Literary Shrapnel

What I want this over-achieving metaphor to do is to corroborate the idea that small harms, in abundance, can do a lot of damage. Back me up here, metaphor.

The shrapnel flying through the air in my writing room most days consists of those uninspired, tired-out and much repeated words that somehow infiltrate my stories. Yours too?

“Luc,” she said. He nodded, shrugging off the look he got when he looked deeply into her smiling – now frowning – face. He sighed and paused, exhaling deeply. He looked a bit more – both while shrugging and also as he began to whisper. It was a slow, deep, shrugging whisper, predicated by a frown. Luc smiled, then exhaled – you could call it a deep sigh. Or a slow shrug. Really more of a shallow pipsqueak of a bobbity-bibbity, itsy-bitsy, baby shrug – a sighing, smiling, frowning, nodding, grinning, pausing shrug that he pulled up from deep in his sigh-filled shrug-sack.
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“It’s not how it seems,” she said. And with that, Imogene dove on top of the sizzling grenade.

If the passage above does not push your cart, I’m not surprised. No one wants to write that way. But I’m willing to bet that you can go back and find examples of shrapnel-filled passages of your own — even in your published material!

I can. I did. I do.

Shrapnel words and the need to eradicate same came to my attention through one of the fresh tweets of Rayne Hall. @raynehall

I was blind to these deadly offenders and Ms. Hall snapped me into reality. I now have a regular step in my editing process to hunt down and defuse the ordnance hidden in my prose.

See her take on this and more, here: Newbie Quicksand.

allfornow – Mitch

P.S. – Armed with nothing more than a bottle of gin and a modified Sharpie, Luc performed life-saving surgery on Imogene. She came to and piloted the helicopter they stole from the Cartel encampment while Luc manned the .50-cal, pouring rounds into the enemy with ruthless efficiency. As the base medics rushed her into the field operating room, she glanced back. There was brave Luc, wavering in the bright corridor. He was in a grim struggle against the overpowering urge to sigh, his shoulders quivering with effort as he fought back a shrug. 

“Resist, my love, resist!” she said before falling into the welcoming blackness.

 

Am I a Writer?

FRIENDS, THAT IS NOT my butt in the image above. It is one more famous than mine will ever be. It belongs to a writer who, like me, prefers to write standing up.

He is a writer – no dispute there.

In my case – it is more fudgy. See…when people ask what I do, I SOMETIMES say *it*. That is, I reply, “I’m a writer.” But I tend to say it quietly. With dissonant caveats – “Not making a damn cent doin’ it tho’, har-har…”. You know. Kinda sneakin’ up on it. Like when someone says, “Are you quitting smoking?” and you answer, “Trying to!” It’s a yes, with built-in wiggle room.

So, let’s go to the Tale of the Tape as Cossell used to say before a big fight:

Writing for how long?  

Well, now. Let’s define that a bit more: writing to a deadline + writing for public consumption. In those bounds, since 1997. Mostly damnable propaganda for my Mennonite employers along the way:

“Why close your jacket with BUTTONS when HOOKS are so much better? See us today for Hiebert’s Handy Hooks!”

I have been writing FICTION on the other hand – for about the last four years. Early in 2016, I achieved a kind of orbital altitude — since that time I have managed to write every day, several hours a day — between two and six hours. Mostly in the morning.

Training? 

The weak link for me. Besides a relentless English prof at the University of Victoria – complete with a proper, tweedy London accent – I have little formal training. My BA in Sociology and a certificate in Marketing from Schulich do not qualify me. I live at the far end of the wild woods and so I have neither a nearby course to take or a group to join. Otters and pine grosbeaks do what they can for me, but I am a Googling fool, on the shores of Jessica Lake, where modifiers dangle and MCs are MCs.

How much have you produced?

Again, some definition – like Papa’s shapely calf muscle. Without adding bulge via photoshop or any other form of exaggeration, I have written 100,000 words in 2016.

Blog: Core page content plus around 50 posts. The posts run from 200 to 1000 words apiece. Maybe 10,000 words in total.

