MORNING SERIAL: PRAIRIE’S END, MANITOBA 5 ~ Conclusion

Episode 5 – Our Finale – Showdown at the ¿Por qué? Corral

DANIELLE OARLESS peeked at her face in the compact mirror, snapped the clam-lid shut and placed it back in her crocodile embossed Downtown Baby Cabas bag. She moved towards her prey now with reptilian confidence, gliding silently over the cheap tiled floor as if it were ermine and she the pampered palm of a princess.

Entering the interrogation room, her shadow crossed Wade’s downcast view. He immediately looked up and demanded, “When do we get outta here?” his face a mask of annoyance.

“Soon, I promise,” the sultry Lieutenant replied, wetting her lips and sending a fast wink at the impatient man. She surveyed the room, pausing to nod at Kowalski, addressing him informally. “Alright, Shep, time to make an arrest. You may close the door if you don’t mind.”

As Kowalski stepped by her to secure the door, Oarless moved in behind Old Man Reimer and, placing her Saint Laurent on the table, set her feet like a lead-off hitter digging into the fresh sand of the batter’s box. Once she was comfortable, she raised both hands quickly, and, nuzzling the stubbly hog jowls on either side of Reimer’s neck with her large hands—she clenched handfuls of skin and PULLED!

Double-barrelled snot flew out of Reimer’s nostrils as he reacted with understandable shock, his eyes bulging like a hooked fish.

“Time to take off this mask, time to introduce the real smuggler… DIKJ WULF!” Danielle shouted, her neck corded and shoulders heaving as she strained to remove the mask. No headway, though…

Sputtering, cursing, his buttocks now several inches above the curved plywood of his chair bottom, Reimer seemed about to faint, to be decapitated, or to simply expire from the force of Oarless’s brawny exertions. Before any of these dire outcomes could take place, Kowalski’s voice cut through the din—

“Excuse me, Lieutenant, I believe it’s me you seek.” Kowalski stood behind her, a rubber mask with only black holes for eyes dangled from his hand.

Little Ben Reimer looked on from the other room, in utter dismay. The speaker crackled with the audio and he could see the action unfold as though he was watching an NFL game on a big screen TV.

“I’d never have guessed, in a thousand years,” he said to an equally-astonished Roget, “a Wulf in Shep’s clothing!”

* * *

“So, explain this again,” said Roget, “I’ll have an exposition chaser with this hoppy IPA,” he then reiterated.

“Sure,” Oarless said, draining her beer and jiggling the empty glass at the barman, Corny Süppsach, owner of the Shrieking Rooster Taproom, a former watering-hole for Danielle and her loqui abundantem partner.

“I knew all of the apparent ‘clues’ were nothing more than red herrings scattered about by the perp, or possibly Wade, who was trying to negotiate a buy-out of Old Man Reimer, or maybe even false evidence laid by Little Ben, who wanted to squeeze out his old man.”

Roget nodded, and in the quiet of Oarless’s pause, hummed with the tonal quality of a synthesizer, like the sound of a Dutch Oven lid slamming shut:

“DOON, DOON!”

“Ha, very clever, you repetitious recapitulator, you!” Oarless said, smiling her approval. “Yes, Dikj Wulf, creator of  ‘Slaw and Flounder’, CBC’s longest running cooking show. How did I know, you ask?”

“The sting from that show haunts my dreams, like the howls of the dogs of hell!” Roget admitted, somewhat off-topic.

“Anyway, I could not see any motive for our suspects to smuggle in these industrial-sized quantities of Mexican vanilla, so I had to look elsewhere.”

Roget made snaky-eyes at Danielle, pretending to understand. She continued:

“I pulled his LUDs and did some digging. After a night of drinking coffee from those awful little blue take-out cups…”

cup nyc doon doon prairie's end.png

“Oh you mean the cups with the kinda, faux Greek aesthetic—the meander graphic on the top and the picture of the amphora vase…”

“Roll up the rim, you win,” she confirmed. “Anyway, it was the cups that gave me the clues…”

“Wait! How did you get iconic New York City takeout coffee cups in Prairie’s End?” Corny Süppsach interrupted. The balding redhead had wandered over, his BiC poised over a small spiral notebook. “And what does an American TV prop have to do with a cooking show on the CBC?”

“Never mind that, how can you expect there to be no plot holes in a yarn as convoluted as this?”

“Trü,” Roget said in a dietsch accent, with a “when-yer-right-yer-right” look.

Corny just shrugged. “Yoma leid ecksai.”

“So, to continue,” she glowered at the barkeep, who hitched at his pants, Humphrey Bogart style. “I had to find the one person in Prairie’s End with a vested interest in massive quantities of vanilla. I looked at Old Man Reimer’s telephone bill and there it was!”

“1-800-PORN-R-US?” Corny offered.

“GO AWAY! Who invited you here, anyway, dü oult, roothoahrijch Tjreihohn?” Danielle yelled, now enraged at the bearded, freckled interloper.

“This expositional conclusion would go a lot smoother if the author had not inserted himself so rudely into the proceedings,” Roget said confidentially, looking directly at the reader and cracking the divide between the fictive and the fictee.

“Last chance!” Danielle said, making a threatening fist and regaining the floor. “I assumed it was Old Man Reimer, trying to make a few bucks off the books before flipping the Reimer Reindeer company to his ne’er do well stepson Ben, or to Wade,  but…” she paused, glaring at Corny Süppsach, who retreated, showing surprisingly good footwork for an old, red-haired, loudmouth rooster.

