Detailed C-V November 2020

MITCHELL TOEWS: A big list…

 ONLINE ADDRESSES

Mitchellaneous.com
@Mitchell_Toews
Author pages on Facebook, Goodreads, and LinkedIn

 CURRICULUM-VITAE

Updated 11.11.20

EDUCATION

University of Victoria (one year)
University of Winnipeg (1974-77)
Masters Certificate in Marketing Communication Management, York University (2001)
“So You Want To Write Indigenous Characters…”, Manitoba Writers’ Guild (2019)
Coursera: Aboriginal Worldviews and Education (Newly enrolled, October 2020)

 ASSOCATIONS/MEMBERSHIPS

Member — Manitoba Writers’ Guild
Member — Victoria Writers’ Society
Professional Artist — Manitoba Arts Council
New/Early Career Artist — Canada Council for the Arts
Past Member — Winnipeg Public Library’s Prose Writing Circle, led by Winnipeg Public Library Writer in Residence Carolyn Gray (2019-2020)
Member — The Sunday Writers Group, led by Donna Besel (Lac du Bonnet, MB)
Member — WriteRamble, led by Lauren Carter, Winnipeg Public Library Writer in Residence, 2020-2021

 PUBLISHED WORKS — 81 Acceptances in total

2016:
16 short stories, 15 online, 2 paid print, 9 Canada, 6 UK, 1 US

2017: 20 short stories, all online, 4 Ca, 1 India, 7 UK, 8 US

2018: 14 short stories, 1 interview, 1 podcast, 1 paid print, 3 unpaid print, 6 Ca, 4 UK, 1 Ireland, 5 US

“I am Otter” — short story, CommuterLit (Ca)

“Fall From Grace”, short story, Literally Stories (UK)

“Of a Forest Silent” — short story, Alsina Publishing LingoBites (UK – English and Spanish)

“City Lights” — short story, Literally Stories (UK)

“The Bottom of the Sky” — short story, Fiction on the Web (UK)

“In the Dim Light Beyond the Fence” — short story, riverbabble (US)

“Nothing to Lose” — short story, riverbabble (US)

“Shade Tree Haven” — short story, Doorknobs & Bodypaint (US)

“Sweet Caporal at Dawn” — short story, Blank Spaces (Ca), paid print

“Sweet Caporal at Dawn” — short story, Just Words, Volume 2 Anthology (Ca), print

“Away Game” — short story, Pulp Literature (Ca), paid print

“The Doeling” — short story, Cabinet of Heed (Ireland)

“Groota Pieter” — short story, River Poets Journal, Special Themed Edition, “The Immigrants” Anthology (US), print

“Five Questions for Mitchell Toews” — interview, Mennotoba (Ca)

“The Narrowing” — short story, Scarlet Leaf Review (Ca)

“Wide Winter River” — podcast, Not Ready for Prime Time (US)

2019: 15 short stories, 1 interview, 1 CNF essay, 1 paid online, 1 paid print, 2 unpaid print, 3 Ca, 2 UK, 1 Australia, 3 Iran, 8 US

“The Fifty Dollar Sewing Machine” — short story, Literally Stories (UK)

“The Toboggan Run” — short story, The MOON magazine (US)

“Peacemongers” — short story, The MOON magazine: “Out of This World” Anthology The Best Short Stories from the MOON (US), Volume 1, print

“Cave on a Cul-de-sac” — short story, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 93

“Din and the Wash Bear” — short story, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 95

“Died Rich” — short story, Fabula Argentea (US), Issue #27, paid

“I am Otter” — short story, Short Tales – Flash Fiction Stories (Iran)

“Away Game” — short story, Short Tales – Flash Fiction Stories (Iran)

 “4Q Interview with Author Mitchell Toews” — interview and excerpt from WIP novel, “Mulholland and Hardbar”, South Branch Scribbler (Ca)

“Ifs and Butters” — short story, TurnPike (US)

“Concealment” — short story, Me First Magazine (US)