Short Fiction: 30,700 words unpublished…36,000 published. Many – oh so many – rewrites and editing scans.

Novella: 16,000 words.

Paid Content: Propaganda and “the truth with attitude” for employers – 5000 words or so.

Milestones?

Using Duotrope and Submittable, I reckon I have submitted about 120 times or so. I have had 16 stories accepted and have had two other stories find success in contests.

I submit to big, well-known print journals – mostly Canadian. They have so far (almost) uniformly rejected my work. I also send stories to smaller print/online reviews; to online-only literary ezines and literary sites; and to writers’ groups and publishers that produce journals or contests. I have 18 unpublished short stories that I am sending out as slush pile fodder as well as my sci-fi thriller novella, “Tafelberg”, which will receive a rigorous adverb-ectomy this winter. Three new stories near completion.

I am actively seeking chapbook and anthology collections for my published works.

A few of the bigger journals to whom I have submitted my shabby shorts have offered sympathetic replies of the, “don’t give up” variety. Sometimes these are genuine. Other times they are intended to cajole me into shelling out another $15 for their next “opportunity for new Canadian voices”. Yeah, right. More like, “so I can buy another jar of beard wax, you hopeless bottom-feeder!”

Either way, I usually do shell out, so next time see you see a youngish MFA with a fine, shiny beard or a new plaid shirt — think of me, brethren. (To be accurate, my observation is that there seems to be far more female readers and editors, than male. Furthermore, literary journals do not appear to be a get rich quick scheme. So, respect; I’m happy to shell out a little, here and there.)

Anyway, to answer the question, after adding it all up, I`m gonna say yes. I`m a writer.

Now who wants to fight me?

allfornow – Mitch

IMAGE — Hemingway: “Damn fine legs for a dead guy.”

The Rothmans Job

February 19, 2017 UPDATE

SickLitMagazine has advised that they will be publishing a reprint of “The Rothmans Job” which first appeared (see below) on CommuterLit.com.

The story will run in late March or early April.

sicklit

allfornow – Mitch

January 30, 2017 UPDATE

TODAY, this twisted Canadian yarn, born in absurd truth and transported on the wings of a fictional 1991 prairie storm, is published by CommuterLit – a Toronto based online purveyor of morning short stories, lox and bagels. (And they are all out of lox and bagels.) 

http://commuterlit.com/

If a Neo-Noir Xmas Tragicomedy sub-genre exists, then this story belongs there. If not, then maybe this story inspires it?

A snowy night. An unlocked warehouse. A characterful materfamilias.

The Rothmans Job – EXCERPTS
By Mitchell Toews
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A STORM LIKE THIS was rare. Snowflakes blocked out sky and sun and moon and stars. The flakes – as big as baby fists – had been falling for three days. Light and dry, they flew, then settled, then flew again – whipped by a dodgy north wind. At night, the tops of buildings disappeared except for the occasional glimpse of a red tower beacon or a snapping row of flags, like those atop The Bay.
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Through this otherworld trudged Waxman and Thunderella. Waxman led. He wore two snowmobile suits and his knees could not bend more than a few degrees. Lumbering and stiff, he plowed through drifts for his female accomplice, Ellen Thundermaker.
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[snip]
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“No way, Waxy. It’s gonna be all imported cheese and fancy wine. Crab meat. Vienna sausages…” she said, stopping to let him join in.
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“Ha-ha. Yeah – uhh, Heineken beer, Dijon ketchup, Swiss chocolate – or, you know, one of those giant bars, ahh,”
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“TOBLERONE, TOBLERONE!” she shouted out, filling in the missing name.
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“AS if,” she added, suddenly serious…
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[snip]
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(about 2,400 words)   Copyright Mitchell Toews ©2017.

