Four Fantasies

A group of artists gathers for a meal. They each bring two dishes, one edible and the other inspirational.

The first of them lifts the lid on a steaming Dutch oven full of exotic stir-fry. She is small, with fine features and possessing a direct, flowing gaze that makes each one at the table feel a personal connection to her before she even says a word.

“Each mouthful is different, an adventure, a departure from the last, an experience defined by its variety,” she says, flourishing the lid with eloquence. “And yet, they each come from a similar culinary tradition and are all prepared by the same chef, in one communal pot. Each ingredient is spiced with varying amounts of identical additives: conflict, joy, desire, personality, sorrow and more. Much more.”

After plates are loaded and the group tucks in, a thin man with a sparse beard stands.

“My friends,” he begins, “I’ve brought wine. It’s meant to complement and heighten the enjoyment of the meal, but if you give it a chance, I hope that you can find in its complexity a fulfillment that stands alone. Savour it for what it contains, however well-hidden and blended the constituents are and enjoy the way each lends itself to the plenary, just as each wave adds its own shape to the shore.”

Glasses chime and there is a moment of satisfaction expressed by the table as collective stillness while the wine’s secrets are shared.

Without introduction, a brassy fanfare sounds followed by the swirl of parting curtains that separate the dining room from the house. A brawny, serious figure enters. With long, powerful strides this latest presenter commands the room’s immediate attention and is followed by a troupe of brightly costumed servers.  Perfectly conceived and composed plated entrees are set before the diners.

“Each is a masterpiece—with a beginning, a middle and an ending—that is delivered not only by taste but by the presentation, artistry, and the interaction between each delicacy. The arrangement of every morsel a work of art of its own!” Music swirls and fills the room from some unseen orchestra and those assembled take their seats, voices hushed, attention rapt.

In a dark corner, unnoticed, a furtive, wide-eyed rat keeps an unblinking watch with keen lamps that blinter like wee distant winter stars.

“How? Where did they learn these arts? How do I join them? Won’t I be crushed by their greatness?”

In sensuous forepaws, a shred of cabbage is braided and interwoven with a trifle of cheese so thin it is opaque. The grey rat weaves with busy concentration. Clawed fingers fret, the fragile conception set on a single sparkling sequin dropped without care or worry from the bedazzlement above, so far above.

“I’ll offer this portion from my pantry. Perhaps, someone will like it…”

 

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Brit Screenwriter and Canuck Author Seek Not-for-Profit Film Group

Object: MATRIMONY!

Well, even if marriage is out, perhaps a mutually beneficial, platonic, creative partnership working towards a COLLABORATIVE production effort within an ARTS COUNCIL FUNDED program is a possibility?

Here are the bullets:

  • I’ve written a short story trilogy that has drawn some interest as the raw material for a screenplay. http://bit.ly/FotWBtmSKY
  • I shared it with a friend in London, a screenwriter with some decent film creds, who expressed interest in the story and the possibility of turning it into a screenplay.
  • While we both liked the idea, it IS a longshot and we both have more than enough on our respective, existing, literary plates. We chose to pass, with regrets.
  • THEN, miraculously, or fortuitously, or, at least, with GREAT TIMING, we learned of a co-sponsored, government-funded program designed to:
    • encourage and support the development of creative and collaborative partnerships between artists and arts organizations in the performing arts sector in the UK and Canada.
    • initiate challenging and inquisitive conversations, exchange ideas and practices and develop ambitious, creative research and development projects that can offer the first steps for collaborations and productions between Canada and the UK.
  •  HMMM… our brows knitted across the cold North Atlantic, and we wondered about PROVIDENCE and other ports and harbours on or above the 49th parallel. A bit more specifically:

The program aims are:

  • To fund collaborative and sustainable creative projects that can deliver long-term benefits for the performing arts sectors in both countries
  • To increase cultural exchange opportunities between UK and Canada, allowing for more artist mobility and international opportunities
  • To share best practices and networks through exchange, to increase skills, develop ideas and new artistic vocabulary between professional artists and organizations
  • To support visibility and representation of voices and a diversity of dialogues in the performing arts sector
  • To support research, development and creation, and seed support for future collaborations and productions

And that’s where I, my story, “The Bottom of the Sky”, and my friend the produced screenwriter and general all-around nice bloke reinitiated our plan to collaborate!

NOW, we are looking for a registered not-for-profit organization-group-guild in Canada or the UK and Ireland, to knit up this ravelled sleeve and turn my fictive literature into a script for the screen. 

Please contact me if this knits your brow, your sleeve or any other unknitted item appropriate for polite company. We await your potential collaboration to MAKE APPLICATION FOR FUNDING as we LEAP FROM TREE TO MIGHTY TREE… together.

November 18, 2018 DEADLINE

Seriously, this is a dead-set brilliant opportunity, so please respond if you are part of a non-profit or know someone who is!  mtoews55@gmail.com

 

allfornow, friends,
Mitch

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