writing, re-writing & editing, polishing, blogging, tweeting.

The first four are production. The last two are sales and marketing. Those two major divisions–production | marketing–are similar to the disciplines in which I spent, respectively, much of my work career. The first sixteen years making things out of wood; the next 21 making things out of thin air. Well, words and pictures, anyway.

Like everyone else, when I made the jump to hyperspace and gave myself freely to the gods of fiction, it was with the belief that I would be writing. That’s it. I’d write stories. People would read them. Various levels of mutual satisfaction and progress would ensue.

I had no notion that there would be various levels or that I’d be like every cop character on every crime drama on TV, ever — I would love the real police work (ie. writing) and detest the ignoble job of “paperwork” (ie. promotion). Ironic, since I spent the last two decades trying to persuade people to buy stuff. I was a brass-knuckled, bull moose promoter.

So, to recap: the item you are reading right now is blogging. This level of writing is without doubt, not pure art. Nor is it pure fluff. It’s somewhere in between and would take a far stouter mind than mine to reckon where on the entertainment vs enlightenment scale it falls.

A few days back I had TWO short stories launching on one day. Two distinct stories on two distinct sites. A good day. (June 5 – buy a lottery ticket next year. Trust me.) So that day was spent in the throes of persuasion and proclamation. I had written two stories, sweated the shit out of them and put my bloody, beating heart into them. Risked ridicule. Banished doubt – if only long enough to press SEND. I had been rewarded by two smart, discerning, educated and deadly serious editors with two separate acceptances. (Take THAT, Duotrope statistics!) So, you have to agree, having put all that soul into the scribblings, I owed it to myself to see to it that a few readers learned of these acceptances – these hallowed, hard-won publications. 

Can I get an AMEN?

But. Yeah, “but.” The fly in the proverbial colloidal gel is that all that time I spent being glib and puntastic on twitter and Niume and FlipBoard and whatever-the-hell-other intercapped literary promo web sites you got… was time spent–all together now–NOT WRITING.

Yes, instead of writing the first half of that lumberjack story or finishing one of the other dangling dirty realities I have on my artiste’s workbench, I twiddled and twaddled and twittered. I blithered and I blogged and the fork ran away with the spoon.

So, in the final analysis, promo is just part of the job. The writer’s job. There’s no doubt. Pipsqueak writers like me, afloat in the immense literary ocean, splash and wave and try to flash a mirror in the eye of the hoards of readers and literati who sail by. Big shot authors have their people* do all the promo stuff, BUT they have to make the rounds. They have to dress well, be literate beyond the “How about those Canucks?” level and speak intelligently and with the appeal of the celebrity class about their writing; other writing; all writing; art; and LIFE.

Life, Goddamnit, life.

So, I had better get used to it. (Again.) Back to the promotional coal mines. Back down–like Vincent Van Gogh and the children of Borinage–into the pitch black of the coal mine of sales, marketing, advertising. Back to the banalities of brand, the anal obsession with attributes, and the diatribe of differentiation.

Toews short stories: “Great Taste!” “Less Filling!”

“One third fewer adverbs per page!”

“Read, WOMEN WITHOUT BONNETS for raw, unbridled Mennonite dance party descriptions, ripped from the lives of ditt sied!”

I think I will just let my inner smart-ass take over the marketing department and, you know, let the F-bombs, the arcane references, and the obscure puns fall where they may. Who knows? That may be the best marketing plan of all.

allfornow – Mitch

(*They have people, don’t they? I want them to have people.)

 

 

 

First Birthday

It will soon be a year, June 21, 2016, since my first short story was accepted and published by a literary journal. That story was Encountered on the Shore, on CommuterLit.

Since that time I have added 24 acceptances to my credit roll. By now, I am pretty sure I am committed to, “this fiction thing,” as those near me tend to describe it.

It has been hard work. “Ha!” you say, and the old-school, Menno scoffer in me tends to agree, but it’s true. I have submitted 112 times and have 21 submissions currently outstanding. My written word count is somewhere in the 125,000-word range. My acceptance rate on Duotrope is .342 for fiction. That’s the same as Babe Ruth’s lifetime batting average. (The Bambino, as you prolly know, was a helluva wordsmith…)

So far, it’s been fun. Rewarding; a satisfying ego boost when you see your name in print. There is collateral damage though. I am boring and tedious at parties, of which — no surprise — I attend few. Golf buddies roll their eyes and their putts. My wife is an excellent changer-of-topics.

It is also dismaying — seeing all the strained passages and obvious typos that everyone (mostly me) missed.

But, I am now entering the second ring. My stories are a little harder to write because I am choosing more controversial topics. I am beginning to piss people off. (Something I’ve always found easy to accomplish.) My kids don’t always want to read my stuff and I am pretty sure my son-in-laws have used the, “must be some other Toews guy,” excuse, at least once.

