Detailed C-V November 2020

MITCHELL TOEWS: A big list…

 ONLINE ADDRESSES

Mitchellaneous.com
@Mitchell_Toews
Author pages on Facebook, Goodreads, and LinkedIn

 CURRICULUM-VITAE

Updated 11.29.20

EDUCATION

University of Victoria (one year)
University of Winnipeg (1974-77)
Masters Certificate in Marketing Communication Management, York University (2001)
“So You Want To Write Indigenous Characters…”, Manitoba Writers’ Guild (2019)
Coursera: Aboriginal Worldviews and Education (Newly enrolled, October 2020)

 ASSOCATIONS/MEMBERSHIPS

Member — Manitoba Writers’ Guild
Member — Victoria Writers’ Society
Professional Artist — Manitoba Arts Council
New/Early Career Artist — Canada Council for the Arts
Past Member — Winnipeg Public Library’s Prose Writing Circle, led by Winnipeg Public Library Writer in Residence Carolyn Gray (2019-2020)
Member — The Sunday Writers Group, led by Donna Besel (Lac du Bonnet, MB)
Member — WriteRamble, led by Lauren Carter, Winnipeg Public Library Writer in Residence, 2020-2021

 PUBLISHED WORKS — 82 Acceptances in total

2016:
16 short stories, 15 online, 2 paid print, 9 Canada, 6 UK, 1 US

2017: 20 short stories, all online, 4 Ca, 1 India, 7 UK, 8 US

2018: 14 short stories, 1 interview, 1 podcast, 1 paid print, 3 unpaid print, 6 Ca, 4 UK, 1 Ireland, 5 US

“I am Otter” — short story, CommuterLit (Ca)

“Fall From Grace”, short story, Literally Stories (UK)

“Of a Forest Silent” — short story, Alsina Publishing LingoBites (UK – English and Spanish)

“City Lights” — short story, Literally Stories (UK)

“The Bottom of the Sky” — short story, Fiction on the Web (UK)

“In the Dim Light Beyond the Fence” — short story, riverbabble (US)

“Nothing to Lose” — short story, riverbabble (US)

“Shade Tree Haven” — short story, Doorknobs & Bodypaint (US)

“Sweet Caporal at Dawn” — short story, Blank Spaces (Ca), paid print

“Sweet Caporal at Dawn” — short story, Just Words, Volume 2 Anthology (Ca), print

“Away Game” — short story, Pulp Literature (Ca), paid print

“The Doeling” — short story, Cabinet of Heed (Ireland)

“Groota Pieter” — short story, River Poets Journal, Special Themed Edition, “The Immigrants” Anthology (US), print

“Five Questions for Mitchell Toews” — interview, Mennotoba (Ca)

“The Narrowing” — short story, Scarlet Leaf Review (Ca)

“Wide Winter River” — podcast, Not Ready for Prime Time (US)

2019: 15 short stories, 1 interview, 1 CNF essay, 1 paid online, 1 paid print, 2 unpaid print, 3 Ca, 2 UK, 1 Australia, 3 Iran, 8 US

“The Fifty Dollar Sewing Machine” — short story, Literally Stories (UK)

“The Toboggan Run” — short story, The MOON magazine (US)

“Peacemongers” — short story, The MOON magazine: “Out of This World” Anthology The Best Short Stories from the MOON (US), Volume 1, print

“Cave on a Cul-de-sac” — short story, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 93

“Din and the Wash Bear” — short story, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 95

“Died Rich” — short story, Fabula Argentea (US), Issue #27, paid

“I am Otter” — short story, Short Tales – Flash Fiction Stories (Iran)

“Away Game” — short story, Short Tales – Flash Fiction Stories (Iran)

 “4Q Interview with Author Mitchell Toews” — interview and excerpt from WIP novel, “Mulholland and Hardbar”, South Branch Scribbler (Ca)

“Ifs and Butters” — short story, TurnPike (US)

“Concealment” — short story, Me First Magazine (US)

“Groota Pieter” — short story, Pact Press (Australia), “We Refugees” Anthology, print