#

Waxman, Thunderella, Pegasus, Otto the inventor, the police, Pozzo, Roland, and (in absentia) Poland, all look forward to making your acquaintance.

allfornow – Mitch

Our German Relative

http://bit.ly/RedFezOurGermanRelative

Red Fez’s Story of the Week. Next: world peace. Stand by…

In 2015, I was told this story – parts of it at least – by a resident in a predominantly Mennonite senior home in British Columbia. Some friends and I were there for lunch — the restaurant in the building had famously delicious food. One of the women at our table told us a moving account of incidents that had happened in Russia, during the early days of Communist rule.

Later, on the way back to work, we discussed her story. All of us had heard versions of it before even though the three of us were raised in Mennonite communities in BC, Alberta and Manitoba, respectively.

This story is a fiction based on true experiences passed down from that place and time. Whether it was a Christmas cookie or a Bible (or the Koran, for that matter) or a cross necklace; the danger was real for all those who dared to stand against the will of the state. This is possibly instructive, as some would banish religious symbols-practices-peoples in our free society today. In the 70’s, a friend of mine smuggled Christian Bibles into East Germany. He risked prison but did it gladly, working for a group organized at his Mennonite bible school in Switzerland. Prohibition makes its opponents bold.

I knew then that I wanted to share it as a piece of Mennonite lore. It speaks volumes, in a soft voice, about Mennonite culture and the quiet constancy that is common to many within the community.

I won’t say any more – it’s a short story and I don’t want to spoil it for you! A fiction based on certain historical accuracies, I hope you enjoy it, regardless of your beliefs. I also hope that it adds to your “Christmas spirit” and feelings of thankfulness.

Please see it here on the RED FEZ website. A great place to read, submit, discuss or lurk. 🙂 “Our German Relative” is just one of an entertaining and eclectic mix of stories posted in this Christmas-themed issue (No. 96).

“Red Fez is a melting pot of people interested in creating, sharing and discovering writing, music, art and more.”

Where I Write

I AM FORTUNATE. I can follow Emerson’s wise advice. Being semi-employed and only mildly (knock wood) occupied fixing broken things, I can do so. Well, honestly, that could be a typo – sometimes I am wildly occupied with fixing stuff. Yesterday, at -25 Celcius, I positioned the extension ladder and had Janice spot me as I climbed up to brush the ice off of our internet dish. Lifeline re-established.

We tramp the trails; feed the birds; chop holes in the ice and fish; cut firewood and basically Daniel Boone the shit out of each day. (A more current pop culture reference: “…basically Survivor the shit out of each day.” Take your pick.)

In all of this, I have established a pleasing discipline to write, edit, re-write, edit some more, blog, tweet, facebook, submit. Repeat.

view

My usual routine is:

  • Morning exercise. Today I flooded the little rink I have scraped out of the snow on the ice. This afternoon, I will skate on it. I often row, paddleboard, windsurf or X-country ski – depending on season; conditions; state of mind; state of joints and relative orneriness of arthritis. I also sit on my arse and stare at the lake. Vigorously, mind you, and pardon the orphaned adverb.
  • Yoga – watched by inscrutable Pine Grosbeaks and a large Raven who swoops by and utters in disdain what can ONLY be cuss caws as I display my comical inflexibility
  • Breakfast and (Ah!) coffee
  • Numb my nether cheeks on the outdoor biffy — no welcoming Japanese toilet/bidet with an electronically warmed and automated seat; pleasing music; cleansing spritzers of rose-petal infused water and soothing lighting. (Sorry to subject you to all this #2 detail, but many of us N of 60 – years not latitude – are proud of this moving occurrence and so, I am actually bragging.)
do-do-sm
A picture’s worth a thousand turds. (Too much?)
  • Write ’til noon or so
  • Lunch with Jan followed by a hike together on one of the trails or out on the frozen lake. Chop wood, fix things; build things, read things. Do a little contract marketing work if there is something in the inbox.
  • Write some more fiction
  • Beer-o’clock around 4 bells or later if I am deep in the belly of the creative beast
  • Supper and then a fire and visiting with friends or TV or more writing. I try to make this a non-writing time, but you know; if it happens, it happens.