“But,” she continued, “Dikj Wulf had even thought of that and he had snuck into Reimer’s trailer and made all of the calls back to CBC Toronto, Mexico, and the Montreal Vanilla District from there. That’s why I figgered it was Old Man Reimer,” she concluded, raising her glass in a self-toast.

* * *

Unseen, in a black Cadillac parked across from the Shrieking Rooster, Juanita sat with her inscrutable leader, Randy the schinda Accounts Receivable clerk. The car idled quietly, sending a thin ribbon of white exhaust up towards the winter stars of the Northern Hemisphere. Dark tinted glass gleamed the starlight back at the sky.

“Shep Kowalski—AKA Dikj Wulf—is in for five-to-ten, Little Ben and Wade have agreed to our terms in exchange for ownership of Reimer Reindeers, and our friends at the vainilla cartel are most pleased with the way we’ve cornered the market in Canada. That just about does it, Oomtje Randy. Anything else you’d like done before Oarless and that half-wit return to the NorthWest Angle?”

Randy sat unmoving in the back seat. His neatly trimmed white hair contrasted with his dark tailored suit, and the perfect Winsor knot in his cashmere Paolo Albizzati.  After flicking a bored glance at Juanita, he inhaled with languid slowness, filling his chest with  Caddy interior air. Without moving his lips, Randy replied in perfect synthesizer pitch:

“DOON, DOON!”

 

The End… For now.

Fade to black, roll credits, playback theme music

Addendum, 11.19.18: Here’s a few lines of lyric for the theme music, somewhat reminiscent of “The Sopranos” maybe, or “Fresh Off the Boat”, wiv jus a sprinkle aw Mike Skinner innit too, oiy?

♫ All rise for Menno rap…
Praise God from whom
Yo, we’re singing the dox,
harmonizin’ the dox
All creatures here be–yooooo
Yo, we sinje the dox!
Yo, we sinje the dox!
Got my oab boots on
Where’s my MAGA hat, Don?
Gonna drain that pond
from da lowlands yon
Gonna eat my schnectje–get yer own, my maun!
Ain’t no buttons!
Ain’t no buttons!
Ain’t no buttons!
HEAR THE HOOK!:
Yo, we’re singing the dox,
harmonizin’ the dox
All creatures here be–yooooo
Yo, we sinje the dox!
Yo, we sinje the dox!
And soowaut…

 

Advertisements

MORNING SERIAL: PRAIRIE’S END, MANITOBA 4

Episode Four: Johnny Cash Lyrics or True Confessions? or Quintana Roo’s on First?

Lieutenant Danielle Oarless looked at Juanita and inhaled deeply. She ‘inspired’, as Roget might suggest, both literally and figuratively. Rising up to her full six feet four inches, in heels, she said this:

“Ms. Juanita, I applaud you. I send kudos and sunshine your way, madam, for all that you do. I give respect for the way you ROCK that red paisley neck scarf over top of the pale silkiness of that Winners champagne blouse. I extoll your virtues to Gaia for the all-in way you have come here to stand up for your son, Wade…”

“Two thumbs up!” Roget added, gesturing appropriately with digits heavenly opposed.

“But,” Oarless broke off the accolades, slamming Wade’s briefcase down on the table with the loud slap of worn cowhide. “I’m afraid your ruse has been unsuccessful!”

Roget quickly retracted his thumbs.

“While your breath carries the distinctive scent of vanilla extract, and your slightly dilated pupils indicate you did actually imbibe, I am able to see past this. It is a rather well-conceived but nonetheless false furnishing. The true architecture of your story is revealed as follows,” Oarless prowled the floor like Hasterer, German fiction’s most formidable Prosecuting Attorney.

“ONE!” she said in a forceful voice, at which time Roget needed no further prompt and immediately raised an index finger, in digital support of her pending argument. “The presence of vanilla is simply a prop, I submit, and it profits not the bank account of your credulity.” At this point, Oarless undid a bobby pin and her hair cascaded luxuriantly about her linebacker shoulders.

“In the same way, you have brought along vanilla ice cream to support the idea that you are a ‘bean-head’—a vanilla addict—and that this condition is your MOTIVE for smuggling vanilla into Canada. Correct?”

Without removing her baleful stare from Oarless, Juanita reached into her handbag and withdrew a large slice of angel food cake. She took a cheek-bulging bite and chewed steadily, nodding once in agreement.

“Fine,” Oarless continued, pivoting on a stiletto heel to more squarely face her adversary. “Tell us, Juanita, what flavouring agent is used in French Vanilla ice cream?”

“Pure vanilla bean,” Juanita screamed for ice cream without hesitation.

“WRONG!” Lieutenant Oarless screamed back into the reverberating confines of the observation room. “As any true bean-head would tell you, French Vanilla is a faint replica, made using egg custard. Only a trace amount of vanilla is present!” With that conclusive pronouncement, Oarless whirled, winked twice at Roget and pointed two hooked horns with bedazzled nails at Juanita. “Two!” she hissed.

Her engine revving, Danielle Oarless spoke with her back to Juanita. “Tell us, Juanita, where do the beans orig—in—nate? Madagascar, perhaps?”

Juanita stuck out her cake-coated tongue at Oarless, squinted her eyes and said, “Mex—ee—co!”

“Easy one. But, Juanita, which province in Mexico?” Oarless replied, whirling around, eyes aglitter.