“Fast and Steep” — short story, Riddle Fence (Ca), Issue 34, paid print

“Holthacka’s Quandary” — short story, Lunate Fiction (UK)

“Shade Tree Haven” — short story, (mac)ro(mic) (US)

“My Writing Day” — CNF essay, my (small press) writing day (Ca)

“Our German Relative” — short story, Xmas Stories (Iran)

2020 to date: 11 short stories, 2 CNF essay, 1 interview, 6 print, 1 paid online, 2 paid print, 5 Canada, 3 UK, 4 US

“The Business of Saving Souls” — short story, Literally Stories (UK)

“The Log Boom” — short story, in “A Fork in the Road,” 2019 Special Theme Edition Anthology of River Poets Journal (US), print

“Encampment” — short story, Tiny Seed Journal (US)

“Regrets de Foie Gras”— short story, Literally Stories (UK), May 2020

“The Grittiness of Mango Chiffon” — short story, Agnes and True (Ca), paid online, Summer 2020

“My Life as a Corkscrew” — a CNF essay “On Writing” in Blank Spaces (Ca), June 2020, print

“Piece of My Heart” — short story, Pulp Literature, (Ca), paid print

“Away Game” — short story, Quail Bell Magazine, (US), paid print

Interview — Maysam Kandej Talks (Iran), https://maysam.id.ir/talks online, August 2020

“My Life as a Corkscrew” — a CNF essay “On Writing” in the Just Voices (Ca) anthology, September 2020, print

“The Sunshine Girl” — short story, Cowboy Jamboree Magazine (US), Fall 2020 (John Prine Tribute issue), print and online

“Died Rich” — short story, Fiction on the Web (UK), September 2020, online

“Baloney, Hot Mustard and Metal Filings” — short story, WordCity Monthly (Ca-Intl), September 2020, online

“Our German Relative” — short story, WordCity Monthly (Ca-Intl), December 2020, online

 CONTESTS-PRIZES-AWARDS

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“So Are They All” — short story, second place in the Adult Fiction category of the Write on the Lake (Ca) contest, 2016, paid print

“Fall from Grace” — short story, Honourable Mention in The Writers’ Workshop of Asheville (US) Memoirs Contest, 2016

“The Phage Match” — short story, finalist in Broken Pencil’s (Ca) annual “Deathmatch contest, 2016, print

“Cave on a Cul-de-sac” — short story, winner in The Hayward Fault LineDoorknobs & Bodypaint Issue 93 Triannual Themed Flash contest, 2018 

“I am Otter” — short story, CommuterLit (Ca), Runner-up in for Flash Fiction Feature, 2018

“Sweet Caporal at Dawn” — short story, nominated by Blank Spaces for a PUSHCART PRIZE, 2018, print

“Piece of My Heart” — a 750-word or less flash fiction was named “Editors’ Choice” in the 2020 Bumblebee Flash Fiction Contest from Pulp Literature Press, paid print

“The Margin of the River” — short story, nominated by Blank Spaces for a PUSHCART PRIZE, 2021, print

 FUNDING

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Manitoba Arts Council, June 30, 2020. Financial support for the creation of a unique Manitoba artbook, ekfrastic in nature and featuring artistic photography and short fictional stories. The theme is “People, Places, and Light”. Photography by collaborator, Phil Hossack.

 READINGS

  • Voices Launch, McNally Robinson, Winnipg, MB, 2016
  • PULP Literature Issue Launch, Vancouver, BC, 2017
  • Manitoba Writers’ Guild, Artspace, Winnipeg, MB, 2019
  • Prosetry, Jessica Lake, MB, 2019
  • Driedger Readings, Winnipeg, MB, 2019
  • Victoria Writers’ Society, AGM—Open mic, 2020
  • PULP Literature Reading Series, live internet April 24, 2020
  • PULP Literature Issue 27 launch, live internet July 19, 2020
  • Mechanics’ Institute, San Francisco, Cal, COVID-19 open mic, live internet August 19, 2020
  • Just Voices Volume 4 virtual launch, recorded for September 26, 2020
  • PULP Literature Issue28 launch, live internet November 7, 2020
  • Jake Epp Public Library, Steinbach, MB, 2020 (date TBA, pending Covid restrictions)
  • Several readings are recorded here: https://www.youtube.com/channel/UCsA7vS0kVqP5etL2cPnlM4w