I spent the last 45 years NOT following a utopian day timer like this, so I never feel too guilty about it. In fact, if I followed the playbook of many of my Mennonite brethren, I’d say I earned this routine; or was selected to receive it as a divine reward. (You know – score a touchdown and point to the sky?)

Yeah, right.

If anything, I fell ass-backwards into all this, oblivious to the great fortune it took – over generations – to allow me to drink the wild air.

To put things in perspective: A few days ago I helped a neighbour with his annual wintertime boat dock tasks. He brought along a church-sponsored immigrant to help out and also to receive a Manitoba winter driving lesson.

The fellow, Yussef, was not exactly built for winter in Manitoba. An Ethiopian by birth, this resilient young man spent nine years in the world’s largest refugee camp in Somalia. There he and half-a-million co-inhabitants lived in tents or cardboard shanties in a dystopian desert hell. Here, the three of us stood out on the frozen lake, the nearest human miles away across the barren ice. The sky was blue. The Raven skimmed by and croaked, “Tourists!” at us, a grin on his pointy beak.

“Where does the water begin,” Yussef said in his British influenced, African accented English.

“There,” I answered, pointing back to the shore where we had come from. Yussef stopped shivering and literally jumped up in the air when he realized he was standing on the ice.

camp

Anyway – I live at the lake and write fiction every day.

I figured it was important that you know. Blog on, my writerly brothers and sisters.

allfornow – mitch

P.S. – That is P for promotion and S for shameless & self  OR it could be PS for Please See my publications page for links to the 14 short stories that I have had accepted so far. Red Fez, a stylish and well-organized literary site online, has just picked up number 15 – the Bart Starr of my short story published list. It is a Christmassy story of life in Russia circa 1920, “Our German Relative”. They will publish it soon. I’ll letcha know when that happens and also make sure I announce Joe Montana, as soon as that one comes along.

Published This Week on CommuterLit 

This week I have two stories appearing on the Toronto-based e-zine CommuterLit.

This is, respectively, the thirteenth and fourteenth time I have had a story published online or in print. It feels different than the first time (which was also on CommuterLit!) but mostly just in intensity. All of the insecurity stuff is still there, but just a little quieter. The excitement too remains but is subdued; tempered by the reality of about 10,000 other stories that go live every day. #noproblemEH?
Still, these stories are a bit different because they are more raw. So, the amperage is up a bit.

Good thing that I only have a few hundred more stories in my head; popping up on my morning walk or at 3 a.m.; interrupting my yoga-for-the-comically-inflexible; causing me to suddenly stare off into space…

 hold-fast

Dec. 7, 2016
Wednesday’s episode:

Dogs that bite and other prejudices. “Gather by the River, ” the first of a  two-part story by Mitchell Toews

 

brown-eyed-girl-sm
Dec. 8, 2016
Thursday’s episode:

Reconsidering the situation.  “Gather by the River,” the second of a two-part story by Mitch Toews

 

Your comments are most welcome!

fraser
Previously published stories (3) on  CommuterLit: http://commuterlit.com/authors-by-last-name-n-z/authors-t/toews-mitchell/

Swingin’ the Can

DURING MY SIXTEENTH YEAR I jumped in my mom’s new AMC Gremlin and drove from Steinbach, MB to Ladner, BC. I went to work on my dad’s cousin’s farm where potatoes and strawberries were grown for McCain to flash freeze.

I learned how to drive a tractor and load a flatbed trailer with skidboxes of potatoes. On the way there, in the mountains, a grizzly bear taught me a little about the writing business. Of course, I did not know it then, but I have come to realize the similarities now that I write fiction every day.

On the first day of my westward trip I had driven non-stop, as a sixteen-year old would, and ended up in a wayside rest stop near Golden. I was too tired to carry on to the next town and so I just reclined the plastic seat and fell asleep.