“Groota Pieter” — short story, Pact Press (Australia), “We Refugees” Anthology, print

“Fast and Steep” — short story, Riddle Fence (Ca), Issue 34, paid print

“Holthacka’s Quandary” — short story, Lunate Fiction (UK)

“Shade Tree Haven” — short story, (mac)ro(mic) (US)

“My Writing Day” — CNF essay, my (small press) writing day (Ca)

“Our German Relative” — short story, Xmas Stories (Iran)

2020 to date: 10 short stories, 2 CNF essay, 1 interview, 6 print, 1 paid online, 2 paid print, 5 Canada, 3 UK, 4 US

“The Business of Saving Souls” — short story, Literally Stories (UK)

“The Log Boom” — short story, in “A Fork in the Road,” 2019 Special Theme Edition Anthology of River Poets Journal (US), print

“Encampment” — short story, Tiny Seed Journal (US)

“Regrets de Foie Gras”— short story, Literally Stories (UK), May 2020

“The Grittiness of Mango Chiffon” — short story, Agnes and True (Ca), paid online, Summer 2020

“My Life as a Corkscrew” — a CNF essay “On Writing” in Blank Spaces (Ca), June 2020, print

“Piece of My Heart” — short story, Pulp Literature, (Ca), paid print

“Away Game” — short story, Quail Bell Magazine, (US), paid print

Interview — Maysam Kandej Talks (Iran), https://maysam.id.ir/talks online, August 2020

“My Life as a Corkscrew” — a CNF essay “On Writing” in the Just Voices (Ca) anthology, September 2020, print

“The Sunshine Girl” — short story, Cowboy Jamboree Magazine (US), Fall 2020 (John Prine Tribute issue), print and online

“Died Rich” — short story, Fiction on the Web (UK), September 2020, online

“Baloney, Hot Mustard and Metal Filings” — short story, WordCity Monthly (Ca-Intl), September 2020, online

 CONTESTS-PRIZES-AWARDS

“So Are They All” — short story, second place in the Adult Fiction category of the Write on the Lake (Ca) contest, 2016, paid print

“Fall from Grace” — short story, Honourable Mention in The Writers’ Workshop of Asheville (US) Memoirs Contest, 2016

“The Phage Match” — short story, finalist in Broken Pencil’s (Ca) annual “Deathmatch contest, 2016, print

“Cave on a Cul-de-sac” — short story, winner in The Hayward Fault LineDoorknobs & Bodypaint Issue 93 Triannual Themed Flash contest, 2018 

“I am Otter” — short story, CommuterLit (Ca), Runner-up in for Flash Fiction Feature, 2018

“Sweet Caporal at Dawn” — short story, Nominated by Blank Spaces for a PUSHCART PRIZE, 2018, print

“Piece of My Heart” — a 750-word or less flash fiction was named “Editors’ Choice” in the 2020 Bumblebee Flash Fiction Contest from Pulp Literature Press, paid print

 FUNDING

Manitoba Arts Council, June 30, 2020. Financial support for the creation of a unique Manitoba artbook, ekfrastic in nature and featuring artistic photography and short fictional stories. The theme is “People, Places, and Light”. Photography by collaborator, Phil Hossack.

 READINGS

  • Voices Launch, McNally Robinson, Winnipg, MB, 2016
  • PULP Literature Issue Launch, Vancouver, BC, 2017
  • Manitoba Writers’ Guild, Artspace, Winnipeg, MB, 2019
  • Prosetry, Jessica Lake, MB, 2019
  • Driedger Readings, Winnipeg, MB, 2019
  • Victoria Writers’ Society, AGM—Open mic, 2020
  • PULP Literature Reading Series, live internet April 24, 2020
  • PULP Literature Issue 27 launch, live internet July 19, 2020
  • Mechanics’ Institute, San Francisco, Cal, COVID-19 open mic, live internet August 19, 2020
  • Just Voices Volume 4 virtual launch, recorded for September 26, 2020
  • PULP Literature Issue28 launch, live internet November 7, 2020
  • Jake Epp Public Library, Steinbach, MB, 2020 (date TBA, pending Covid restrictions)