 WORK IN PROGRESS

  • “Mulholland and Hardbar” — a novel (“Fargo, with a Mennonite accent”)
  • “People, Places, Light” — an ekphrastic Manitoba artbook including original photography and short stories (Funded in part by The Manitoba Arts Council | Le conseil des arts du Manitoba.)
  • “The Mighty Hartski” | “Downtown Diner” | “Arthur Delorme and the Craigflower Bus” | “Red Light Man” | “Fetch” | “The Three Sisters” | “Freight Trains and Jet Planes” (CNF) | “No Strings”: Short stories
  • “The Barkman Avenue Peace Accords” — a themed short story collection (proposed)
  • “Tafelburg” — a science fiction novella
  • “The Mismaloya”— a novelette screenplay adpatation

FRIENDS, FOLLOWERS, & SUBMISSIONS

  • Twitter 5,591
  • Facebook 612
  • Goodreads 224 friends, 6 followers
  • LinkedIn 754
  • WordPress 194
  • Current active (pending) submissions to lit journals: 16
  • Submission history on Duotrope 2020 submissions to date – 85, 2019 – 104, 2018 – 50, 2017 – 84, 2016 – 106, 2015 – 2. Grand Total – 442

Piece of My Heart

I had the opportunity to read one of my flash fictions for the virtual launch of Issue 28 of PULP Literature Magazine. The video is here: https://www.youtube.com/watch?v=bIcbCsZCMpk&feature=youtu.be
and my segment is the first one, running from about the 2:00 minute mark to 9:30.

PULP Lit is a special lit mag. It is, like my kids and grandkids, located in B.C. and also like my kids and grandkids and my sis Char and old friends I don’t see much anymore except for Facebook, one of the many — so many — reasons I love to return and visit B.C. (Damn covid!)

Each issue of the magazine is beautiful to see and something to be absorbed, like a tincture. Curation, editing, art (!), lay-out and theme are carefully balanced and interconnected. Evocative, original, soothing, disturbing… an intellectual event. Their online launch is even more sensorial adding video, voice, imagery and the strange magical sense of flying out across the world with ZOOM wings made of a hybrid chitin of memory and syntax and imagination and hope and words spoken low and slow.

Anyway… despite appropriate Mennonite guilt, I love to read my stories and was pleased to be asked to join in. I get nervous — not a little — doing this type of thing. But somehow, reading my own stories is mostly exempt from that stage fright. It’s a part of the art, an extension I suppose, that allows me to relive the creation of it and add my own live expression, ad hoc. Plus I can enjoy the story as if detached and no longer the author but rather the presenter and part of the audience… both, at once.

~~~

I’ve been reading some wonderful academic writers lately who look at art and writing and Mennonite writing or writing that happens to be done by Mennonites, or that happens to be done by Mennonite imposters, cultural Mennonites, secular Mennonites or Mennonite moles that have tunneled — whiskers twitching — under the village walls.

Two notables have surnames that surely have been represented in Southwood School Valentine card mailings, SRSS grad class rolls, on Mennonite church Sunday School classroom doors, and as alumni of colleges where art debate, Inter-Scholastic Christian Fellowship, and curling bonspiels were all of equal importance. Schillinger! Shun! Sweep!

The two are Magdalene Redekop and Grace Kehler.

Their concepts and ideas are beautiful, complex, and written with the kind of codified care saved for those rare Sundays when the Pastor and his wife are scheduled to “drop by for Faspa!”

For me, the reading is trench warfare. That sounds disparaging but it’s not. It is high praise. I find myself pulled violently down so many rabbit-holes and stuck to the flypaper of all the many soaring ideas — two or three per page! — that I end up taking week-end side-trips that turn into year-long sabbaticals.

The confluence that I am labouriously working towards is that of Redekop, Kehler, Tolstoy (et al), Toews and “Piece of My Heart.” As I read for PULP Lit and especially after I finished, I saw for the first time some of the intricate embroidery of literary academia in my story.

“Piece of My Heart” is, in its bare-boned simplicity, an example of art that seeks to be sincere. An expression. A means of communication. A conversation. A dematerialization. Perhaps seasoned with a sad hint of Mennonite melancholia.

And though the story is austere and spare, it is also a tessellation of Mennonite chapter and verse together with many Gem pickling jars that brim with lore and insinuation. Savoury and not forgotten, packed with dill from the garden, is my autoethnographic version, albeit brief, of the Mennonite creation myth, “across the brutish North Atlantic… sod-hut sanctuaries… hymns sung with the fervour of nothing left to lose,” and more.

To use Author Redekop’s phrase, my little story claims to be “history knowing.”

