Our German Relative

http://bit.ly/RedFezOurGermanRelative

Red Fez’s Story of the Week. Next: world peace. Stand by…

In 2015, I was told this story – parts of it at least – by a resident in a predominantly Mennonite senior home in British Columbia. Some friends and I were there for lunch — the restaurant in the building had famously delicious food. One of the women at our table told us a moving account of incidents that had happened in Russia, during the early days of Communist rule.

Later, on the way back to work, we discussed her story. All of us had heard versions of it before even though the three of us were raised in Mennonite communities in BC, Alberta and Manitoba, respectively.

This story is a fiction based on true experiences passed down from that place and time. Whether it was a Christmas cookie or a Bible (or the Koran, for that matter) or a cross necklace; the danger was real for all those who dared to stand against the will of the state. This is possibly instructive, as some would banish religious symbols-practices-peoples in our free society today. In the 70’s, a friend of mine smuggled Christian Bibles into East Germany. He risked prison but did it gladly, working for a group organized at his Mennonite bible school in Switzerland. Prohibition makes its opponents bold.

I knew then that I wanted to share it as a piece of Mennonite lore. It speaks volumes, in a soft voice, about Mennonite culture and the quiet constancy that is common to many within the community.

I won’t say any more – it’s a short story and I don’t want to spoil it for you! A fiction based on certain historical accuracies, I hope you enjoy it, regardless of your beliefs. I also hope that it adds to your “Christmas spirit” and feelings of thankfulness.

Please see it here on the RED FEZ website. A great place to read, submit, discuss or lurk. 🙂 “Our German Relative” is just one of an entertaining and eclectic mix of stories posted in this Christmas-themed issue (No. 96).

“Red Fez is a melting pot of people interested in creating, sharing and discovering writing, music, art and more.”

Where I Write

I AM FORTUNATE. I can follow Emerson’s wise advice. Being semi-employed and only mildly (knock wood) occupied fixing broken things, I can do so. Well, honestly, that could be a typo – sometimes I am wildly occupied with fixing stuff. Yesterday, at -25 Celcius, I positioned the extension ladder and had Janice spot me as I climbed up to brush the ice off of our internet dish. Lifeline re-established.

We tramp the trails; feed the birds; chop holes in the ice and fish; cut firewood and basically Daniel Boone the shit out of each day. (A more current pop culture reference: “…basically Survivor the shit out of each day.” Take your pick.)

In all of this, I have established a pleasing discipline to write, edit, re-write, edit some more, blog, tweet, facebook, submit. Repeat.

view

My usual routine is:

  • Morning exercise. Today I flooded the little rink I have scraped out of the snow on the ice. This afternoon, I will skate on it. I often row, paddleboard, windsurf or X-country ski – depending on season; conditions; state of mind; state of joints and relative orneriness of arthritis. I also sit on my arse and stare at the lake. Vigorously, mind you, and pardon the orphaned adverb.
  • Yoga – watched by inscrutable Pine Grosbeaks and a large Raven who swoops by and utters in disdain what can ONLY be cuss caws as I display my comical inflexibility
  • Breakfast and (Ah!) coffee
  • Numb my nether cheeks on the outdoor biffy — no welcoming Japanese toilet/bidet with an electronically warmed and automated seat; pleasing music; cleansing spritzers of rose-petal infused water and soothing lighting. (Sorry to subject you to all this #2 detail, but many of us N of 60 – years not latitude – are proud of this moving occurrence and so, I am actually bragging.)
do-do-sm
A picture’s worth a thousand turds. (Too much?)
  • Write ’til noon or so
  • Lunch with Jan followed by a hike together on one of the trails or out on the frozen lake. Chop wood, fix things; build things, read things. Do a little contract marketing work if there is something in the inbox.
  • Write some more fiction
  • Beer-o’clock around 4 bells or later if I am deep in the belly of the creative beast
  • Supper and then a fire and visiting with friends or TV or more writing. I try to make this a non-writing time, but you know; if it happens, it happens.

I spent the last 45 years NOT following a utopian day timer like this, so I never feel too guilty about it. In fact, if I followed the playbook of many of my Mennonite brethren, I’d say I earned this routine; or was selected to receive it as a divine reward. (You know – score a touchdown and point to the sky?)