While Juanita squirmed in her chair, Oarless slid her fierce scrutiny over to Little Ben. He too seemed to be sitting on a bed of hot coals and fidgeted in his seat.

“Anything wrong, Senor Ben?” she asked, smirking. “Any idea which ‘province’ is home to the contraband in question, the van-eee-yah? Eh, Little Ben?”

mexico-map

“Stop it! STOP IT, IN THE NAME OF VERACRUZ STATE, the home of Vanilla planifolia!” after which dramatic correction, Ben proceeded to confess his seemingly inculpatory knowledge of vainilla and gave support to the Lieutenant’s theory that Juanita was more likely covering for someone else, rather than offering a true confession.

“But, I was not part of the conspiracy, I just love vanilla, that’s all!” Ben pled. “I’m no more guilty of el trafico del sabor than you, or Kowalski, or Wade Oswald!”

Juanita, meanwhile, had grown bored and was cleaning her purse out. Fresh angel food crumbs covered the floor and spilled out in fragrant abundance into the hallway.

Standing back against the wall where she could observe the prisoners through the glass, Oarless toggled the intercom switch and spoke: “Kowalski, open the door for a minute, would ya, please?”

Kowalski, giving her a perplexed pout through the one-way mirror, stood and swung the door open. Oarless watched the reactions of the three as she flipped the intercom back to the “Record Audio” setting.

In a minute, she could see a clear difference in the men. Wade and Old Man Reimer sat unaffected by the vanilla-scented air while Kowalski was clearly agitated and behaved like a dog that just caught a whiff of barbequed steak. She watched the unmistakable response as he sniffed repeatedly, nostrils flaring on the intake and his eyeballs swimming in near-swoon.

“I think we have our bandido de vainilla!” she said, tenting her fingers and resting a satisfied gaze on the guilty party.

Next: Showdown at the ¿Por qué? Corral

Interview with a Mennonite Imposter

http://bit.ly/MennoTOEWSba

Writer interviews can be kinda boring. This is a little more in the Mennonite wiseguy range of the register, but still—you know—predictably boring. And great fun to do, especially with such an engaging set of questions! My thanks to Editor Erin Unger.

 

MORNING SERIAL: PRAIRIE’S END, MANITOBA 3

Overshare: I wake up most mornings with a half a dozen characters, a plotline or two, and a bunch of run-on sentences doing the polka in my head with their work boots on. After the requisite morning constitutions are ratified, and the area is cordoned off with police tape, I oftentimes just let these night-grown inspirations fade away.

Well, no more! I am resolved to give my readers something to read! How about a good old-fashioned serial? Compelling, bent-widget characters with a rollicking plot fraught with lotsa knots, cliff-hangers and roundabouts that meet in the middle.

Roll, Reimer Reindeers, roll…

Episode Three: Everything must come to an end. Except for farmer sausage, that has two ends. (869 words, about an eight-minute read)

“Let’s put them in the penalty box,” Deputy-Inspector, Detective Lex Roget, Oarless’ partner said to the desk officer at the Prairie’s End Police Station.

“Ahh, gonna interrogate them, eh, Inspector?” the officer said, winking. He punched his palm with a clenched fist.

“It’s not what you think,” barked Roget, a cigar stub jammed into the corner of his expressive lips, “and by the way, Kowalski, it’s Detective Roget! Got it?”

“Yes, SIR! Detective Roget, sir. I’ve got it.”

“That’s good. In fact, it’s of benefit. Meritorious, even,” Roget said.

Old Man Reimer and Wade Oswald were cuffed, their hands behind their backs. Kowalski steered them and Randy the Accounts Receivable clerk ahead of him towards the Interrogation Room. They followed Danielle down the hallway. She carried Wade’s briefcase and commented to no one in particular, “Things ain’t changed a bit around here.”

Kowalski smiled at Roget and clucked his tongue. “Same old Danielle!”

“Same old, same old, or equally antiquated, you could also say,” Roget replied.

Little Ben sat in the observation room, one knee jackrabbiting spasmodically. He tapped fingertips on the tabletop in nervous counter-rhythm, waiting to see his father and Randy Randall, the despicable Accounts Receivable clerk, appear through the one-way glass.

* * *

“Thank you for your information, Mr. Reimer,” Lieutenant Danielle Oarless had said to him when he appeared in the Pembina, ND field office a few days earlier. The younger Reimer swore a deposition and provided powerful evidence to Oarless and Roget.

“Illegal transport of baking supplies is a scourge. It depletes U.S. stocks of vainilla negra extract, plus the VAT and income taxes that Canada loses to this flavour trafficking is significant too. Our agency normally puts more emphasis on illegal drugs, but the vainilla cartels are a growing problem. She pronounced it, “van-eee-yah,” enunciating with great care. Reimer took no notice, knowing this was, in fact, approximately the correct pronounciation, en español.

20181112_215326 vainilla vanilla

“Van-eee-yah? What is van-eee-yah? We’re talkin’ about the same stuff, eh? Vanilla extract, right? The brown stuff you put in whipped cream?” Roget asked, vexed. Oarless nodded, passing an odd, angry look at Roget as she did so.

It made no difference to Little Ben Reimer. Drugs, vanilla, or vainilla—his end game was purely to see his father go to jail. The fact that it was for the illegal importation of flavouring agents, el tráfico saborwas fine with him: crime is crime, was the way he looked at it. If he could get his old man out of the way, the path was clear for him to take over the company and show everyone what he could do.