~~~

As you’ll see in the video, after the story, Editor JM Landels asks me about my WIP novel, “Mulholland and Hardbar.” Here’s some WIP blurbage about the book:

Logline 1: “Fargo, with a Mennonite accent.”

Logline 2: “A journey through the four seasons of the boreal: friendship, deceit, loyalty, and violence.”

Blurb: Set in the Manitoba boreal forest, Mulholland and Hardbar is a unique and moving story about an odd pairing of young men, their complex and dangerous relationship, and their need to learn how to face difficulty with courage and the absence of malice.”


Statement of Location: The author and his wife reside in the boreal forest just north of the fiftieth latitude in eastern Manitoba. Their home — like the Penrose cabin in the novel, “Mulholland and Hardbar” — is situated on Métis land: Anishinabe Waki ᐊᓂᔑᓈᐯᐗᑭ

Mak’n Sparks

Janice and I spent a month over Christmas and New Year visiting family and dog-sitting in BC. The majority of the time had us in Victoria. While we were there I contacted the Victoria Writers’ Society to see if they had any events or functions taking place during our stay.

They did: the Society’s Annual General Meeting was on the slate and the Secretary, Ms. Sheila Martindale, invited me to sign-up for their Open Mic, which, she assured me was the main activity of the evening.

So I did: reading a sightly abridged version of “Sweet Caporal at Dawn”. It was fun and Jan & I really enjoyed the various readings. Lots of grab-ya-by-the-throat poetry and some fine essay and memoir pieces.

A reading I found particularly entertaining—and relatable—was Ron Stefik’s bright, funny ramble, “Mak’n Sparks”. I’ve received Ron’s permission to share it here.

Like Conrad led us upriver into a world of winding darkness and deception, so—conversely—Ron takes us downstream, away from lives filled with confusion and dilemma.

We are brought into the quiet of the workshop: the place of washer-filled Cheeze-Whiz jars suspended by their lids from the underside of a shelf… the land of pegboard and felt pen outlines on the wall… the sanctuary of our favourite tools—their double-insulated smells, their familiarity, their loyalty, their simple ways.

But also the power tool’s growling capacity for raw, emergency room-feeding might!

“I don’t like work—no man does—but I like what is in the work—the chance to find yourself.”—Heart of Darkness, Joseph Conrad

 

Mak’n Sparks

by Ron Stefik

I enthusiastically read the latest Canadian Tire advertising flyer that had arrived in the mail.  These are basically glossy hardware porn. The centrefold display caught my attention, the item between the stepladder with open legs and the set of socket wrenches. Angle grinders were on sale.

I have always felt a desire to own a portable angle grinder. Not an actual need, but a desire. When I had worked in the design office at Strathcona Steel in Edmonton, I would occasionally have reason to go down to the cavernous shop floor; to get a measurement, to get a progress update, or to get yelled at for not wearing safety boots. Metal shaping and welding stations were busy all around as I navigated across the factory, but those using angle grinders seemed to have the most satisfying tasks. Like Prometheus delivering fire, labourers cast long showers of fiery sparks to the howling accompaniment of their empowering device. Here be men!