 WORK IN PROGRESS

  • “Mulholland and Hardbar” — a novel (“Fargo, with a Mennonite accent”)
  • “People, Places, Light” — an ekphrastic Manitoba artbook including original photography and short stories (Funded in part by The Manitoba Arts Council | Le conseil des arts du Manitoba.)
  • “The Mighty Hartski” | “Downtown Diner” | “Arthur Delorme and the Craigflower Bus” | “Red Light Man” | “Fetch” | “The Three Sisters” | “Freight Trains and Jet Planes” (CNF) | “No Strings”: Short stories
  • “The Barkman Avenue Peace Accords” — a themed short story collection (proposed)
  • “Tafelburg” — a science fiction novella
  • “The Mismaloya”— a novelette screenplay adpatation

FRIENDS, FOLLOWERS, & SUBMISSIONS

  • Twitter 5,587
  • Facebook 593
  • Goodreads 224 friends, 6 followers
  • LinkedIn 754
  • WordPress 194
  • Current active (pending) submissions to lit journals: 20
  • Submission history on Duotrope 2020 submissions to date – 79, 2019 – 104, 2018 – 50, 2017 – 84, 2016 – 106, 2015 – 2. Grand Total – 425

Piece of My Heart

I had the opportunity to read one of my flash fictions for the virtual launch of Issue 28 of PULP Literature Magazine. The video is here: https://www.youtube.com/watch?v=bIcbCsZCMpk&feature=youtu.be
and my segment is the first one, running from about the 2:00 minute mark to 9:30.

PULP Lit is a special lit mag. It is, like my kids and grandkids, located in B.C. and also like my kids and grandkids and my sis Char and old friends I don’t see much anymore except for Facebook, one of the many — so many — reasons I love to return and visit B.C. (Damn covid!)

Each issue of the magazine is beautiful to see and something to be absorbed, like a tincture. Curation, editing, art (!), lay-out and theme are carefully balanced and interconnected. Evocative, original, soothing, disturbing… an intellectual event. Their online launch is even more sensorial adding video, voice, imagery and the strange magical sense of flying out across the world with ZOOM wings made of a hybrid chitin of memory and syntax and imagination and hope and words spoken low and slow.

Anyway… despite appropriate Mennonite guilt, I love to read my stories and was pleased to be asked to join in. I get nervous — not a little — doing this type of thing. But somehow, reading my own stories is mostly exempt from that stage fright. It’s a part of the art, an extension I suppose, that allows me to relive the creation of it and add my own live expression, ad hoc. Plus I can enjoy the story as if detached and no longer the author but rather the presenter and part of the audience… both, at once.

~~~

I’ve been reading some wonderful academic writers lately who look at art and writing and Mennonite writing or writing that happens to be done by Mennonites, or that happens to be done by Mennonite imposters, cultural Mennonites, secular Mennonites or Mennonite moles that have tunneled — whiskers twitching — under the village walls.

Two notables have surnames that surely have been represented in Southwood School Valentine card mailings, SRSS grad class rolls, on Mennonite church Sunday School classroom doors, and as alumni of colleges where art debate, Inter-Scholastic Christian Fellowship, and curling bonspiels were all of equal importance. Schillinger! Shun! Sweep!

The two are Magdalene Redekop and Grace Kehler.

Their concepts and ideas are beautiful, complex, and written with the kind of codified care saved for those rare Sundays when the Pastor and his wife are scheduled to “drop by for Faspa!”

For me, the reading is trench warfare. That sounds disparaging but it’s not. It is high praise. I find myself pulled violently down so many rabbit-holes and stuck to the flypaper of all the many soaring ideas — two or three per page! — that I end up taking week-end side-trips that turn into year-long sabbaticals.

The confluence that I am labouriously working towards is that of Redekop, Kehler, Tolstoy (et al), Toews and “Piece of My Heart.” As I read for PULP Lit and especially after I finished, I saw for the first time some of the intricate embroidery of literary academia in my story.

“Piece of My Heart” is, in its bare-boned simplicity, an example of art that seeks to be sincere. An expression. A means of communication. A conversation. A dematerialization. Perhaps seasoned with a sad hint of Mennonite melancholia.

And though the story is austere and spare, it is also a tessellation of Mennonite chapter and verse together with many Gem pickling jars that brim with lore and insinuation. Savoury and not forgotten, packed with dill from the garden, is my autoethnographic version, albeit brief, of the Mennonite creation myth, “across the brutish North Atlantic… sod-hut sanctuaries… hymns sung with the fervour of nothing left to lose,” and more.

To use Author Redekop’s phrase, my little story claims to be “history knowing.”