Yeah, right.

If anything, I fell ass-backwards into all this, oblivious to the great fortune it took – over generations – to allow me to drink the wild air.

To put things in perspective: A few days ago I helped a neighbour with his annual wintertime boat dock tasks. He brought along a church-sponsored immigrant to help out and also to receive a Manitoba winter driving lesson.

The fellow, Yussef, was not exactly built for winter in Manitoba. An Ethiopian by birth, this resilient young man spent nine years in the world’s largest refugee camp in Somalia. There he and half-a-million co-inhabitants lived in tents or cardboard shanties in a dystopian desert hell. Here, the three of us stood out on the frozen lake, the nearest human miles away across the barren ice. The sky was blue. The Raven skimmed by and croaked, “Tourists!” at us, a grin on his pointy beak.

“Where does the water begin,” Yussef said in his British influenced, African accented English.

“There,” I answered, pointing back to the shore where we had come from. Yussef stopped shivering and literally jumped up in the air when he realized he was standing on the ice.

camp

Anyway – I live at the lake and write fiction every day.

I figured it was important that you know. Blog on, my writerly brothers and sisters.

allfornow – mitch

P.S. – That is P for promotion and S for shameless & self  OR it could be PS for Please See my publications page for links to the 14 short stories that I have had accepted so far. Red Fez, a stylish and well-organized literary site online, has just picked up number 15 – the Bart Starr of my short story published list. It is a Christmassy story of life in Russia circa 1920, “Our German Relative”. They will publish it soon. I’ll letcha know when that happens and also make sure I announce Joe Montana, as soon as that one comes along.

Published This Week on CommuterLit 

This week I have two stories appearing on the Toronto-based e-zine CommuterLit.

This is, respectively, the thirteenth and fourteenth time I have had a story published online or in print. It feels different than the first time (which was also on CommuterLit!) but mostly just in intensity. All of the insecurity stuff is still there, but just a little quieter. The excitement too remains but is subdued; tempered by the reality of about 10,000 other stories that go live every day. #noproblemEH?
Still, these stories are a bit different because they are more raw. So, the amperage is up a bit.

Good thing that I only have a few hundred more stories in my head; popping up on my morning walk or at 3 a.m.; interrupting my yoga-for-the-comically-inflexible; causing me to suddenly stare off into space…

 hold-fast

Dec. 7, 2016
Wednesday’s episode:

Dogs that bite and other prejudices. “Gather by the River, ” the first of a  two-part story by Mitchell Toews

 

brown-eyed-girl-sm
Dec. 8, 2016
Thursday’s episode:

Reconsidering the situation.  “Gather by the River,” the second of a two-part story by Mitch Toews

 

Your comments are most welcome!

fraser
Previously published stories (3) on  CommuterLit: http://commuterlit.com/authors-by-last-name-n-z/authors-t/toews-mitchell/

Swingin’ the Can

DURING MY SIXTEENTH YEAR I jumped in my mom’s new AMC Gremlin and drove from Steinbach, MB to Ladner, BC. I went to work on my dad’s cousin’s farm where potatoes and strawberries were grown for McCain to flash freeze.

I learned how to drive a tractor and load a flatbed trailer with skidboxes of potatoes. On the way there, in the mountains, a grizzly bear taught me a little about the writing business. Of course, I did not know it then, but I have come to realize the similarities now that I write fiction every day.

On the first day of my westward trip I had driven non-stop, as a sixteen-year old would, and ended up in a wayside rest stop near Golden. I was too tired to carry on to the next town and so I just reclined the plastic seat and fell asleep.

Around dawn, I was awakened by a strange noise. It was the creak-creak-creak of metal followed by some rough noises like gritty sandpaper rubbed across the grain of a plank. I lay with my head just below the bottom of the car window. Feeling for the lever, I raised the seat up a few inches. There, about thirty feet from me was a full grown male grizzly bear. He stood on his hind legs and with his gigantic front paws, swung a 45-gallon steel drum that hung on two chains. The drum – a garbage can – was “bear-proof”; suspended in this manner from a horizontal cedar beam that stood on two sturdy posts buried in the ground.