Ownership of such a tool might lead to identification of a previously unrecognized daily need for such a thing, and would likely inspire a worthy addition to my story series, “The Joy of…”.  The Joy of Radial Arm Saws, The Joy of Hedge Trimmers…..The Joy of Angle Grinders…..intriguing titles like that.

Scanning the store shelves in my quest for self-worth, I suppressed a rising panic this item would be sold-out and unavailable to the remaining local angle grinding citizenry. Such disappointing ventures are reminiscent of potential dates that never show, an unfulfilled promise of a happily ever after future. Discovering my equivalent of the Golden Fleece craftily located on a lower shelf, with fevered anticipation and sweaty hands I made my selection from the inventory. I had briefly considered using some of my hoard of 5 and 10 cent Canadian Tire coupons to finance the investment, but wisely decided to maintain this bankroll for a future spending spree, such as the purchase of an electric lighting fixture to donate to an Amish charity. However, I did also acquire a 10-pack of grinding wheels. I was sure to identify many things around the house that could benefit from a good grinding. I could hardly wait to get home and start annoying the neighbours.

Alone in the privacy of my workshop, I savoured the moment of unveiling. The box included an instruction book sealed in a plastic bag. This would preserve it in pristine unopened condition for the benefit of future generations. It was tough plastic, and curiosity getting the better of me, I used the grinder to get it open. A thick booklet, it was printed in a multitude of languages, for the convenience of angle grinding Swahili bushmen and Bedouin travellers with long extension cords. Of the 32-page English section, the first thirty-one and a half pages were dedicated to safety advisories of the “never do this” variety. Such as using this power tool to open a plastic bag.

As it would happen, I had recently brought home from a neighbourhood free-pile a damaged air compressor. I did not see any need to compress air but had a vague idea of using the attached small pressure tank for a future inventive project. It was welded on. My first grinding task! Safety glasses and ear covers on, I attacked the task with suitable angle grinding élan and vigour. Electric motor whining at a satisfyingly high pitch, sparks flew as I spread destruction, Jedi warrior descendant upon a metallic foe. Within minutes I transformed a once useful piece of equipment into bits of scrap. This was progress!

Having satisfied my initial primal urge to cut through metal, I await the next necessity that will present itself to use this latest weapon in my home-improvement arsenal. That jam jar that has been getting a bit tough to open? Perhaps a bit of grinding to remove the lid is in order. Or perhaps a passerby on an electric shopping scooter will overturn in front of my home and require my rescue with a portable angle grinder to cut them free from the wreckage. One can only hope.

Publication-Interviews-Readings

The list is getting long enough to have its own dedicated page. I’ll keep this page more or less up to date and that is all I’m gonna say about that.

Last updated: June 2, 2020

PUBLISHED

Since June 2016:

“Encountered on the Shore”, CommuterLit (Ca), 2016

“A Vile Insinuation”, CommuterLit (Ca), 2016

“Without Reason”, CommuterLit (Ca), 2016

“Zero to Sixty”, CommuterLit (Ca), 2016

“The Margin of the River”, CommuterLit (Ca), 2016

“Nothing to Lose”, Fiction on the Web (UK), 2016

“Heavy Artillery”, Fiction on the Web (UK), 2016

“Breezy and the Six-Pack Sneaker”, Literally Stories (UK), 2016

“The Fifty Dollar Sewing Machine”, Literally Stories (UK), 2016

“South of Oromocto Depths”, Literally Stories (UK), 2016

“Frozen Tag”, Literally Stories (UK), 2016

“A Fisherman’s Story”, Rhubarb Magazine (Ca), Issue 39, 2016

“Our German Relative”, Red Fez (Ca), Issue 96, 2016

“Graperoo”, Fair Folk Journal (US), 2016

“So Are They All”, Voices (Ca), Volume 16, No. 2, 2016

“The Phage Match”, Broken Pencil (Ca), 2016

“The Rothmans Job”, CommuterLit (Ca), 2017

“Winter Eve in Walker Creek Park”, CommuterLit (Ca), 2017

“South of Oromocto Depths”, CommuterLit (Ca), 2017

“Encountered on the Shore”, CommuterLit (Ca), 2017

“The Preacher and His Wife”, Literally Stories (UK), 2017

“The Beefeater and the Donnybrook”, Literally Stories (UK), 2017

“The Light Pool”, Alsina Publishing LingoBites (UK – English and Spanish), 2017

“Nothing to Lose”, Digging Through the Fat (US), 2017 (Link)