~~~

As you’ll see in the video, after the story, Editor JM Landels asks me about my WIP novel, “Mulholland and Hardbar.” Here’s some WIP blurbage about the book:

Logline 1: “Fargo, with a Mennonite accent.”

Logline 2: “A journey through the four seasons of the boreal: friendship, deceit, loyalty, and violence.”

Blurb: Set in the Manitoba boreal forest, Mulholland and Hardbar is a unique and moving story about an odd pairing of young men, their complex and dangerous relationship, and their need to learn how to face difficulty with courage and the absence of malice.”


Statement of Location: The author and his wife reside in the boreal forest just north of the fiftieth latitude in eastern Manitoba. Their home — like the Penrose cabin in the novel, “Mulholland and Hardbar” — is situated on Métis land: Anishinabe Waki ᐊᓂᔑᓈᐯᐗᑭ

One Day on Mars

It could be that this fanlit flash (launched May 1 on my Facebook page) has some prescience! For those who love a good conspiracy theory, Romulans, Klingons, and the Orange Menace.

One Day on Mars

Picard: Queen Sensula, do you mean to tell me that the Romulans created and then spread the deadly Space Virus? (Appalled. Much Elizabethan flavour.)

Oh, but I shan’t doubt it, my dear Queen. Those secretive Romulans are capable of…

Queen Sensula, leader of the Teuton Nebula: No, Jean Luc, I’m telling you that, Orangitus, the Klingon ruler means to promote such a theory in order to demonize the Romulans!

Picard: But that’s PREPOSTEROUS! No one in the galaxy would do such a thing… to lie in order to turn the universe against a single planet? Why surely even Orangitus, that PATAK, is not capable of such a VILE RUSE! Why?

Sensula: Don’t call me Shirley… and not only is Orangitus accusing the Romulans, but he also has impugned the Intergalactic Health Organization! Accused them of being in league with the Romulans!

(She continues with smouldering, Fiona Hill-like intensity) Why? Orangitus knows these three things: One, that if he persuades the universe of the Romulan guilt, he can exact stiff penalties from the rich Romulans. He will claim these penalties as reparations for Klingon, citing his planet’s devastation—Klingon has suffered more than a quarter of the deaths from the Space Virus.

Two, Orangitus will pit himself against the Romulans—a race already distrusted—and glean political power for himself in the bargain. Plus, his staggering accusations cover up his own bumbling mismanagement of the Space Virus on his home planet!

Picard: My, my! Do go on dear lady, please.

Sensula: Third and last, but most cruelly, Orangitus KNOWS that by assassinating the character of the IHO, he will be opening up a path to ignore their universally-agreed creeds and laws. Instead of sending vaccines—once they are formulated—to the universe’s poorest planets and systems…

Picard interjects: Is that the usual IHO mandate?

Sensula, nodding her two heads: Yes, it is the time-honoured way; to protect the most vulnerable. But Orangitus will wreck the IHO’s reputation and then force other planets and races to bend to his will by threat of economic and military sanctions! Klingon and Orangitus will get the vaccine and only once their selfish needs are met will the rest of the universe be saved!