I am not sure what the outcome will be, but like old Ad Francis in “The Battler”, it feels good to hit and it feels good to be able to take a hit. (I have been scolded by more than one editor.) Here below is the current list of publications and a more detailed accounting (with links, log lines, and excerpts) may be found here: https://mitchellaneous.com/write-clicks/

 

Kits mitch zoom
Me, striking a prose…

 

CommuterLit
Rhubarb Magazine
Voices Journal
Fiction on the Web
Literally Stories
Red Fez
Broken Pencil
The Machinery
SickLit
Storgy
The MOON magazine
Alsina Publishing

#

Social media touchpoints: Facebook, twitter, Niume, LinkedIN, Flipboard, Stumbleupon, Tumblr, Google+, Gravatar, and Instagram. Also, as you well know, comments, liking, following, sharing and favouriting are things that help an emerging* writer in the hunt for readers.

Tweets: @mitchell_toews #mitchelltoews #amwriting #shortstories #canlit #mennonite #fiction

allfornow – mitch

*At my age, maybe more like submerging? A distinction that writer, translator and friend Hege Anita Jakobsen-Lepri pointed out. https://www.linkedin.com/in/hege-anita-jakobsen-lepri-8231856/

 

The Log Boom

Every story I write is an amalgam of experiences and imaginings; a hybrid mixture that flows with the emotion and intention that are in me in at that moment. The experiences of others, particularly in difficult circumstances that amplify the things about them that I value, are often a profound source of inspiration.

The catch is that these stories are sometimes hard to relate. Here is one from that slippery category, on storgy.com

UPDATE: 6.10.17

“The Log Boom” is my most re-tweeted story, so far. Of the 25 or so stories that I have had published to literary sites in the past year, this is also one of the most-liked and most-viewed.  I realize that these are not big numbers but for an unknown guppy alone in the vast ocean of fiction, I am happy for the attention.

Glub. Glub.

(Thanks again to Storgy.)

Log Boom Twitter stats 6.10.17

I hope you enjoy it and if you care to, please feel free to comment – your feedback is welcome. https://storgy.com/2017/05/19/fiction-the-log-boom-by-mitchell-toews/

The two stood in a hard-packed dirt barnyard, facing the end wall of an old dairy barn. The smell of cows still permeated the air. It was sweet, fetid and oddly appealing – the kind of smell that was at first unpleasant but that, over time, one grew accustomed to. After a while, it was as if your nose craved it. Marty had always found that strange but undeniable. He craved it now.

The younger one of the two – a tall boy – sniffed and peaked his eyebrows.

“Same smell,” he said.

“Yeah, there hasn’t been a cow here for six years, but…” Marty’s words trailed off as he tilted his head up to find the familiar scent.

[snip]

Images: Storgy.com

storgy logo

STORGY was founded in 2013 by Tomek Dzido and Anthony Self as a means by which to explore the short story form and engage with readers and artists alike. An online literary short story magazine consisting of a core group of dedicated writers, STORGY aims to inspire artistic collaboration and provide opportunities for creative minds to meet. 

allfornow – Mitch

Winter Eve at Walker Creek Park

A NEW SHORT STORY appears today (Feb 17) on CommuterLit. “Winter Eve at Walker Creek Park” will be my 20th overall to be published online and in print, and the seventh to be accepted by Toronto’s CommuterLit e-zine. It is “Friday’s Flash Fiction” and is indeed a flash fiction; about three sips of coffee long.

The story is set in St. Catharines where loved ones, dearly missed, reside.

See CommuterLit for LINKS to my other tales:  In June 2016 editor Nancy Kay Clark chose “The Red River Valley Trilogy“: “Encountered on the Shore”, “A Vile Insinuation”, and “Without Reason”. The linked stories concern, respectively: the aftermath of a violent encounter on a city street; a young American leaving the ball fields of North Dakota for the killing fields of Vietnam; and a devout Mennonite man grappling with cancer and faith.

“Gather By the River” ran the week of Dec 5. It appeared in two parts on consecutive days. “Zero to Sixty”, the lead segment, introduces the chief character and his circumstances; sparking some poignant memories of Hartplatz, his childhood home. In the second piece, “The Margin of the River”, the protagonist returns to the scene of the previous day’s incident with troubling results.

On January 30, 2017 “The Rothmans Job” a wintery, noir-comedy-caper story set in downtown Winnipeg ran on CommuterLit.com.

Published This Week on CommuterLit 

This week I have two stories appearing on the Toronto-based e-zine CommuterLit.

This is, respectively, the thirteenth and fourteenth time I have had a story published online or in print. It feels different than the first time (which was also on CommuterLit!) but mostly just in intensity. All of the insecurity stuff is still there, but just a little quieter. The excitement too remains but is subdued; tempered by the reality of about 10,000 other stories that go live every day. #noproblemEH?
Still, these stories are a bit different because they are more raw. So, the amperage is up a bit.

Good thing that I only have a few hundred more stories in my head; popping up on my morning walk or at 3 a.m.; interrupting my yoga-for-the-comically-inflexible; causing me to suddenly stare off into space…

 hold-fast

Dec. 7, 2016
Wednesday’s episode:

Dogs that bite and other prejudices. “Gather by the River, ” the first of a  two-part story by Mitchell Toews

 

brown-eyed-girl-sm
Dec. 8, 2016
Thursday’s episode:

Reconsidering the situation.  “Gather by the River,” the second of a two-part story by Mitch Toews

 

Your comments are most welcome!

fraser
Previously published stories (3) on  CommuterLit: http://commuterlit.com/authors-by-last-name-n-z/authors-t/toews-mitchell/