“It’s always gonna be, Mr. Reimer, no more ‘Little Ben’!” he said under his breath as the two Border Patrol agents argued about something in hushed tones.

“I felt it was my duty to reveal the scheme,” Reimer said, adding a thick coat of verbal varnish.

“The trucks have false fenders,” he continued. “Bottles of extract, mostly vanilla—vainilla—but also some Almond and the occasional Mint from Quintana Roo and Guanajuato are hidden in bladders inside the wheel well,” he explained, speaking clearly into the recorder microphone. “The contraband is shipped into our Toronto terminal for Canadian distribution.”

“Ingenious,” Oarless muttered.

“Shrewd!” Roget said.

“And tattooed!” said the mildly hard-of-hearing Lieutenant.

* * *

And now the dominoes had begun to fall. Little Ben watched with predatory intensity as his father, Randy, and Wade Oswald sat in the sparsely furnished room, guarded by Kowalski. Oarless and Roget joined Little Ben in the observation chamber.

“What’s he doing here?” Little Ben demanded.

“Who?” Roget asked.

“Oswald! He’s the company accountant and it’s supposed to be his day off,” Little Ben said, then quickly added, “at least, I think so, anyway—not sure…”

Oarless and Roget exchanged a look.

“Like you say, he’s the accountant. You’d think he’d have to know about the smuggling, right? Anyway, we’ll find out soon enough if he’s dirty or not,” Danielle said, eyes narrowing below her unibrow.

“Good cop or bad cop?” she continued, looking down at Roget.

Bad, nefarious, irremediable,” Roget replied.

“Okay, Lex, old buddy,” Danielle said, “You’re up, as we used to say in Angle Inlet. Get in there and make them sweat!”

“Well, people say that just about everywhere. I mean, onomatologically, ‘You’re up’—that’s pretty common, it’s not geographically specific—” Roget stammered, but was interrupted (thank God!) when Juanita burst into the room, her mascara running in Tammy-like streaks down her cheeks. She posed dramatically, arms raised, and shouted,

“Stop! Hold yer damn horses!”

She paused with dramatic effect, her breath coming in heaving sobs as she looked lovingly through the glass at her cherished boy, Wade. Her teeth gritted, and the two trained law enforcement agents immediately noticed the brownish tinge on the enamel. In her hands she held a pint container of Blue Boy French Vanilla ice cream and a gleaming tablespoon, sparkling as only a recently licked spoon can…

“I did it,” she said in a wavering soprano. “I smuggled in the FREAKING VANILLA! It was me!” She threw the spoon down with a jangling clamour. “Plus, I shot a man down in Juarez, just to see— him— die!”

Next: Johnny Cash Lyrics or True Confessions?

or

Quintana Roo’s on First?

Please stand by: Episode Four will DROP on Friday @ 5:55 a.m. and Danielle is in NO MOOD to be messed with.

 

 

 

 

 

 

 

 

MORNING SERIAL: PRAIRIE’S END, MANITOBA 2

Overture: I wake up most mornings with a half a dozen characters, a plotline or two, and a bunch of run-on sentences doing the polka in my head with their work boots on. After the requisite morning constitutions are ratified, I oftentimes just let these night-grown inspirations fade away.

Well, no more! I am resolved to give my readers something to read! How about a good old-fashioned serial? Compelling, bent-widget characters with a rollicking plot fraught with lotsa knots, cliff-hangers and roundabouts that meet in the middle.

In the spirit of NaNoWriMo, it will be voluminous, spontaneous, and free-flowing. You don’t know where the story and the characters are going, so why should I? I won’t promise 50,000 words, but you never know what my morning coffee will deliver!

We continue…

Episode Two: The Stampede is Ont (1,100 words, about a nine-minute read)

The trucking company was called, “Reimer Reindeers” and the company logo had been created by the owner’s diffident step-son, Benjamin, or “Little Ben” as he was known in Prairie’s End.

The garish logo showed a herd of galloping reindeer, antler-to-antler in a frenzied dash across the map from Eastern Manitoba to Toronto. Spinning, smoking wheels replaced legs and hooves. A bold, swooping font declared,

“THE STAMPEDE IS ONT!”

It had started out in Ben’s mind as, “The Reimer Stampede is on!” This was just at the time when the federal government decreed that all provinces would go from three or four-letter acronyms to computer-friendly, consistent two-letter identifiers. Thus, Manitoba went from Man. to MB, Alberta from Alta. to AB and so on.

Little Ben thought that since the Reimer company only trucked between its terminals in Kenora and Toronto, all within the province of Ontario, or ON, that a clever, meaningful slogan could be made. “The Reimer Stampedis ON!” set on a map graphic would tell people that Reimer was an Ontario carrier. Besides, he liked the herd of charging reindeer. “Tres Canadien,” he thought.

Unfortunately, Big Ben, or Old Man Reimer as he was known in Prairie’s End, thought that the two-letter names were a temporary inconvenience. “That will never LAST!” Based on this viewpoint, and in the dubious interests of saving decal material, he ordered the graphics company to create a shorter, less clever slogan, “The Stampede is ONT!”

* * *

Wade walked up to the three-step wooden porch hung on the side of the construction trailer. REIMER REINDEERS – OPERATIONS was stencilled onto the corrugated sidewall and a busy cluster of alien-looking antennae poked up into the pale blue Manitoba sky from the flat roof. A radio tower was bolted to the end of the trailer and it stood erect, a lone 40-foot weed in a field of alfalfa.