Picard, cursing obscurely: BY ANDROMEDA’S STRAIN, you say! My word… What are we to do, oh, wise Sensula?

Sensula: Get off our privileged asses and VOTE the swine out in November.

Picard: MAKE IT SO!

 

(And yes, I’m aware it is May Fourth and I also know the difference between the two space sagas and the fanaticism of true fans. Nannoo-nannoo. )

Podium

I don’t enter too many contests. They almost all charge a fee, which is understandable.  I am a cheap Menno—also understandable to those who have taken the pledge of frugality that is part of every Oma’s hand-me-down tool kit for survival in the wide welt.

A contest I have entered a few times is from Pulp Literature Press. It’s called the Bumblebee Flash Fiction Contest. In 2019, I made the longlist. This year, my story was named the Editors’ Choice. A ground-rule double, which I will take with as much bat-flippin’ humility as my over-caffeinated morning-person self can muster. I’m damned pleased.

Furthermore, I felt as though this story was, in part, a product of my excellent Writing Circle in Wpg, led by Wpg Public Library Writer-in-Res, Carolyn Gray. It’s a talented group and I’ve learned a lot from our meetings.

PL is an exceptional lit mag… small press… group of editors and artists… and a judge with plenty of creds. It’s an exemplary part of the white-hot West Coast writing community; home to a blintering sky full of starry writers and poets. As a former BC resident (nine years in the WACK) I am proud of what Pulp Lit has done and is doing.

Here’s the link: BZZZZZ!

Publication-Interviews-Readings

The list is getting long enough to have its own dedicated page. I’ll keep this page more or less up to date and that is all I’m gonna say about that.

Last updated: June 2, 2020

PUBLISHED

Since June 2016:

“Encountered on the Shore”, CommuterLit (Ca), 2016

“A Vile Insinuation”, CommuterLit (Ca), 2016

“Without Reason”, CommuterLit (Ca), 2016

“Zero to Sixty”, CommuterLit (Ca), 2016

“The Margin of the River”, CommuterLit (Ca), 2016

“Nothing to Lose”, Fiction on the Web (UK), 2016

“Heavy Artillery”, Fiction on the Web (UK), 2016

“Breezy and the Six-Pack Sneaker”, Literally Stories (UK), 2016

“The Fifty Dollar Sewing Machine”, Literally Stories (UK), 2016

“South of Oromocto Depths”, Literally Stories (UK), 2016

“Frozen Tag”, Literally Stories (UK), 2016

“A Fisherman’s Story”, Rhubarb Magazine (Ca), Issue 39, 2016

“Our German Relative”, Red Fez (Ca), Issue 96, 2016

“Graperoo”, Fair Folk Journal (US), 2016

“So Are They All”, Voices (Ca), Volume 16, No. 2, 2016

“The Phage Match”, Broken Pencil (Ca), 2016

“The Rothmans Job”, CommuterLit (Ca), 2017

“Winter Eve in Walker Creek Park”, CommuterLit (Ca), 2017

“South of Oromocto Depths”, CommuterLit (Ca), 2017

“Encountered on the Shore”, CommuterLit (Ca), 2017

“The Preacher and His Wife”, Literally Stories (UK), 2017

“The Beefeater and the Donnybrook”, Literally Stories (UK), 2017

“The Light Pool”, Alsina Publishing LingoBites (UK – English and Spanish), 2017

“Nothing to Lose”, Digging Through the Fat (US), 2017 (Link)

“Heavy Artillery”, Digging Through the Fat (US), 2017 (Link)

“The Business of Saving Souls”, Literally Stories (UK), 2017

“So Are They All”, Literally Stories (UK), 2017

“The Rothmans Job”, Sick Lit Magazine (US), 2017

“The Business of Saving Souls”, Sick Lit Magazine (US), 2017

“I am Otter”, The Machinery – A Literary Collection (India), “Fauna” 2017

“The Log Boom”, Storgy.com (UK), 2017

“Encountered on the Shore”, Occulum (US), 2017

“The Peacemongers”, The MOON magazine (US), 2017

“The Margin of the River”, riverbabble (US), 2017

“The Seven Songs”, Fictive Dream (UK), 2017

“I am Otter”, CommuterLit (Ca) 2018

“Fall From Grace”, Literally Stories (UK), 2018

“Of a Forest Silent”, Alsina Publishing LingoBites (UK – English and Spanish), 2018