Around dawn, I was awakened by a strange noise. It was the creak-creak-creak of metal followed by some rough noises like gritty sandpaper rubbed across the grain of a plank. I lay with my head just below the bottom of the car window. Feeling for the lever, I raised the seat up a few inches. There, about thirty feet from me was a full grown male grizzly bear. He stood on his hind legs and with his gigantic front paws, swung a 45-gallon steel drum that hung on two chains. The drum – a garbage can – was “bear-proof”; suspended in this manner from a horizontal cedar beam that stood on two sturdy posts buried in the ground.

I watched him for a while. The creaking sound was the rusty chain, complaining as it stressed its steel moorings in the wooden spar above. The bear, heeding the call of an aromatic potpourri of watermelon rinds and half-eaten chicken salad sandwiches, was grunting and half-growling in his exertions to defeat the uncooperative swinging drum. His gruff exhalations were the sawing wood sounds.

After a time, he dropped down – heavily – onto all four legs and stood resting, sniffing the air. He whined with irritation like my daughter’s canine buddy Rude Dog does when you are busy with your double-double and interrupt the game of fetch at the park. It was the bear equivalent of, “for shit’s sake!”

The drum swung silently, slowly ebbing, losing the energy the giant omnivore had put into it. As the drum went back and forth the grizzly’s attention was on one of the cedar posts. On each pass, as the drum bobbed from upward amplitude – to apogee – and then was pulled back down by gravity, the post shifted.

The bear and I watched together as the post pivoted in the sandy ground on each swing of the heavy drum. A little pile of fresh, damp sand had built up at the base. Ambling towards the pole, his expressive face looking as human as his ursine features would allow, the brute stopped and sniffed deeply at the wet sand. Staring, he stood for a long moment without moving. Then so abruptly that I twitched in surprise and was instantly aware of my puny defenses, the giant bear stood and began enthusiastically rocking the post.

Luckily, Smokey was so engrossed in his new tactic that he did not notice me sitting up in my seat and only put his beady gaze on me as I tore out of the lot, spitting gravel behind the car as I left.

I stopped on the deserted early morning highway a few hundred yards down the road. Opening my window, I could hear the clacking reverberations of the drum chains as the bear gained purchase and I could imagine the can gyrating wildly as 700 pounds of hungry, determined bear attacked the support with cycloidal ferocity.

He pushed the crap out of it until it broke.

#

So, you, me and the impassive bear in the image above are all wondering – what’s the message in the metaphor?

Good question and here goes: the bear’s strength was never in question; it was more a matter of how he applied it.

There’s little doubt – according to the abundance of meme wisdom on my tres writerly twitter feed – that the more I read and the more (fearlessly, honestly, blahblahblah-ly) I write; the greater my chances of success. (What the eff is success? That’s another blog, by someone smarter than me.)

Maybe this is the message of the bear in the forest near Golden:

Swing the drum and trust your strength.

However; what the bear might tell me, as he picks Skittles and KFC residue off of his chest fur, is to swing smarter.

But that is the tough bit. I suspect ‘swing smarter’ here might mean to write great blog posts; enter contests; tweet with pith; suck up to editors and influential literati; and otherwise do everything except WRITE. 

Does the bear look skeptical? He looks skeptical to me. 

If I think about it some more (remember the bear staring at that loose post?) I conclude that I don’t know what I don’t know. Less cutely written – I don’t know shite. So, for me to figure out the “angles” that will  give me success (and I am an impatient fool; not a little) seems like I would be depending on a lot of luck.

So, swing smarter? Sure – but just because it is FUN; it provides a change of pace; it cleanses the palette (like Skittles). Not as a strategic ploy, but because writers-editors-publishers are smart, self-deprecating, funny as hell and well – and I should know – garrulous and outspoken.

So, I’m gonna go swing the drum now — I have three short stories on the go and I have a fantastic passage to write for one of them about a wolf frozen solid in a trap. (I saw this, when I was twelve. I don’t think it was done for McCain.)

allfornow – m

Copyright Mitchell Toews ©2016

Confessions of a Serial Describer

It is November on the 50th parallel. The scrub White Spruce is still a vibrant green while the surrounding ferns have turned a rusty mocha. Bright lichen florets make the rocks stand out in bold contrast.
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It is late November. Where the hell is the snow? I can only truly enjoy Mexico if my friends at home are completely miserable.