“Heavy Artillery”, Digging Through the Fat (US), 2017 (Link)

“The Business of Saving Souls”, Literally Stories (UK), 2017

“So Are They All”, Literally Stories (UK), 2017

“The Rothmans Job”, Sick Lit Magazine (US), 2017

“The Business of Saving Souls”, Sick Lit Magazine (US), 2017

“I am Otter”, The Machinery – A Literary Collection (India), “Fauna” 2017

“The Log Boom”, Storgy.com (UK), 2017

“Encountered on the Shore”, Occulum (US), 2017

“The Peacemongers”, The MOON magazine (US), 2017

“The Margin of the River”, riverbabble (US), 2017

“The Seven Songs”, Fictive Dream (UK), 2017

“I am Otter”, CommuterLit (Ca) 2018

“Fall From Grace”, Literally Stories (UK), 2018

“Of a Forest Silent”, Alsina Publishing LingoBites (UK – English and Spanish), 2018

“City Lights”, Literally Stories (UK), 2018

“The Bottom of the Sky”, Fiction on the Web (UK), 2018

“In the Dim Light Beyond the Fence”, riverbabble (US), 2018

“Nothing to Lose”, riverbabble (US), 2018

“Shade Tree Haven”, Doorknobs & Bodypaint (US), 2018

“Sweet Caporal at Dawn”, Blank Spaces (Ca), 2018

“Sweet Caporal at Dawn”, “Just Words, Volume 2” (Ca), 2018

“Away Game”, Pulp Literature (Ca), 2018

“The Doeling”, Cabinet of Heed (Ireland), 2018

“Groota Pieter”, River Poets Journal, Special Themed Edition, “The Immigrants” (US),  2018

INTERVIEW, Mennotoba (Ca), 2018

“The Narrowing”, Scarlet Leaf Review (Ca), 2018

“Wide Winter River” podcast Not Ready for Prime Time (US), 2018

“The Fifty Dollar Sewing Machine”, Literally Stories (UK), 2019

“The Toboggan Run”, The MOON magazine (US), 2019

“Peacemongers”, The MOON magazine: “Out of This World” The Best Short Stories from the MOON (US), Volume 1, 2019

“Cave on a Cul-de-sac”, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 93, 2019

“Din and the Wash Bear”, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 95, 2019

“Died Rich”, Fabula Argentea (US), Issue #27, 2019

“I am Otter”, Short Tales – Flash Fiction Stories (Iran), 2019

“Away Game”, Short Tales – Flash Fiction Stories (Iran), 2019

INTERVIEW and EXCERPT from WIP novel, “Mulholland and Hardbar”, South Branch Scribbler (Ca), 2019

“Ifs and Butters”, TurnPike (US), 2019

“Concealment”, Me First Magazine (US), 2019

“Groota Pieter”, Pact Press (Australia), “We Refugees” anthology, 2019

“Fast and Steep”, Riddle Fence (Ca), Issue 34, 2019.