“City Lights”, Literally Stories (UK), 2018

“The Bottom of the Sky”, Fiction on the Web (UK), 2018

“In the Dim Light Beyond the Fence”, riverbabble (US), 2018

“Nothing to Lose”, riverbabble (US), 2018

“Shade Tree Haven”, Doorknobs & Bodypaint (US), 2018

“Sweet Caporal at Dawn”, Blank Spaces (Ca), 2018

“Sweet Caporal at Dawn”, “Just Words, Volume 2” (Ca), 2018

“Away Game”, Pulp Literature (Ca), 2018

“The Doeling”, Cabinet of Heed (Ireland), 2018

“Groota Pieter”, River Poets Journal, Special Themed Edition, “The Immigrants” (US),  2018

INTERVIEW, Mennotoba (Ca), 2018

“The Narrowing”, Scarlet Leaf Review (Ca), 2018

“Wide Winter River” podcast Not Ready for Prime Time (US), 2018

“The Fifty Dollar Sewing Machine”, Literally Stories (UK), 2019

“The Toboggan Run”, The MOON magazine (US), 2019

“Peacemongers”, The MOON magazine: “Out of This World” The Best Short Stories from the MOON (US), Volume 1, 2019

“Cave on a Cul-de-sac”, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 93, 2019

“Din and the Wash Bear”, The Hayward Fault Line, Doorknobs & Bodypaint (US) Issue 95, 2019

“Died Rich”, Fabula Argentea (US), Issue #27, 2019

“I am Otter”, Short Tales – Flash Fiction Stories (Iran), 2019

“Away Game”, Short Tales – Flash Fiction Stories (Iran), 2019

INTERVIEW and EXCERPT from WIP novel, “Mulholland and Hardbar”, South Branch Scribbler (Ca), 2019

“Ifs and Butters”, TurnPike (US), 2019

“Concealment”, Me First Magazine (US), 2019

“Groota Pieter”, Pact Press (Australia), “We Refugees” anthology, 2019

“Fast and Steep”, Riddle Fence (Ca), Issue 34, 2019.

“Holthacka’s Quandary”, Lunate Fiction (UK), 2019

“Shade Tree Haven”, (mac)ro(mic) (US), 2019

“My Writing Day”, my (small press) writing day (Ca), 2019

“The Log Boom”, River Poets Journal, Special Themed Edition, “A Fork in the Road” (US),  Date TBA, 2020

“The Business of Saving Souls”, Literally Stories (UK), January 26, 2020

“Encampment”, Tiny Seed Literary Journal (US), February 8, 2020

“Regrets de Foie Gras”, Literally Stories (UK), May 2020

“My Life as a Corkscrew” (CNF), Blank Spaces (Ca), June 2020

“The Grittiness of Mango Chiffon”, Agnes and True (Ca),  July 2020

“Piece of My Heart”, Pulp Literature (Ca)  Issue 27, Summer 2020

“The Margin of the River”, Blank Spaces (Ca), Sept 2020

“Away Game”, Quail Bell Magazine (US), TBA 2020

CONTESTS & AWARDS

“So Are They All”, Second Place in the Adult Fiction category of the Write on the Lake (Ca) contest, 2016

“Fall from Grace”, Honourable Mention in The Writers’ Workshop of Asheville (US) Memoirs Contest, 2016

“The Phage Match”, Finalist in Broken Pencil’s (Ca) annual “Deathmatch contest, 2016

“Cave on a Cul-de-sac”, Winner in The Hayward Fault LineDoorknobs & Bodypaint (US) Issue 93 Triannual Themed Flash contest, 2018

“I am Otter”, CommuterLit (Ca), Runner-up in for Flash Fiction Feature, 2018

“Sweet Caporal at Dawn”, Nominated by Blank Spaces (Ca) for a PUSHCART PRIZE, 2018

“Piece of My Heart”, winner of the Pulp Literature magazine Editors’ Choice in the 2020 Bumblebee Flash Fiction Contest.