That’s quite an impressive erection, he thought.

Checking his briefcase just before he entered, Wade ensured that he had all of his paperwork, the contract documents, the bank draft and the Non-disclosure agreement. He paused on the porch, striking an improbable Superman pose before he entered, to steel his nerve.

Inside, as always, sat Mr. Reimer at a desk made from sawhorses and a sheet of cabinet plywood. A (crude) oil rendering of a stampeding herd of reindeer was screwed to the buckled panelling behind his desk. CB radios sat in a clustered congregation behind him, little green bands pulsing brightly, indicating that the drivers were accessible, should he need to speak to them. A tangle of microphone cords spilled onto the ground – a brimming cornucopia of coils.

“Nice of you to drop in on us this afternoon, Wade,” Reimer said without looking up.

The clock read 7:53. “Yes, sir. My pleasure.”

Reimer looked up quickly, his normally stern, heavy-jowled countenance now made even grimmer by a pouting grimace. “Eh?” he grunted, glancing sideways at a young man a few feet away at a small wooden desk. “Accounts Receivable” was written in felt pen on a scrap of two-by-four standing edgewise on the desktop.

The fellow seated there—he was maybe twenty or so—glanced up at Wade, then over at Reimer. The boy shrugged, tossed the blonde hair out of his eyes and tapped his watch. “Tap-tap-tap,” said the Timex.

Schinda, Wade thought to himself, taking care to register no emotion or concern.

“It’s my day off, sir. Remember? Besides, I start at eight, so…” Wade replied.

“So, why are you here den?”

“Well, Mr. Reimer, there’s something I’d like to discuss with you,” Wade said, peering down and fishing around in the briefcase. He pulled up a clutch of papers like he was retrieving a stringer of perch.

“You’re gonna hafta wait a minute. Wade a minute, eh?” He grinned a wide, toothy smile towards the skinny boy behind the Accounts Receivable two-by-four. The boy smiled back and then spat a full mouthful of sunflower seeds into a white foam cup on his desk. He transferred the contents from the cup to a round, grey metal wastepaper container at his feet. The metal pail was half full of wet, spent seeds.

No wonder his hair’s so yellow, Wade thought to himself. He’s turning into a sunflower.

“Is it possible we could have a private conversation, sir?” Wade asked. He shuffled sideways, scraping his feet to indicate that the ribbon-headed AR clerk could sidle by him and out the door of the crowded trailer. Reimer’s wooden chair creaked.

“About what?” Reimer said, leaning back. The schinda clerk did not move. He watched Reimer like a cat staring through window glass at a bird feeder. If he had a tail, it would have twitched.

“A business matter, ” Wade said, then cleared his voice and restated his case, “a very important business matter. Urgent, as a matter of fact.”

“It can’t Wade?” the sunflower/cat/boy said, one clinging black seed giving him a Jack-O-lantern grin. Bobby Clarke, 1969.

Reimer snorted out a guffaw, and then said, almost in one word, “Randy, get outta here for a while.”

Randy shut his ledger, grabbed a handful of seeds from a near-full dish and went out a door behind him, grabbing his jacket as he left.

“Welllll,” Reimer said, dragging a chair to the side of his desk for Wade to sit. “When yer accountant says he has urgent business, then I guess you gotta take a minute and listen.” He reached to the other side of the desk and plugged in a kettle. A jar of instant coffee sat open on his desk. “Prips?” he asked, motioning at the coffee.

“No, thanks,” Wade said. He sorted the papers in his hands like he was alphabetizing them, stalling for time. Sitting upright on the hard plastic seat, his chair was almost tipping forward. Is the offer enough? It’s three times the value of the rolling stock, parts, and the buildings. His receivables run at only 50K, so that’s easily covered. What if he counters? Of course, he’s gonna counter, Brainiac—just go already. It’s a shitload of money and he’s gotta retire soon! He can pay off his house, get that big fishing boat he always talks about.

“Mr. Reimer, I’ve come here this morning to make what I consider to be a very…”

Before he could finish, there was a crash and a tall, muscular body filled the open doorway. Square shoulders blocked the sun – an impenetrable silhouette, an amorphous Rockem-Sockem black shape.

And there too, hopping and bobbing from behind the imposing hulk, trying to see inside, Wade spotted Little Ben’s balding, cue-ball-white head.

In a twinkling of bedazzled-nails, the shadowy figure held up a gold badge and in a dark brown voice, she said, “DANIELLE OARLESS! U.S. BORDER PATROL. YOU’RE UNDER ARREST!”

Next: “Everything must come to an end. Except for farmer sausage, that has two ends.” (Airs Nov 13, 5:55 am)

 

 

 

Morning Serial: Prairie’s End, Manitoba 1

I wake up most mornings with a half a dozen characters, a plotline or two, and a bunch of run-on sentences running around in my head. After the requisite morning constitutions are ratified, I oftentimes just let these night-grown inspirations fade away.

Well, no more! I am resolved to give my readers something to read! How about a good old-fashioned serial? Compelling, bent-widget characters with a rollicking plot fraught with lotsa knots, cliff-hangers and roundabouts that meet in the middle.

In the spirit of NaNoWriMo, it will be voluminous, spontaneous, and free-flowing. You don’t know where the story and the characters are going, so why should I? I won’t promise 50,000 words, but you never know what my morning coffee will deliver!