Man, that was descriptive. Phew! Chills. Need a tissue?

Except the last part.

Let me reverse digress.

Setting, tone, pace, narrative arc, word choice, description, dialogue, exposition, themes and plot — all of these and more are at play in the creation of fiction.

It’s a lot for a small-brained lad to keep track of and yet I must! I have to admit that after twenty years of having product imagery, branding, price and audience as my guiding lights, I need to do some relearning.

Many writers, editors and readers today prefer a “leaner” kind of writing. This includes several key style considerations. One important factor is the interdiction of adverbs. Shoot them out of the air before they can land and defile your verbs with those filthy ly-suffixed words!

Adverb avoidance makes sense — no argument here. Let the verbs do the work.

Exposition or summarization is seen today in literary fiction as unnecessary and dated. A knowledgeable editor I know stresses the need to “show not tell”. At the same time, I’ve often read that many classic pieces of literature are filled with exposition and they are still loved today. Would those classics succeed if written now? Probably, but contemporary conventions can be powerful and I believe a writer needs to be both skilled and confident in their approach if they choose to buck these trends.

Note to self: don’t buck around with trends unless you have a good reason to do so.

SIDEBAR: I think there are some outliers here – the editor I referred to states that she personally is less inclined to enforce a hard “no exposition” rule. Additionally, my personal experience may indicate that not all regions are on the same wavelength when it comes to exposition. London literati may take a different view than their Vancouver cousins, for instance. Certainly, literature is more global than ever and regional idiosyncrasies are hard to prove, but my own anecdotal experience suggests some commonalities based on geography.

Furthermore, my editor friend highlights the fact that, “exposition is very much alive in genre fiction (romance, sci fi, fantasy, suspense thrillers). However, there’s no doubt that too much telling stops the pace of the story and causes the readers (who we are told these days have very short attention spans) to become less interested in reading on.”

Description is a story-telling tool that I use a lot. It is not a favoured structure by all. There are those who see it as simply “copyism” — the tree is green and the surrounding plants are brown. Big deal.

I get the point. Description stops the action and is a close relative of exposition in terms of not sufficiently trusting the reader to figure things out.

But. Yes, I have a but – a small one (God willing, it will continue so). I love to describe things that may be out of the experience of the reader. Or it may be that description can help to support a feeling or mood or to otherwise move the story along. The examples that follow are personal favourites: “Big Two-hearted River” and “Islands in the Stream” by Hemingway, and “Robinson Crusoe” and “Moby-Dick”, as well.

In the Nick Adams short story “Big Two-hearted River”, we are told exactly what the man eats; the types of trees in the forest and swamp; and the temperature of the water as Nick wades into the current to cast. Hemingway describes the way the grasshopper – used as bait – spits “tobacco juice” on the hook. All of these minute, intimate details put the reader in the place and time with the Nick Adams character and condition us to be curious to understand and empathize with him. “Why is he so sad?” is the thing that occurs to readers even as the detailed description continues to push us away from this central question.

In “Islands in the Stream” our dread is raised by the calm, clinical depiction of the sea, the waves, the colours of the water, the sky, and the sea bottom while the giant hammerhead shark bears down on a young boy who is oblivious; “goggle fishing” in the shallows. Thomas Hudson, the father, fumbles as he loads his rifle and sights on the shark’s fin, firing and missing — and each miss is described in excruciating detail. It raises the hair on my neck just writing about it!

Meanwhile, elsewhere in the ocean, Defoe’s numerous, lengthy, arcane descriptions of Crusoe’s fortifications and the architecture of his island home are famous examples of description. I loved every six-penny nail!