READINGS

Voices Launch, McNally Robinson, Winnipeg, MB, 2016

Pulp Literature Issue Launch, Vancouver, BC, 2017

Manitoba Writers’ Guild, Artspace, Winnipeg, MB, 2019

Prosetry, Jessica Lake, MB, 2019

Driedger Readings, Winnipeg, MB, 2019

Victoria Writers’ Society AGM, Victoria Central Library, Open Mic, Jan 8, 2020

Pulp Literature Reading Series, live internet April 24, 2020

Jake Epp Public Library, Steinbach, MB, 2020 (date TBA)

FOLLOWERS

Twitter 5,499

Facebook 290

Goodreads 209 friends, 12 followers

LinkedIn 916

WordPress 176

Otter Redux

My short and furry flash fiction, “I am Otter” is up on the new site: Short Tales – Flash Fiction Stories. The online site, which is aimed at international readers, features stories of no more than 1500 words. https://tale.code.blog/ Editor: @samkandej

I am Otter was first published by The Machinery in August 2017.

Mitchell lives and writes lakeside in Manitoba. He enjoys those splendid opportunities to fire in a one-hopper from deep in fiction’s left field, where ideas go to get green-stained and bedevilled.

 

Four Fantasies

A group of artists gathers for a meal. They each bring two dishes, one edible and the other inspirational.

The first of them lifts the lid on a steaming Dutch oven full of exotic stir-fry. She is small, with fine features and possessing a direct, flowing gaze that makes each one at the table feel a personal connection to her before she even says a word.

“Each mouthful is different, an adventure, a departure from the last, an experience defined by its variety,” she says, flourishing the lid with eloquence. “And yet, they each come from a similar culinary tradition and are all prepared by the same chef, in one communal pot. Each ingredient is spiced with varying amounts of identical additives: conflict, joy, desire, personality, sorrow and more. Much more.”

After plates are loaded and the group tucks in, a thin man with a sparse beard stands.

“My friends,” he begins, “I’ve brought wine. It’s meant to complement and heighten the enjoyment of the meal, but if you give it a chance, I hope that you can find in its complexity a fulfillment that stands alone. Savour it for what it contains, however well-hidden and blended the constituents are and enjoy the way each lends itself to the plenary, just as each wave adds its own shape to the shore.”

Glasses chime and there is a moment of satisfaction expressed by the table as collective stillness while the wine’s secrets are shared.

Without introduction, a brassy fanfare sounds followed by the swirl of parting curtains that separate the dining room from the house. A brawny, serious figure enters. With long, powerful strides this latest presenter commands the room’s immediate attention and is followed by a troupe of brightly costumed servers.  Perfectly conceived and composed plated entrees are set before the diners.

“Each is a masterpiece—with a beginning, a middle and an ending—that is delivered not only by taste but by the presentation, artistry, and the interaction between each delicacy. The arrangement of every morsel a work of art of its own!” Music swirls and fills the room from some unseen orchestra and those assembled take their seats, voices hushed, attention rapt.

In a dark corner, unnoticed, a furtive, wide-eyed rat keeps an unblinking watch with keen lamps that blinter like wee distant winter stars.

“How? Where did they learn these arts? How do I join them? Won’t I be crushed by their greatness?”

In sensuous forepaws, a shred of cabbage is braided and interwoven with a trifle of cheese so thin it is opaque. The grey rat weaves with busy concentration. Clawed fingers fret, the fragile conception set on a single sparkling sequin dropped without care or worry from the bedazzlement above, so far above.

“I’ll offer this portion from my pantry. Perhaps, someone will like it…”