I watched him for a while. The creaking sound was the rusty chain, complaining as it stressed its steel moorings in the wooden spar above. The bear, heeding the call of an aromatic potpourri of watermelon rinds and half-eaten chicken salad sandwiches, was grunting and half-growling in his exertions to defeat the uncooperative swinging drum. His gruff exhalations were the sawing wood sounds.

After a time, he dropped down – heavily – onto all four legs and stood resting, sniffing the air. He whined with irritation like my daughter’s canine buddy Rude Dog does when you are busy with your double-double and interrupt the game of fetch at the park. It was the bear equivalent of, “for shit’s sake!”

The drum swung silently, slowly ebbing, losing the energy the giant omnivore had put into it. As the drum went back and forth the grizzly’s attention was on one of the cedar posts. On each pass, as the drum bobbed from upward amplitude – to apogee – and then was pulled back down by gravity, the post shifted.

The bear and I watched together as the post pivoted in the sandy ground on each swing of the heavy drum. A little pile of fresh, damp sand had built up at the base. Ambling towards the pole, his expressive face looking as human as his ursine features would allow, the brute stopped and sniffed deeply at the wet sand. Staring, he stood for a long moment without moving. Then so abruptly that I twitched in surprise and was instantly aware of my puny defenses, the giant bear stood and began enthusiastically rocking the post.

Luckily, Smokey was so engrossed in his new tactic that he did not notice me sitting up in my seat and only put his beady gaze on me as I tore out of the lot, spitting gravel behind the car as I left.

I stopped on the deserted early morning highway a few hundred yards down the road. Opening my window, I could hear the clacking reverberations of the drum chains as the bear gained purchase and I could imagine the can gyrating wildly as 700 pounds of hungry, determined bear attacked the support with cycloidal ferocity.

He pushed the crap out of it until it broke.

#

So, you, me and the impassive bear in the image above are all wondering – what’s the message in the metaphor?

Good question and here goes: the bear’s strength was never in question; it was more a matter of how he applied it.

There’s little doubt – according to the abundance of meme wisdom on my tres writerly twitter feed – that the more I read and the more (fearlessly, honestly, blahblahblah-ly) I write; the greater my chances of success. (What the eff is success? That’s another blog, by someone smarter than me.)

Maybe this is the message of the bear in the forest near Golden:

Swing the drum and trust your strength.

However; what the bear might tell me, as he picks Skittles and KFC residue off of his chest fur, is to swing smarter.

But that is the tough bit. I suspect ‘swing smarter’ here might mean to write great blog posts; enter contests; tweet with pith; suck up to editors and influential literati; and otherwise do everything except WRITE. 

Does the bear look skeptical? He looks skeptical to me. 

If I think about it some more (remember the bear staring at that loose post?) I conclude that I don’t know what I don’t know. Less cutely written – I don’t know shite. So, for me to figure out the “angles” that will  give me success (and I am an impatient fool; not a little) seems like I would be depending on a lot of luck.

So, swing smarter? Sure – but just because it is FUN; it provides a change of pace; it cleanses the palette (like Skittles). Not as a strategic ploy, but because writers-editors-publishers are smart, self-deprecating, funny as hell and well – and I should know – garrulous and outspoken.

So, I’m gonna go swing the drum now — I have three short stories on the go and I have a fantastic passage to write for one of them about a wolf frozen solid in a trap. (I saw this, when I was twelve. I don’t think it was done for McCain.)

allfornow – m

Copyright Mitchell Toews ©2016

Confessions of a Serial Describer

It is November on the 50th parallel. The scrub White Spruce is still a vibrant green while the surrounding ferns have turned a rusty mocha. Bright lichen florets make the rocks stand out in bold contrast.
.
It is late November. Where the hell is the snow? I can only truly enjoy Mexico if my friends at home are completely miserable.

Man, that was descriptive. Phew! Chills. Need a tissue?

Except the last part.

Let me reverse digress.

Setting, tone, pace, narrative arc, word choice, description, dialogue, exposition, themes and plot — all of these and more are at play in the creation of fiction.