Fun? I hope so! My ulterior motive is to build a readership who appreciate my brand of schiet-stained rambling and are on-board for something maybe not so much fine arts mastered but more glockenspiel on acid. You know what I mean.

We begin…

Episode One: Wading for Godot (915 words, about a six-minute read)

Donald and Maria Oswald were happy. They had a quiet, loving marriage and lived in a paid-for double-wide—(“This Unit will make your smiles DOUBLE WIDE!”)—just a fat pitching wedge away from the Beauchamp Highway. Their corner lot was neatly tended, grass grew dense and dark green on the sloping lawn. No weeds defiled this Gretna Green.

“Just ‘cuz we don’t have no basement, don’t mean we don’t need no drainage,” Donald would proclaim. Standing stiff and tall inside next to the ‘Proud Panoramic Picture Window’ like an animated John A. Macdonald statue, he would watch the rain come down. He took inordinate satisfaction from seeing the rivulets run off the convex dome of packed topsoil. “Glad I mixed ‘er wit pea gravel,” he would murmur, his Adam’s Apple riding up and down like a ball on a string.

“Fallin’ on my head like a mammary,” he would sing-song, grabbing Maria’s blue jean mama butt as she walked by and the torrents poured out of the sky.

In Spring and Fall, there was a lot of rain. During the brief heat of Summer, thunderstorms visited them almost nightly, hammering the tinny roof in a deluge. These were angry, driving rains, the drops making pock-marks in the sandy aggregate of their block road that dried hard like smallpox scars. Often hailstones collected, glimmering white in the blue lard bucket that held the downspout, looking like batting practice baseballs before a Reimer Reindeer game.

“Real cedar siding,” Donald would point out to visitors, tapping on the horizontal slats and sneering at neighbouring vinyl facsimiles, their brittle, embossed skins yellowing in the sun.

On the adjoining lot were two Granny Houses. They were placed one at each end of the seigneurial shaped, convex-topped grass strip like identical twins on either end of a teeter-totter.

“We got the Little Big House Deluxe models,” Maria would chime-in as they toured visiting relatives from Wawanesa. “It was a little more money but Juanita and Wade are worth it. Family, you know.”

The Little Big Houses were likewise clad in cedar, with black shingle roofs—(“low-slope”)—and eight-by-eight decks, each holding identical Canadian Tire MeatMaster barbeques. Each home was like a brown Lego piece, wedged snugly into its end of the fish-finger shaped lot, the two protruding decks facing one another like four-year-olds with their tongues sticking out.

Juanita lived in the rearmost cube. She was a pert, big-busted woman with grey hair tousled just so and her strip mall clothes tight-fitting and providing an easy-to-follow focal pathway to her freckled but still-smooth cleavage. “Gotta show the boys what they want,” she’d trill, pushing her butt out and pointing her breasts up. “Hi-beam!” she’d proclaim proudly as Wade cringed. Gino, owner of the local service station and a widower, came by on alternate Wednesdays to align her headlights.

Juanita’s son by Donald was a middle-aged man named Wade. He was her detached co-habitant on the narrow property, living across the grassy curtilage that separated their tidy abodes. Wade was a man for whom two things were true. First, he was not yet achieving the success he foresaw for himself as a child. Second, he won $25,555 in the first ever Lotto 5/55 draw held in Manitoba in 1982. His five numbers won second-prize – he needed the bonus number to claim the top prize of $55,555. It was widely believed that the existence of this latter cash fact greatly contributed to the ongoing truth of the former life fact. This apparent causal relationship was invisible to Wade’s parents, Donald and Maria, and his birth mother, Juanita, but was plainly evident to all of the neighbours in the Jolly Reindeer Trailer Court and Retirement Club.

He was known as “Wade-a-minute,” or, “Wade-down,” or sometimes, “LightWade,” by the sharp-tongued ex-farmers and ex-cops and ex-Reimer Reindeer truck drivers that populated the ticky-tack, block-on-block grid. They thought little of this 48-year-old bachelor living next to the rolling strip of black macadam that stretched from Prairie’s End, Manitoba to Toronto, Ontario.

“He’s just lucky he hit that jackpot,” they’d say, their cups of Timmies steaming in mute agreement. “I’d be set for life too if I’da won that kinda money when I was twenty!” Truth is they didn’t, they wouldn’ta and they had no clue.

Wade knew of their name-calling, but he didn’t care. It was him after all, not them, who had taken the $25,555 Lotto cheque and signed it over to his cousin Woody, a newly-minted investment advisor in Winnipeg. His money went all-in… Apple (AAPL) at $220 USD per share. He had invested on a drunken bet, Woody saying he would give Wade his new Camaro if Apple stock did not at least double in the first year.

Had he not panicked and sold most of his shares in the tumble of 2009, just last year, Wade would be worth a couple of million now. But, unknown to his family and neighbours, he still had done well. Really well, or, “Seea scheen!” as his boss, Old Man Reimer, would say. Wade kept his financial success to himself and worked patiently on his master-plan. He tapped the keys of a calculator and smirked to himself, his pencil poised above a neat column of ledger entries at the kitchen table in the Deluxe Little Big House.

“Just Wade ’til next Tuesday!” he whispered to himself. “Then we’ll see who the ‘under-achiever’ is around here!”

Next: The Stampede is Ont!