“Holthacka’s Quandary”, Lunate Fiction (UK), 2019

“Shade Tree Haven”, (mac)ro(mic) (US), 2019

“My Writing Day”, my (small press) writing day (Ca), 2019

“The Log Boom”, River Poets Journal, Special Themed Edition, “A Fork in the Road” (US),  Date TBA, 2020

“The Business of Saving Souls”, Literally Stories (UK), January 26, 2020

“Encampment”, Tiny Seed Literary Journal (US), February 8, 2020

“Regrets de Foie Gras”, Literally Stories (UK), May 2020

“My Life as a Corkscrew” (CNF), Blank Spaces (Ca), June 2020

“The Grittiness of Mango Chiffon”, Agnes and True (Ca),  July 2020

“Piece of My Heart”, Pulp Literature (Ca)  Issue 27, Summer 2020

“The Margin of the River”, Blank Spaces (Ca), Sept 2020

“Away Game”, Quail Bell Magazine (US), TBA 2020

CONTESTS & AWARDS

“So Are They All”, Second Place in the Adult Fiction category of the Write on the Lake (Ca) contest, 2016

“Fall from Grace”, Honourable Mention in The Writers’ Workshop of Asheville (US) Memoirs Contest, 2016

“The Phage Match”, Finalist in Broken Pencil’s (Ca) annual “Deathmatch contest, 2016

“Cave on a Cul-de-sac”, Winner in The Hayward Fault LineDoorknobs & Bodypaint (US) Issue 93 Triannual Themed Flash contest, 2018

“I am Otter”, CommuterLit (Ca), Runner-up in for Flash Fiction Feature, 2018

“Sweet Caporal at Dawn”, Nominated by Blank Spaces (Ca) for a PUSHCART PRIZE, 2018

“Piece of My Heart”, winner of the Pulp Literature magazine Editors’ Choice in the 2020 Bumblebee Flash Fiction Contest.

READINGS

Voices Launch, McNally Robinson, Winnipeg, MB, 2016

Pulp Literature Issue Launch, Vancouver, BC, 2017

Manitoba Writers’ Guild, Artspace, Winnipeg, MB, 2019

Prosetry, Jessica Lake, MB, 2019

Driedger Readings, Winnipeg, MB, 2019

Victoria Writers’ Society AGM, Victoria Central Library, Open Mic, Jan 8, 2020

Pulp Literature Reading Series, live internet April 24, 2020

Jake Epp Public Library, Steinbach, MB, 2020 (date TBA)

FOLLOWERS

Twitter 5,499

Facebook 290

Goodreads 209 friends, 12 followers

LinkedIn 916

WordPress 176

We Refugees

My short story, “Groota Pieter” based on my experiences in Southeast Manitoba, is included in this thoughtful, important conversation on forced migration. In 1873, my great-great-grandfather, Cornelius Toews, was one of a group of 12 delegates to travel to North America to scout locations for a mass migration as Russia constricted around their Mennonite villages in the Molotschna region of Ukraine. This historical connection, plus my life in a Canadian diaspora community that now sees others arriving as they once did—scared, unfamiliar, poor, and without a choice—makes the story personal for me.

I’m pleased to be a part of the book and if you happen to be in Melbourne, September 16…

From: https://regalhouseinitiative.org/we-refugees/

We Refugees is now on the shelves in Readings bookshops across Melbourne, and it will be launched by Julian Burnside at Readings Hawthorn next Monday 16th September at 6.30pm.
Two contributors, Kirsty Anantharajah and Akuol Garang are able to be here for the launch, which is very exciting.
The launch details are available via the link below:

Now available in Australia… For release September 27, 2019 in the U.S.

The Regal House Initiative, together with Pact Press, is proud to bring you an anthology of writing by and about refugees, asylum seekers, and other forced migrants. We Refugees is intended to amplify the voices of displaced people and bring their experiences to the awareness of readers. The lead editor for this anthology is Dr. Emma Larking.

Our aim is to provide insights into the lives of the displaced, insights that are often ignored in contemporary media accounts of the global refugee crisis. Rather than present a vision of crisis, we would like to present a vision of hope and energy, to celebrate the resilience of people who have been forced to leave their homes and seek new ones. We sought contributions that may discomfort or challenge readers, presenting the experience of displacement in a manner at odds with more typical representations.

Proceeds from the publication of We Refugees

Editorial work will be provided free of charge by the Pact Press editorial team, lead by Dr. Emma Larking, and all net proceeds from the sale of the anthology will go to support the work of the Asylum Seeker Resource Centre (ASRC).