It’s a lot for a small-brained lad to keep track of and yet I must! I have to admit that after twenty years of having product imagery, branding, price and audience as my guiding lights, I need to do some relearning.

Many writers, editors and readers today prefer a “leaner” kind of writing. This includes several key style considerations. One important factor is the interdiction of adverbs. Shoot them out of the air before they can land and defile your verbs with those filthy ly-suffixed words!

Adverb avoidance makes sense — no argument here. Let the verbs do the work.

Exposition or summarization is seen today in literary fiction as unnecessary and dated. A knowledgeable editor I know stresses the need to “show not tell”. At the same time, I’ve often read that many classic pieces of literature are filled with exposition and they are still loved today. Would those classics succeed if written now? Probably, but contemporary conventions can be powerful and I believe a writer needs to be both skilled and confident in their approach if they choose to buck these trends.

Note to self: don’t buck around with trends unless you have a good reason to do so.

SIDEBAR: I think there are some outliers here – the editor I referred to states that she personally is less inclined to enforce a hard “no exposition” rule. Additionally, my personal experience may indicate that not all regions are on the same wavelength when it comes to exposition. London literati may take a different view than their Vancouver cousins, for instance. Certainly, literature is more global than ever and regional idiosyncrasies are hard to prove, but my own anecdotal experience suggests some commonalities based on geography.

Furthermore, my editor friend highlights the fact that, “exposition is very much alive in genre fiction (romance, sci fi, fantasy, suspense thrillers). However, there’s no doubt that too much telling stops the pace of the story and causes the readers (who we are told these days have very short attention spans) to become less interested in reading on.”

Description is a story-telling tool that I use a lot. It is not a favoured structure by all. There are those who see it as simply “copyism” — the tree is green and the surrounding plants are brown. Big deal.

I get the point. Description stops the action and is a close relative of exposition in terms of not sufficiently trusting the reader to figure things out.

But. Yes, I have a but – a small one (God willing, it will continue so). I love to describe things that may be out of the experience of the reader. Or it may be that description can help to support a feeling or mood or to otherwise move the story along. The examples that follow are personal favourites: “Big Two-hearted River” and “Islands in the Stream” by Hemingway, and “Robinson Crusoe” and “Moby-Dick”, as well.

In the Nick Adams short story “Big Two-hearted River”, we are told exactly what the man eats; the types of trees in the forest and swamp; and the temperature of the water as Nick wades into the current to cast. Hemingway describes the way the grasshopper – used as bait – spits “tobacco juice” on the hook. All of these minute, intimate details put the reader in the place and time with the Nick Adams character and condition us to be curious to understand and empathize with him. “Why is he so sad?” is the thing that occurs to readers even as the detailed description continues to push us away from this central question.

In “Islands in the Stream” our dread is raised by the calm, clinical depiction of the sea, the waves, the colours of the water, the sky, and the sea bottom while the giant hammerhead shark bears down on a young boy who is oblivious; “goggle fishing” in the shallows. Thomas Hudson, the father, fumbles as he loads his rifle and sights on the shark’s fin, firing and missing — and each miss is described in excruciating detail. It raises the hair on my neck just writing about it!

Meanwhile, elsewhere in the ocean, Defoe’s numerous, lengthy, arcane descriptions of Crusoe’s fortifications and the architecture of his island home are famous examples of description. I loved every six-penny nail!

Last, I remember lying in bed at home, recuperating after a nose operation at about age thirteen. (As an air passage, it made a pretty good coat hook.) I had ordered Moby-Dick from the University of Manitoba Extension Library. The book arrived, wrapped in brown kraft paper and bound with butcher’s twine. A white sticker on the front read: “1.) Melville – Moby-Dick 2.) Young – A Boy at Leafs’ Camp”. Home early from work, my dad delivered it, coming into the warm bedroom, snow dusting his winter parka. He tossed the bundle on my bed. “Your books came in the mail,” he said. “How’s the schnase?”

See what I mean?