 

 

In Pursuit of One’s Own Identity

Know thyself. It’s not that easy.

Writer, know thyself.

LOL. Yeah, right.

This topic makes Dave from Leamington, Eek the Freek, Charcoal Charlie, and other trusted advisors roll their eyes. Boring. Still, it’s fertile soil and I plan to muck around in it a bit. Why not?

Here’s what one author wrote about this personal pursuit:

While we constantly hear of postcolonial writers—Salman Rushdie, for example, to name one of the most famous—I am part of a rarer, dying species: a pre-postcolonial writer. That’s because I was born and spent my teen years in part of one colonial Empire, in what was then (redacted to protect anonymity) and started my writing career in another part of a greater colonial empire: (redacted). Having outlived both of them qualifies me to make the claim to be “pre-postcolonial.” And since I have lived in the (redacted) since (redacted), that gives me a broad perspective that is reflected in my fiction.

Okay, not bad. A bit blah-blah-blah, but you know – writerly.

If I follow that format—and you give me a little latitude—I get this:

While we constantly hear of part-postcolonial writers—Miriam Toews, for example, to name one of the most famous—I am part of a rarer, dying species: a part-pre-postcolonial writer. That’s because I was born and spent my teen years in part of one colonial Empire, Steinbach, in what was previously The East Reserve in Manitoba, and started my writing career, years later, in another part of a greater colonial empire: Chilliwack, B.C. Having outlived one of them qualifies me to make the claim to be “part-pre-postcolonial.” And since I have lived in Canada from my birth in 1955, that gives me a sea-to-sea-to-sea perspective that is reflected in my fiction.

You diggin’ it? Me either. Too colonialcated. But it has some potential.

How about this introspective, Bukowskiesque gaze-and-mutter:

“Some writers grab the polish and remove the tarnish. For me, the tarnish is the thing. The unequivocal; the rough, crushed rock that packs tight and stays put.”

Sure that’s better, but ain’t it a little, “Oh, damn, I’m good! And so fresh.” Yeah. Thought so. I do try to drop the pretention, but like all Mennonites—even Mennonite Imposters, of which club I am the Boss—I’m pretty proud of my humility.

And then there’s the big question I am asked*: “What’s with all the assinine yappin’ on social media? And then you turn around and write these dark, hurtin’ stories about degenerate scum with theology degrees and such, interspersed with your, ‘Aren’t Mennonites quaint and whimsical, especially in 1964?’, stuff? Like, PICK A GENRE, DUDE!” 

* Not that anyone has actually ASKED me this, but IF THEY WOULD…

Anyway, “What’s with that schiet?” you ask? Good question. It’s mainly because I don’t want to hurt anyone’s feelings on social media. I mean, it’s such a cowardly thing to do, right? Ignoble. The pinnacle of pipsqueakery. So, I like to kid around instead. Dad jokes, wordplay, quips, I’mjusfuckinwitcha stuff. You know?  At the same time, I DO mean to ruffle feathers in a lot of my writing. That is the point, sometimes.

I suppose I want to be class-clown AND also get a few “A” grades on essays, even though I like to mess around.

Here’s my last try at self-realization, for today:

If writing success is the tip of Everest, I am plodding my way there, wearing gummschooh three sizes too big and making my way over the wet, sucking clay of the Red River Valley towards the Himalayas.
.
You know the stuff, right? The sticky, grey, toxic compote around the basement walls of a house under construction. It reeks of radon, and of rotting alphalfa roots, and decaying ancestors. It makes each boot as heavy as a sack of nickels. Hope I don’t burst a stent!
.
Nonetheless, I like these boots I’m wearing even if they do come off every step or so. I enjoy the miserable terrain. I appreciate the path although I’d gladly take a less difficult shortcut—just for a change of pace—and I ❤️ the other travellers steeweling their way to higher ground along with me.

keep on trucking stewelling.png
Keep on steeweling.

 

allfornow,
Gummschooh Toews

Goodreads icon 100x100 Image result for twitter button for websiteImage result for facebook button

 

Image: No copyright infringement intended

The Ins and Outs of Religious Freedom

Jan & I have created a private enterprise to govern our lakeside hut, The SheShed. We have righteously decreed that no person possessing an INNIE belly-button shall be granted entry. “Outies Only,” is The SheShed credo.

“So what?” you say and I agree. We are, after all, a private entity and interdiction from our Outie-exclusive establishment does not pose an injustice, nor cause harm, to the people of Canada nor does it materially interfere with any other individual’s fundamental rights and freedoms. It’s not like our privately-funded SheShed is a law school or a university, for example!

However, if we received a tax exemption because The SheShed was deemed to be a non-profit religious organization, I suppose some people might wonder about the fairness of either our tax designation or our Outie/Innie policy. Some people might object to being forced, due to our tax exemption, to support a greater tax burden. Especially, I expect, the Innie community who would in effect be paying greater taxes so that The SheShed could more easily (with less expense) discriminate against them!

Oh… What about our neighbour’s scandalous Innie-Only club, a den of concave depravity? Could that evil place of debossment be granted religious status too? Equal to ours? (How depressing!)

Anyway, like-minded Outie individuals are welcome to stop by The SheShed and fellowship with us. Muffin tops, button mushrooms, walleyed pike, Vesuvio’s pizza and other protuberance delicacies are always on the menu.

As our slogan says, “We’re All Puffed Up!”