Last, I remember lying in bed at home, recuperating after a nose operation at about age thirteen. (As an air passage, it made a pretty good coat hook.) I had ordered Moby-Dick from the University of Manitoba Extension Library. The book arrived, wrapped in brown kraft paper and bound with butcher’s twine. A white sticker on the front read: “1.) Melville – Moby-Dick 2.) Young – A Boy at Leafs’ Camp”. Home early from work, my dad delivered it, coming into the warm bedroom, snow dusting his winter parka. He tossed the bundle on my bed. “Your books came in the mail,” he said. “How’s the schnase?”

See what I mean?

See three of my descriptive short stories on the outstanding Canadian e-zine, CommuterLit, edited by Nancy Kay Clark — one of the top five Nancy Clarks in all the land!

allfornow – Mitch

 

Copyright Mitchell Toews ©2016

The Tortured Wind

STRANGE AND UNRELIABLE THOUGH IT IS, the wind is my buddy.

Winter is coming and that is when the wind is disconsolate. Or, more so, it is just plain pissed off. The water – playful in summer – is now frozen and immovable. The trees are leafless and their bare branches have no grip. The snow is always around and it just follows and follows – it has no personality and without the wind, it is pretty but gutless.

Doughy and unwieldy is the wind. It is pathetic too, sometimes; oftentimes.

Wicked strong, the wind lurches along in giant, misshapen blobs, each with an invisible, tacky hide. Like the unpopular, the ambitious, the too earnest – like me, I fear – the wind tries to stick to everything it touches. But, invariably, it just keeps tumbling along because that is the wind’s true, inescapable nature.

Leaving makes the wind desperately sad, but if it stops moving, it dies.

That’s why the wind sometimes howls.

Trust me on this.

allfornow – mitch

 

Copyright Mitchell Toews ©2016

#amwriting

I have not blogged for a few days, but I have been hard at work on a lot of other writerly tasks.

  • Rowing on the lake; hiking the trails in the snow; scattering miniature marshmallows for the suspicious Whiskey Jacks (I save the sunflower seeds for myself!); prepping my workshop/writer’s studio for winter and otherwise bobbin’ and weavin’ and feeding my soul .
  • Working on a major re-write slash tune-up of a new story that I have in first draft stage. It is a satire. I received a little expert advice from a great writer + blogger with some chops in this area. Gonna incorporate her mentorly comments. Maybe send her a ring of Winkler sausage or two.
  • Re-did this blog a bit. Put in a Publications page now that I have a few places online and in print where my stuff resides. I’ve also replaced the stock photos with a few Samsung snaps of the place where Janice and I live and drink the wild air 1.
  • Waiting for some expert editorial assistance on a story a few of my “early readers” have enjoyed. I have high hopes for this sad tale of resistance and regret. I hope to knit up my ravell’d sleave 2 and enter this one in some contests! If you’d like a preliminary copy of “The Log Boom” to read and possibly flop me an op, (RSVP a POV?) lemme know!
  • Part way through a new story about Hartplatz (Steinbach on a sunny day in my imagination) narrated by an inanimate object. “Graperoo” should be done soon!
  • I have been cleaning up some existing stories that I hope to submit to some of my fav lit sites and maybe some new ones too. Now that I have a small portfolio of acceptances, I am hopin’ to scramble a bit higher up the mountainous submission piles of some of the bigger-name Canadian literary journals. It is a big hurdle, that. Afterall, I am naught but a humble country mouse who LOOKS like a Trump deplorable (but sure ain’t) and has no discernible prose DNA, except for a famous surname that some may suspect – oh, so wrongly – I have usurped. Maybe I should try a pen name? How about “Rich Davis” — that’s what my real name sounds like when I say it with a stuffy nose. Or, “Carly Menno Simons?”  A virtual gender swap might shake up those weary slush pile readers who sputter, over-caffeinated – “What, exactly, IS a Rennie, Manitoba?”
    rejection-letter-schultz 3

allfornow – Mitch/Rich/Carly

~~~
1 – R.W. Emerson
2 – you know who
3 – C. Schultz, but you prolly knew that one too

 

Copyright Mitchell Toews ©2016