See three of my descriptive short stories on the outstanding Canadian e-zine, CommuterLit, edited by Nancy Kay Clark — one of the top five Nancy Clarks in all the land!

allfornow – Mitch

 

Copyright Mitchell Toews ©2016

The Tortured Wind

STRANGE AND UNRELIABLE THOUGH IT IS, the wind is my buddy.

Winter is coming and that is when the wind is disconsolate. Or, more so, it is just plain pissed off. The water – playful in summer – is now frozen and immovable. The trees are leafless and their bare branches have no grip. The snow is always around and it just follows and follows – it has no personality and without the wind, it is pretty but gutless.

Doughy and unwieldy is the wind. It is pathetic too, sometimes; oftentimes.

Wicked strong, the wind lurches along in giant, misshapen blobs, each with an invisible, tacky hide. Like the unpopular, the ambitious, the too earnest – like me, I fear – the wind tries to stick to everything it touches. But, invariably, it just keeps tumbling along because that is the wind’s true, inescapable nature.

Leaving makes the wind desperately sad, but if it stops moving, it dies.

That’s why the wind sometimes howls.

Trust me on this.

allfornow – mitch

 

Copyright Mitchell Toews ©2016

#amwriting

I have not blogged for a few days, but I have been hard at work on a lot of other writerly tasks.

  • Rowing on the lake; hiking the trails in the snow; scattering miniature marshmallows for the suspicious Whiskey Jacks (I save the sunflower seeds for myself!); prepping my workshop/writer’s studio for winter and otherwise bobbin’ and weavin’ and feeding my soul .
  • Working on a major re-write slash tune-up of a new story that I have in first draft stage. It is a satire. I received a little expert advice from a great writer + blogger with some chops in this area. Gonna incorporate her mentorly comments. Maybe send her a ring of Winkler sausage or two.
  • Re-did this blog a bit. Put in a Publications page now that I have a few places online and in print where my stuff resides. I’ve also replaced the stock photos with a few Samsung snaps of the place where Janice and I live and drink the wild air 1.
  • Waiting for some expert editorial assistance on a story a few of my “early readers” have enjoyed. I have high hopes for this sad tale of resistance and regret. I hope to knit up my ravell’d sleave 2 and enter this one in some contests! If you’d like a preliminary copy of “The Log Boom” to read and possibly flop me an op, (RSVP a POV?) lemme know!
  • Part way through a new story about Hartplatz (Steinbach on a sunny day in my imagination) narrated by an inanimate object. “Graperoo” should be done soon!
  • I have been cleaning up some existing stories that I hope to submit to some of my fav lit sites and maybe some new ones too. Now that I have a small portfolio of acceptances, I am hopin’ to scramble a bit higher up the mountainous submission piles of some of the bigger-name Canadian literary journals. It is a big hurdle, that. Afterall, I am naught but a humble country mouse who LOOKS like a Trump deplorable (but sure ain’t) and has no discernible prose DNA, except for a famous surname that some may suspect – oh, so wrongly – I have usurped. Maybe I should try a pen name? How about “Rich Davis” — that’s what my real name sounds like when I say it with a stuffy nose. Or, “Carly Menno Simons?”  A virtual gender swap might shake up those weary slush pile readers who sputter, over-caffeinated – “What, exactly, IS a Rennie, Manitoba?”
    rejection-letter-schultz 3