Innies, accompanied by an Outie spiritual advisor, may even drop by on Forceful Fridays when we train our stomach muscles to distend our belly buttons in an appropriate convex manner, as taught by the ancient PITIFUL scripture, “Proper Inner Tummy Inflation and Full Umbilical Loading”. Through rigorous training, even deeply impacted Innies can be reeducated and their possessors deprogrammed, allowing the bodies true, natural Outieness to stand proud, a button—not a pockmark—on their midriff!

Peace-Out! brothers and sisters, or as we conclude in our sacred covenant down at the ol’ SheShed, “NO LINT? NO PROBLEM!”

allfornow friends,
Mitch
Goodreads icon 100x100 Image result for twitter button for websiteImage result for facebook button
Image: No copyright infringement is intended

Toopoabeide

TOOPOABEIDE*, or “working together” is the Plautdietsch word for collaborate. And, thanks to the generosity and skill of one of my hometown heroes, that is what I am able to do in an upcoming story.

I clearly remember sitting cross-legged on the floor in John Henry Friesen’s Steinbach sign-painting shop in the sixties, watching with unflagging attention as he lettered signs and trucks. I attended, usually along with my dad, while “John Henry” built, sculpted, painted or otherwise, “hucked stuff together”. He is a wonderful artist, a creative wonder-worker, and a local institution.

John and I have connected on the internet a few times and not long ago I showed him a draft of a story that I wanted to send out for consideration by literary magazines. A while later he came back with the drawing shown above. In the meantime, my story was accepted by the Canadian publication Pulp Literature and — with JHF’s permission — I sent them a copy of his fanciful artwork. 

Editor Jennifer Landels replied in the affirmative and John’s art will grace the title page of my short story, “Away Game”. I am pleased as I am sure John is too. (“Cool.”) I can only imagine my late father, who has an inspirational role in both the story and the art, is happy about our prose-ink collaboration. Dad was a great fan of John’s and, if my story is at all accurate, still is.

I’ll post the publication details as soon as they are available.

~~~

* Tawp-oawr-bide

 

allfornow friends,
Mitch
Goodreads icon 100x100 Image result for twitter button for websiteImage result for facebook button

 

Babbling in Berkeley

Like many people, I check my phone too often. Like all writers with work outstanding, “Pending Response”, as Duotrope describes it in a much-muted fashion, I check my inbox WAY too often.

A few days ago, I received a note from Publication “X”, with whom I have a short story under consideration. Their note was not directly related to my submission, however; it was addressed to me as one of a group of “Contributors”. My writey-sense a-tingle, I double-checked and the answer came back from my beer-blunted memory, “No, you have not yet been accepted by this pub!”

I shrugged it off as a Mail Chimp accommodation – the message had come to me as a request for a donation to Pub X’s funding efforts for 2018. I had not contributed a story, but I had submitted and I supposed that they had amalgamated the lists — submitters and contributors — into one mega-list for their pitch mail-out.

Knowing the punch-in-the-throat feeling of believing, “Score!” only to have Lucy yank the pigskin away with a flourish, I was guarded with my feelings. Oh yes, the ponies were ready, all right:  the wild horse in the breaking surf joy. Galloping joy. Unbridled. Splashy, splashy. Joy.

But, I said, no. “Whoa, horsey,” I proclaimed aloud, sipping my Beausejour Co-Op dark roast, in-store special blend. I remained an inscrutable Mennonite, the horses quiet in my mental house-barn.

So, anyhow… I then received a note from riverbabble. Like Publication X, I did have a submission pending with these good Berkeleyites. The email contained a publication release form. My blood froze – just like my sewer line did a week ago. Here is a better way to put it:

 Cold oils slid along his vein chilling his blood…

JAMES JOYCE, Ulysses, Calypso, 2734-2743.

Oh bah yo! I heard a distant nickering. Then an urgent whiney. Hooves stomped on hay-strewn floorboards and equine snot made a splatting, sticking, allegorical dark spot on the half-dry concrete of the barn’s centre aisle.

The horses wanted out! “Let us the beach be running,” they cried to one another, eyes wide and nostrils flared. Horseflesh shivered like potluck Jello from the cheap guy at the office. Metaphors reared up on their hind legs.

And then it was true and I was astride one of them – a fierce blue-black beauty who led the thundering herd, salt water and sweat frothing his flanks. I gripped gritty fistfuls of wet mane hair and wept while I shouted and rode the hardpacked sand at full speed, reckless and jubilant.

Typing furiously, I spilled my cuppa Co-op coffee in a crescendo of communicative copulation… Oh. Too much. Sorry.

riverbabble 32 cover
So, it’s true. My short fiction, “In the Dim Light Beyond the Fence” will be a part of riverbabble 32, Winter Solstice Issue, 2018. Having run out my delirium, I sit now at my writing desk, a barn blanket warming me as the sweat cools on my back. “In the Dim Light…” is a story that is as noir and clenched as this blog post is fractured and silly. Light and dark, they both have their place, it’s said.

Thanks to Editor Leila Rae and her clan. It’s my second admission to this group and I know now — I didn’t the first time — just what a fine thing it is to be a contributor to riverbabble!

And who knows, maybe Publication “X” will come through as well. If so, the beach will beckon again and I’ll be only too happy to pound along that broad strand, “with one hand waving free, silhouetted by the sea,” as they say in Hibbing, MN.

 

 

allfornow friends,
Mitch

Goodreads icon 100x100 Image result for twitter button for websiteImage result for facebook button