Based in Melbourne, Australia, the ASRC describes itself as:

…both a place and a movement. We are an independent not for profit organisation, whose programs support and empower people seeking asylum to maximise their own physical, mental and social wellbeing. As a movement, we mobilise and unite communities to create lasting social and policy change for people seeking asylum in Australia. We are proud to be owned and run by our community of volunteers and supporters.

Please visit the ASRC website for more information about its campaignsworkvision and values.

Interview with Artist Virginia Ryan, Contributor to our forthcoming Pact Press Anthology, We Refugees.

we refugees library

~ ~ ~

“Groota Pieter” is also a part of the 2018 Lilly Press publication (U.S.), “The Immigrants” by The River Poets Journal.

Prosetry in the Park

Photo Caption: Here we are on July 20. Photo by Phil Hossack.

POSTED HERE EARLIER (Pre-event): Janice and I live in a 1950 cottage on the shore of a lake in the Whiteshell Provincial Park in Manitoba.

We try to live simply out here in the boreal–WiFi and Polish beer notwithstanding–but even the residents of Walden Pond gave in to the occasional venture back to the city for supplies and human contact. Us too.

On July 20 we will try to bring the city to the Park. We hope to be swamped by forest-thirsty urbanites, neighbours, and friendly randos here at our Walden. We will welcome these visitors to be our guests and, if they can, to bring a story, a poem, a song, a painting and share it with the gathering.

A night under the stars. Informal artistic expression and reflective appreciation. Come by boat, windsurfer, canoe. Swim, hike in, ride a bike or fill a vehicle–float plane, microbus, Red River cart, or a 1947 Lincoln Zephyr. . . whatevs–with your most convivial merry prankster friends.

[…] “twas in another lifetime,

one of toil and blood.

When blackness was a virtue, the road was full of mud.

I came in from the wilderness, a creature void of form.

‘Come in,’ she said, ‘I’ll give you shelter from the storm.'”

~~~

prosetry sign 1

Let us, like Bob Dylan’s friend in his mystic lyric above, offer you an evening of shelter from the storm.

AND, if you can’t make it in person, we’d welcome your proxy–a snippet or an excerpt or a few lines of verse. We’ll present your work with reverence and hope. Then we’ll toast you and hope once more—that you join us next year.

Contact me here or on Facebook, twitter, email, Goodreads, phone, or drop in for details. mtoews55@gmail.com to learn about the point in time and space where reality meets infinity, borne on blintering starlight at the 50th latitude.

JULY 22 The Aftermath… see it all here: https://tale.code.blog/2019/07/23/prosetry-anthology/

 

 

 

Reading

Manitoba writer Mitchell Toews will be among those doing readings of flash fiction & excerpts from longer work at ArtSpace May 25 Noon-2 PM on the fifth floor (up on the roof, weather permitting).

It’s part of the Doors Open event and he has volunteered on behalf of the Manitoba Writers’ Guild 425-100 Arthur Street, Wpg.

Each building tour, on the half-hour, will stop for a brief reading: Seven-minute excursions into the boreal, towards the dim light, to the bottom of the sky, and screwed to the sticking spot, all for free in the 119-year-old Gault Building, now home to ARTSPACE.

Readings may include selections from:

  • “I am Otter”
  • “Sweet Caporals at Dawn”
  • “A Plum of a Night” (for groups with lots of little kids)
  • “Operation Night Bandit” (for groups with lots of exhausted young moms)
  • “Pinching Zwichack”
  • “In the Dim Light Beyond the Fence” (for groups with more than one Blue Jays cap in evidence)
  • The opening sequence of  “The Fisherman’s Story”, Part Two in a trilogy.
  • “Wide Winter River”, an excerpt from the short story, “The Margin of the River”
“I try to write about everyday people and events, but to see the drama in these lives. Regardless of whether the story takes a turn towards humour, or sorrow, or action, or even fantasy, I often come at it from an underlying perspective of hope, often with a good dose of emotion and courage in the mix.”—Mitchell Toews