allfornow – Mitch/Rich/Carly

~~~
1 – R.W. Emerson
2 – you know who
3 – C. Schultz, but you prolly knew that one too

← Back

Thank you for your response. ✨

 

Copyright Mitchell Toews ©2016

So Are They All

I WROTE A SHORT STORY CALLED “So Are They All”. It is one of a collection of over fifty that I have created, many of them about the fictitious Mennonite village of Hartplatz. This story concerns acts of honour, violence, justice and redemption. I took cues from Julius Caesar where some of the same timeless themes may be found.

The story was entered in the Write on the Lake fiction contest held by the Lake Winnipeg Writers’ Group where it won second place and was published in their semi-annual journal, Voices. On Sunday, Nov 20, I attended the launch of Vol 16 Number 2 and read an excerpt from the story.

This is the twentieth consecutive publication of the Voices literary journal, so, as Leamington Dave would say, “this ain’t no disco”.

The President, Jeanne Gougeon; the editor, Maurice Guimond and the large turnout were all welcoming and I could feel them willing me to do well as I began my oration. I am no stranger to public speaking like this but, damn, I still hate it. I have died many a coward’s death the night before these kinds of events. One of my unfortunate involuntary affectations – brought on by nerves I suspect – is sniffing. (Yes, like Donald Trump in the US debates.)  It’s as if my family-size nose, and its enthusiastic contribution to the nasal quality of my voice, becomes moistened by all the reverberation. An annoying drip results and the mic picks up each snuffling snort.

Snot issues aside, it went well, except that Jan – my wife and stalwart (but not a braggart) corner woman – was nowhere to be found! Her bright red jacket was not in the audience as I looked up during my reading. I searched for her reassuring nod and smile – but she was AWOL.

Turns out she was in the audience, just not this particular audience. McNally Robinson was holding two events that cold November Sunday on the frozen tundra of Grant Park Shopping Centre: the LWWG launch of Voices (2 PM, south reading room) and the launch of best selling author Romeo Dallaire, retired general and former senator, who was there to present “Waiting for 1st Light” a much anticipated memoir. (3 PM, north reading room.)

Although his and mine are both stories about noble intent, conflict, honour and the consequences therein, author/general (ret)/senator R. Dallaire’s talk was the more strongly attended. The place was BLOCKED! Jan and I had been separated when we entered the bookstore (potty break). When Jan saw the (north) lectern and noticed the available seating was filling up fast she grabbed a seat and saved one for me.

Alas, at about this same time I was just south of her accepting my humble accolades and sniffling my way through an excerpt of my story. With my phone turned off, I was oblivious to Jan; pinned down on the nearby Dallaire beachhead and requesting reinforcements.

Here friends, countrymen and countrywomen is the excerpt I read:

Hence :

Second only to the Hedy Lamarr beauty of Em Gerbrandt was the beguiling feminine charm of the Gidget-like Ms. Froese, our teacher. Of course, Ms. did not exist then, only Misses and she was one. Around five feet tall, bobbed blonde hair, saddle shoes, cashmere sweaters and rocket bras. I am sure I had no distinct thought then of the part of her anatomy contained therein, only that it was soft and pleasing when she leaned over to help you with a problem and she happened to make fuzzy impact with your head or shoulder.
.
Miss Froese was sweet-natured and young and I remember the utter sadness I felt when, later that same school year, on November 22, she ran crying from the room after telling us that school would be cancelled for the day because of what had happened in a place called Dallas, Texas.
.
The next day we returned to school and added, “America the Beautiful” right after our normal singing of “God Save the Queen”. A big box of Kleenex sat on her desk and was empty before science that afternoon. Baseball and the Kennedys were things about the United States that our well-traveled neighbour, Mr. Vogel, had made certain that I appreciated so I felt a special kinship with Miss Froese that desperate day in November.
.
Lenny’s dental reckoning was months before the events of Dealey Plaza, but I already had a crush on Miss Froese by then. I was happy to clean chalk brushes after school, run to ask the janitor to open sticky classroom windows on hot afternoons, or agree to appear in the class play. If she had a need, I agreed. So, it was not surprising that when she asked where Lenny was on the second day of his absence, I raised my hand, eager to share with Miss Froese the solemn news. Though under oath to keep this quiet, how could it harm to tell HER? She was, like me, only concerned with Lenny’s well-being.
.
“Yes, Mattheus?” she asked, seeing my upraised hand. “Do you know why Leonard is not here again today?”
.
“Yes, ma’am. He is at the dentist. His teeth are all black from too much candy and he is getting them fixed. He is brave and he probably won’t even cry,” I reported in detail.
.
That day was Friday. On Saturday afternoon, as I collected interesting rocks from the driveway between Grandma’s house and the back of the bakery, Lenny pedalled up to me. He let his bicycle fall clattering as he jumped off.
.
“Zehen!” he shouted, through a clenched jaw still tender from the dentist.
.
“Hi, Lenny,” I said, standing, “How are your teeth?”
.
“Why don’t you ask Eleanor?” he said, scoffing, “or Ruby, or the Kehler twins or…”
.
Wait,” I yelled, putting my hand up to stop his rushing words

*SNIP*

The Voices book is only $12 CAD and can be had here *or at McNally Robinson in Winnipeg. Besides finding out how Lenny and Matt sign the Barkman Avenue Peace Accord, you may also read a lot of other terrific prose and poetry. The Adult Fiction~First Place story, “The Rocking Horse Keeper” is a moving tale, with mythic aboriginal overtones and a lightness that makes it, well…rock!

*$34 CAD, for TWO copies of Voices (Vol 16, No. 2 and 3), including shipping and handling.

allfornow – m

~~~
#NovemberNotes – Nov 22

 

Copyright Mitchell Toews ©2016

Coming Attractions

Well, as Facebook will attest and remind – should I ever be mercifully allowed to forget – my birthday is coming up.

“Get plastered, you bastard,” was the line in the cover version of the Happy Birthday song we used to sing to celebrate these milestones. Now, my consciousness-indicator (an app I use to show Jan when I am awake and when I am asleep) goes into the semi-awake mode when I crack my third beer, so getting plastered won’t be on the agenda. (I fall asleep before the plastering can take place.)

The one possible exception was when Jan left me alone with my Irish son-in-law and his dad. James and Tom showed me a thing or two about how to drain a St. Catherines craft brew. Several, in deed. Some parget activity did, in fact occur there among Canada’s rich and famous, but the only manifestation that I could observe was that our stories were truly hilarious.

Speaking of draining…back before I was a son-in-law, and also before I had any sons-in-law of my own, my buds and I used to say, “draining”, as in,

Q: “What are you doing on Friday night?”

A: “We’re going draining. You?”

Other fine turns of phrase from them days:

Paving, being paved, on a paver. This is a lyrical conjugation. Paving is when a teenager with too rich an ingested blend of greasy food and alcohol, must expel a portion of it. When the expulsion takes place out of the window of someone’s car, and the expelled material falls beneath the rear wheel of the slowly moving vehicle – that, eager students of higher learning, is paving.  Being paved is when one is inebriated and is likely to do some paving. By logical extension, being on a paver is – usually on a long-weekend – an extended  period of paving and being paved.

Shaker. A shaker is a party. But, more than that, a really good party. Women, inebriants, a few existentialists, a little knuckle justice. If the shaker were to wane, it might spawn a…

Country Tour. Accompanied by John Prine, Emmy Lou, Kristofferson, Leonard Cohen (RIP) or that lad from Hibbing, a group of teenagers drive slowly along gravel mile roads on the prairies. The car, powerless to refuse, is set in Drive or first gear (if a standard) and it idles along while deep discussion ensues. Synonym: Booze cruise. Disambiguation: when a lot of singing takes place, it may become a “drinkalong”. Related Terms: If the driver falls asleep or is busy paving and the car runs off the road, the vehicle becomes a “tree machine”.

As you can see, mine was a rich adolescence, filled with the type of sophisticated experiences that have made The Simpsons a popular show for 28 seasons.

Anyway. Just before my next birthday – this Sunday – I will read aloud my story, “And So Are They All” at the launch of the seventeenth edition of the semi-annual print journal, Voices. It is published by the Lake Winnipeg Writers’ Group and the event is at the McNally Robinson book store on Grant Avenue in Winnipeg @ 2:00 PM. The story has absolutely nothing to do with paving, tree machines, et al. Here is a snippet:

Second only to the Hedy Lamarr beauty of Em Gerbrandt was the beguiling feminine charm of the Gidget-like Ms. Froese, our teacher. Of course, Ms. did not exist then, only Misses and she was one. Around five feet tall, bobbed blonde hair, saddle shoes, cashmere sweaters and rocket bras. I am sure I had no distinct thought then of that conically constrained part of her anatomy, only that it was soft and pleasing when she leaned over to help you with a problem and she happened to make fuzzy impact with your head or shoulder.

Soon after, another story of mine will be released into the wild. On Tuesday, Nov 22 my short story “South Oromocto Depths” will be published on Literally Stories. It is a story with some connection to the aforementioned tomfoolery, although this perspective is a bit more obverse – it looks at some of the negative aspects of drink. Here’s a teaser:

I padded silently across the cold floor, pulling a hooded sweater over my head. Surveying the scene, hands on my hips like a construction supervisor, I shook my head slowly. The glass ashtray on the blue Formica kitchen table was jammed with white cigarette butts, overflowing. “Alpine” was printed in menthol green font and many butts were on the table. Black ash was mixed into spilled beer, the crummy remnants of a bag of Cheezies was in a large mixing bowl and orange bits also joined with the wet beer-ash mixture on the table.
.
The place smelled like bum. A single, long Alpine cigarette was planted in a round-edged pound of butter that rested on its unfurled aluminum wrapper. The cigarette stood proudly up from the butter – a lone palm tree on a deserted yellow beach. Evidence of a few taps of ash decorated the foil.

Today, Nov 17, incidentally, is Literally Stories second anniversary. Please remember that those are internet years, so multiply X seven. Happy Fourteenth, LS!

allfornow – mitch

 

Copyright Mitchell Toews ©2016

Chicken Fingers, Fritos and Frankensteins

NEXT TO A LAKE ON A SUNNY DAY IN NOVEMBER, I just want to say, with reverence, that writing short stories is hard as hell.

Do tell – or whine on – you might say. I will, but only the former – I promise. Plus, there is the opportunity to learn about the fascinating world of pencil grooves and ink wells.

It is non-fiction to say that there are many people writing fiction. They comprise a lot of young writers and a teeming, grey pool of boomers, unshackled from their jobs. With the barriers to entry not seemingly insurmountable, there are a lot of contestants in the race. Especially now that self-publishing has made so many Frankenstein monsters — and some beautiful strangers.

Nonetheless, a large pool of skilled writers are active. So many stories are wonderful – the kind that make you want another one right away. Like chicken fingers.

To even out the score, there are literally thousands of places where a writer may submit a story, both print and online. That is a good thing for aspiring writers, but the competitiveness of the literary journal segment makes those publishers exceedingly tough on new voices. The vast majority of lit journals make it their business to deliver new authors to the scene, but they must be, and are, ruthlessly diligent in finding the best of the new writers.

There are a lot of journals, but so many are new that the available financial income – not abundant in the first place – is spread thin. As a result, there are a lot of dedicated volunteers, working late and dusting Frito crumbs off their keyboards as they toil on the slush pile. Sometimes, response times can be too long and, well, I’m not getting any younger. 

In addition, the aging white man narrative is one that is not at the top of editors’ short lists these days. My stories have to soar because they are not supported by a mandate or precondition. Women, LGBTQ, People of Colour, Feminists, People with Disabilities and many other cohorts have specific themes – or whole journals – available to spotlight their particular segment. This offers them an enhanced opportunity to be seen. To be discovered.

Now before you push back and say, “here we go,” hear this: I have no qualms with that approach. It is, in many cases, overdue and given the need to bring in fresh, first-person experience, necessary. A single mom, working two jobs and supporting three kids does not have the time to write. Offering her a forum with an inherent fast-track makes sense.

So it’s just a fact and I deal with it. Besides, if I tough it out, without any fast-tracks, I could benefit as a writer by being borne solely by the popularity of my stories; by the quality of my writing. I can’t forget that.

So too, is it of value that most editors are younger than me. That may create obstacles because of dissociation – they might not know what my references mean (see the “Featured Image” above). But once again, it forces me to write better. If I am lazy and rely on an old, fuzzy-edged meme to support my point, I will fail with an editor who does not intuitively understand the embedded inference.

My objective must be to give readers experiences like this:

“Crystal clear details of a world that I do not know. A journey to another place.”

And the little town slept.

I will battle on. I’m not exceptionally patient and wish I was more so – that would help. I tend to press a little and maybe get a little too self-promotional. It is part of the old white guy songbook – when your life occasionally feels like the last few bars of Stairway to Heaven (pardon any dissociation) you tend to want to get shit done.

allfornow – m

See LINKS to the scribblings of mine that made it past the Frito crumbs of the slush pile, HERE.

 

Copyright Mitchell Toews ©2016